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  <id>37198</id>
  <name><![CDATA[Mel Gordon]]></name>
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        <book>
  <id type="integer">65947</id>
  <isbn>1932595112</isbn>
  <isbn13>9781932595116</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Voluptuous Panic: The Erotic World of Weimar Berlin]]>
  </title>
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  <link>http://www.goodreads.com/book/show/65947.Voluptuous_Panic_The_Erotic_World_of_Weimar_Berlin</link>
  <average_rating>4.26</average_rating>
  <ratings_count>77</ratings_count>
  <description>
    <![CDATA[<p>&quot;<em>Voluptuous Panic</em> is simultaneously appalling and thrilling, repellent and seductive, grotesque and gorgeous-not a typical coffee table book. It would go better with absinthe drunk from a human skull.&quot;-Gary Meyer, <em>Clean Sheets</em></p> <p>When <em>Voluptuous Panic: The Erotic World of Weimar Berlin</em> first appeared in the fall of 2000, it inspired wide acclaim and multiple printings. Anticipating the expanded edition, Feral House placed <em>Voluptuous Panic</em> out of print, and for the past year buyers paid as much as $460 to online dealers for a used copy.</p>   <p>This sourcebook of hundreds of rare visual delights from pre-Nazi, <em>Cabaret</em>-period &quot;Babylon on the Spree&quot; has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip clubgoers, filmmakers, gay historians, graphic designers, and musicians like the Dresden Dolls and Marilyn Manson.</p>   <p><em>Voluptuous Panic</em>'s expanded edition includes the new illustrated chapter, &quot;Sex Magic and the Occult,&quot; documenting German pagan cults and their bizarre erotic rituals, including instructions for entering into the &quot;Sexual Fourth Dimension.&quot; The deluxe hardcover edition also includes sensational accounts of hypno-erotic cabaret acts, Berlin Fetish prostitution (&quot;The Boot Girl Visit&quot;), gay life (&quot;A Wild-Boy Initiation!&quot;), descriptions and illustrations of Aleister Crowley's Berlin OTO Secret Society, and sex crime (&quot;the Curious Career and Untimely Death of Fritz Ulbrich&quot;).</p>    <p><strong>Mel Gordon</strong> is professor of Theater at University of California, Berkeley, and also the author of <em>Erik Jan Hanussen: Hitler's Jewish Clairvoyant</em> (Feral House), and <em>The Grand Guignol: Theatre of Fear and Terror</em> (DaCapo).</p>]]>
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    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">560136</id>
  <isbn>1932595120</isbn>
  <isbn13>9781932595123</isbn13>
  <text_reviews_count type="integer">9</text_reviews_count>
  <title>
    <![CDATA[The Seven Addictions and Five Professions of Anita Berber: Weimar Berlin's Priestess of Depravity]]>
  </title>
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  <link>http://www.goodreads.com/book/show/560136.The_Seven_Addictions_and_Five_Professions_of_Anita_Berber_Weimar_Berlin_s_Priestess_of_Depravity</link>
  <average_rating>3.22</average_rating>
  <ratings_count>37</ratings_count>
  <description>
    <![CDATA[<p><em>The Seven Addictions and Five Professions of Anita Berber</em> is the first contemporary biography of a notorious actor/dancer/poet/playwright who scandalized sex-obsessed Weimar Berlin during the 1920s.</p>  <p>In an era where everything was permitted, Anita Berber's celebrations of &quot;Depravity, Horror and Ecstasy&quot; were condemned and censored. She often haunted Weimar Berlin's hotel lobbies, nightclubs and casinos, radiantly naked except for an elegant sable wrap, a pet monkey hanging from her neck, and a silver brooch packed with cocaine. Multi-talented Anita saw no boundaries between her personal life and her taboo-shattering performances. As such, she was Europe's first postmodern woman.</p>  <p>Among those Anita Berber claimed as members of her vast sexual harem were Marlene Dietrich, Magnus Hirschfeld (the founder of modern sexology and gay liberation), Klaus Mann, Conrad Veidt, Lawrence Durrell, and the King of Yugoslavia. Berber acted in Fritz Lang's <em>Dr. Mabuse: The Gambler</em> and starred in the silent epic, <em>Lucifer</em>. Even Leni Riefenstahl credits Berber for inspiring her controversial career. After sated Berliners finally tired of Anita Berber's libidinous antics, she became a &quot;carrion soul that even the hyenas ignored,&quot; dying in 1928 at the age of 29.</p>  <p><em>The Seven Addictions and Five Professions of Anita Berber</em> chronicles a remarkable career, including over 150 photographs and drawings that recreate Anita's enduring &quot;Repertoire of the Damned.&quot;</p>]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">560135</id>
  <isbn>0306808064</isbn>
  <isbn13>9780306808067</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Grand Guignol: Theatre of Fear and Terror]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175800100m/560135.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175800100s/560135.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/560135.The_Grand_Guignol_Theatre_of_Fear_and_Terror</link>
  <average_rating>4.17</average_rating>
  <ratings_count>18</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;From its beginnings in turn-of-the-century Paris and throughout its sixty-year reign of terror, the Theatre of the Grand Guignol gleefully celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity, and guilt were its primary themes. By dissecting primal taboos in an unprecedentedly graphic manner, it became the progenitor of all the blood-spilling, eye-gouging, and limb-hacking &quot;splatter&quot; movies of today. This first English-language book on Grand Guignol examines its history, themes, and methods; summarizes its plots; provides the texts of two typical plays; and illustrates it with close to 100 pictures.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1988</published>
</book>

        <book>
  <id type="integer">254691</id>
  <isbn>0933826699</isbn>
  <isbn13>9780933826694</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Lazzi: The Comic Routines of the Commedia dell'Arte (PAJ Books)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173183197m/254691.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173183197s/254691.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/254691.Lazzi_The_Comic_Routines_of_the_Commedia_dell_Arte</link>
  <average_rating>4.33</average_rating>
  <ratings_count>9</ratings_count>
  <description>
    <![CDATA[<p>&quot;An important addition to the literature on Italian Commedia dell'Arte.&quot;-<em>Choice</em></p><p>This best-selling PAJ volume presents over 250 comedy routines used by commedia performers in Europe from 1550 to 1750. Includes an introduction, two complete commedia scenarios, and a glossary of commedia characters.</p>]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">849869</id>
  <isbn>0922915687</isbn>
  <isbn13>9780922915682</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Hanussen: Hitler's Jewish Clairvoyant]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1178895386s/849869.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/849869.Hanussen_Hitler_s_Jewish_Clairvoyant</link>
  <average_rating>4.29</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[Erik Jan Hanussen made a name for himself as Europe’s most audacious and controversial soothsayer. Billing himself as “The Man Who Knows All,” he performed in cabarets and music halls, attracting the attention of everyone from Sigmund Freud and Thomas Mann to Marlene Dietrich and Peter Lorre. His exceptional paranormal abilities — along with his stage specialty of hypnotizing women to orgasm — garnered ardent admirers and equally ardent denouncements, religious and otherwise. In March 1932, when Adolf Hitler’s political future seemed doomed, Hanussen predicted a resurgence of the Nazi Party. The prediction proved a psychic salve for Hitler, and Hanussen became an influential confidant of the superstitious fuhrer. But what Hitler didn’t know initially was that Hanussen was not the Dane he claimed to be but a Jew from Moravia whose given name was Herschel Steinschneider.]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">560134</id