Michel de Certeau





Michel de Certeau

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Average rating: 4.06 · 824 ratings · 55 reviews · 18 distinct works
The Practice of Everyday Life
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4.06 of 5 stars 4.06 avg rating — 672 ratings9 editions
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The Writing of History
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4.0 of 5 stars 4.00 avg rating — 37 ratings — published 1975 — 4 editions
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The Possession at Loudun
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3.93 of 5 stars 3.93 avg rating — 28 ratings — published 2000 — 3 editions
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Heterologies: Discourse on ...
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3.87 of 5 stars 3.87 avg rating — 23 ratings4 editions
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The Mystic Fable: The Sixte...
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4.07 of 5 stars 4.07 avg rating — 15 ratings — published 1982 — 5 editions
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L'invention du quotidien, t...
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4.15 of 5 stars 4.15 avg rating — 13 ratings — published 1990 — 4 editions
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Culture In The Plural
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4.22 of 5 stars 4.22 avg rating — 9 ratings — published 1993 — 4 editions
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La Prise de parole et autre...
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4.25 of 5 stars 4.25 avg rating — 4 ratings — published 1994 — 4 editions
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étranger ou l'union dans la...
4.0 of 5 stars 4.00 avg rating — 2 ratings — published 2005
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Histoire Et Psychanalyse En...
3.33 of 5 stars 3.33 avg rating — 3 ratings2 editions
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“To walk is to lack a place. It is the indefinite process of being absent and in search of a proper. The moving about that the city mutliplies and concentrates makes the city itself an immense social experience of lacking a place -- an experience that is, to be sure, broken up into countless tiny deportations (displacements and walks), compensated for by the relationships and intersections of these exoduses that intertwine and create an urban fabric, and placed under the sign of what ought to be, ultimately, the place but is only a name, the City...a universe of rented spaces haunted by a nowhere or by dreamed-of places.”
Michel de Certeau, The Practice of Everyday Life

“It is as though the practices organizing a bustling city were characterized by [city practitioners', everyday citizens'] blindness. The neworks of these moving, intersecting writings compose a manifold story that has neither author nor spectator, shaped out of fragments of trajectories and alterations of spaces: in relation to representations, it remains daily and indefinitely other.”
Michel de Certeau, The Practice of Everyday Life

“The long poem of walking manipulates spatial organizations, no matter how panoptic they may be: it is neither foreign to them (it can take place only within them) nor in conformity with them (it does not receive its identity from them). It creates shadows and ambiguities within them. It inserts its multitudinous references and citations into them (social models, cultural mores, personal factors). Within them it is itself the effect of successive encounters and occasions that constantly alter it and make it the other's blazon: in other words, it is like a peddler carrying something surprising, transverse or attractive compared with the usual choice. These diverse aspects provide the basis of a rhetoric. They can even be said to define it.”
Michel de Certeau, The Practice of Everyday Life



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