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  <id>37489</id>
  <name><![CDATA[Kenneth Frampton]]></name>
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  <books>
        <book>
  <id type="integer">70140</id>
  <isbn>0500202575</isbn>
  <isbn13>9780500202579</isbn13>
  <text_reviews_count type="integer">7</text_reviews_count>
  <title>
    <![CDATA[Modern Architecture: A Critical History]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170718776m/70140.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/70140.Modern_Architecture_A_Critical_History</link>
  <average_rating>3.53</average_rating>
  <ratings_count>78</ratings_count>
  <description>
    <![CDATA[This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and convincing architectural culture: Finland, France, Spain and Japan. The bibliography has also been reviewed and extended, making this volume more indispensable than ever.]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1980</published>
</book>

        <book>
  <id type="integer">66450</id>
  <isbn>0262061732</isbn>
  <isbn13>9780262061735</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1170651647s/66450.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/66450.Studies_in_Tectonic_Culture_The_Poetics_of_Construction_in_Nineteenth_and_Twentieth_Century_Architecture</link>
  <average_rating>4.13</average_rating>
  <ratings_count>15</ratings_count>
  <description>
    <![CDATA[Kenneth Frampton's long-awaited follow-up to his classic <em>A Critical History of Modern Architecture</em> is certain to influence any future debate on the evolution of modern architecture.<br/> <br/> <em>Studies in Tectonic Culture</em> is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.<br/> <br/> Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.<br/> <br/> Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as &quot;avant-garde.&quot;<br/> <br/> A copublication of the Graham Foundation for Advanced Studies and The MIT Press.]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">342347</id>
  <isbn>0810934949</isbn>
  <isbn13>9780810934948</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Le Corbusier: Architect of the Twentieth Century]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173897924m/342347.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173897924s/342347.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/342347.Le_Corbusier_Architect_of_the_Twentieth_Century</link>
  <average_rating>3.77</average_rating>
  <ratings_count>13</ratings_count>
  <description>
    <![CDATA[Widely regarded as the greatest architect of the 20th century, the Swiss-born Le Corbusier (1887-1965) left an indelible mark on modern building design and city planning. Here celebrated architectural photographer Roberto Schezen joins with Columbia University architectural historian Kenneth Frampton-one of the world's foremost experts on modern architecture and on Le Corbusier-to bring us the most authoritative and visually enthralling exploration of Le Corbusier's greatest buildings.  <p>From the Chapel of Ronchamp in Nôtre Dame du Haut, France, and the Unité d'habitation in Marseille, to the city of Chandigarh in India and the Carpenter Arts Center at Harvard University, these triumphs of modern architecture -shown in more than 100 newly commissioned photographs supplemented by the architect's own original measured drawings and sketches-provide a glowing tribute to the audacious spirit, bold, functional expressionism, and boundless imagination that are Le Corbusier's enduring legacy and the hallmarks of his genius.</p>]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">390870</id>
  <isbn>0714846333</isbn>
  <isbn13>9780714846330</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Alvaro Siza: Complete Works]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174390348m/390870.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174390348s/390870.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/390870.Alvaro_Siza_Complete_Works</link>
  <average_rating>4.29</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[Alvaro Siza (1933) studied at the School of Architecture of the University of Oporto.  Between 1955 and 1958 he worked in the studio of Fernando Tavora.  he embarked on his professional career with the Boa Nova Restaurant (Leca da Palmeira, 1963).  In this initial phase, his works combined modern typology with the vernacular tradition.  Nonetheless, he constantly returns to clear volumes, like the great white parallellepiped of Avelino Duarte House (Ovar, 1985), which brings together all his earlier experience of housing typologies, including his major intervention in this area Quinta da Malagueira (Evora, 1977).  Since the eighties, he has been commissioned to carry out a wide variety of porjects, ranging from the Santiago de Compostela Museum of Contemporary Art (1993) to the School of Education in Setubal (1992).]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">79575</id>
  <isbn>0714840807</isbn>
  <isbn13>9780714840802</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Labour, Work and Architecture]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170969612m/79575.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1170969612s/79575.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/79575.Labour_Work_and_Architecture</link>
  <average_rating>3.67</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA['For his entire career Mr. Frampton has looked beneath the aesthetic surface of buildings in search of deeper meaningsÖ' (Paul Goldberger, New York Times)    <p>This anthology of writings by the architectural critic Kenneth Frampton brings together his most influential essays from the last thirty-five years. The essays focus on twentieth-century architecture, dealing with themes and movements, built works and the architects responsible for these buildings.     <p>The essays are presented in chronological order within three sections - Theory, History and Criticism - which together serve to situate modern architecture in its broader cultural and historical context. The anthology includes early critical reviews from the 1960s and 1970s analysing contemporary buildings, as well as lengthier pieces covering architecture and the ideological circumstances in which buildings are produced. As a collection, Labour, Work and Architecture is an important document in the historiography of twentieth-century architecture by a highly respected and readable scholar committed to the understanding and improvement of our built environment.</p></p>]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">236980</id>
  <isbn>0847826333</isbn>
  <isbn13>9780847826339</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Richard Meier Architect, Vol. 4 (1999-2003) (Richard Meier, Architect)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172987048m/236980.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172987048s/236980.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/236980.Richard_Meier_Architect_Vol_4</link>
  <average_rating>4.25</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;The latest installment of Rizzoli's best-selling series of monographs on one of America's most important architects, Richard Meier, Architect Volume 4 documents Meier's work since the publication of the previous volume in 1999.  This extensively illustrated presentation vividly conveys the purity and power of Meier's unique and celebrated vision. Twenty-seven residential, commercial, and civic projects are featured, including the 173/176 Perry Street residential towers in New York overlooking the Hudson River, perhaps the most celebrated new apartment buildings of our time; the Yale University History of Art and Arts Library in New Haven, Connecticut; and the Vatican-sponsored competition for his winning     Jubilee Church of the year 2000 for the Vicariate of Rome.<br/> <br/>The development and significance of Richard Meier's work is discussed in two essays by the distinguished architectural historians and critics Kenneth Frampton and Joseph Rykwert. A biographical chronology and a selected bibliography complete this elegant and comprehensive monograph on a modern American master.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">398625</id>
  <isbn>0810961830</isbn>
  <isbn13>9780810961838</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Alvar Aalto: Between Humanism and Materialism]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174429818m/398625.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174429818s/398625.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/398625.Alvar_Aalto_Between_Humanism_and_Materialism</link>
  <average_rating>3.50</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[Of the indisputably great figures in 20th-century architecture, Alvar Aalto is in many ways the most humane, the least rigid, the most relevant to our contemporary sensibility and the emerging future. This sumptuous book offers a thorough study of an innovative and prolific master, whom Frank Lloyd Wright termed a genius. This fresh, penetrating examination of Aalto's work and influence includes essays by five notable critics and historians. Some 50 of Aalto's projects--houses, town halls, cultural institutions, factories, furniture and glass designs, and regional plans--from all periods of his extraordinarily productive career are illustrated and described, using much previously unpublished and newly photographic material. This book was published to accompany a 1998 retrospective exhibition at The Museum of Modern Art, New York.]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
    <author>
    <id>187435</id>
        <name><![CDATA[Juhani Pallasmaa]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/187435.Juhani_Pallasmaa]]></link>
    <average_rating>4.33</average_rating>
    <ratings_count>83</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">1465037</id>
  <isbn>0500283303</isbn>
  <isbn13>9780500283301</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Modernity and Community: Architecture in the Islamic World]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183880237m/1465037.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1183880237s/1465037.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1465037.Modernity_and_Community_Architecture_in_the_Islamic_World</link>
  <average_rating>3.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[The 2001 Aga Kahn Award for Architecture. The Aga Khan Award for Architecture was established in 1977 to encourage and bring to international attention the work of architects and designers building in Muslim nations. Previous winners of this prestigious award, which is given every three years, include such architects as Balkrishna Doshi, Ken Yeang, Jean Nouvel, Charles Correa, Frei Otto, and Hassan Fathy. Nominated and documented by their architects, planners, or development teams and clients, including commercial companies, communities, and private individuals, the projects encompass a broad range of building, from restoration and urban renewal to revisited vernacular and modern interpretations. For the 2001 award, the steering committee included Kenneth Frampton, Zaha Hadid, and Charles Correa. Each of the winning projects is profiled and illustrated in depth, and critical essays consider the challenges and rewards confronting architects working in Muslim countries. 270 illustrations and photographs, 100 in color.]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
    <author>
    <id>74478</id>
        <name><![CDATA[David Robson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/74478.David_Robson]]></link>
    <average_rating>4.15</average_rating>
    <ratings_count>26</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>686931</id>
        <name><![CDATA[Charles Correa]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/686931.Charles_Correa]]></link>
    <average_rating>4.33</average_rating>
    <ratings_count>9</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">326428</id>
  <isbn>1904313027</isbn>
  <isbn13>9781904313021</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Steven Holl: Architect]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173769956m/326428.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173769956s/326428.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/326428.Steven_Holl_Architect</link>
  <average_rating>4.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">3274405</id>
  <isbn>0847818942</isbn>
  <isbn13>9780847818945</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[American Masterworks: The Twentieth-Century House]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3274405.American_Masterworks_The_Twentieth_Century_House</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;The architecture of great homes became a fascinating and significant art form in twentieth-century America with such icons of modernism as Frank Lloyd Wright's Fallingwater, Philip Johnson's Glass House, and Frank Gehry's personal residence. This lavishly illustrated <br/>volume, the newest title in the Universe architecture series, is a condensed and updated edition of the bestselling book of the same name. Twenty-five of America's finest masterpieces of modern residential architecture are presented with rich color photographs, accompanied by text that explores each house in depth and discusses its place in the progression of American architecture. Compact and very reasonably priced, this book is ideal for students and all enthusiasts of twentieth-century design.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>37489</id>
        <name><![CDATA[Kenneth Frampton]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37489.Kenneth_Frampton]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>173</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

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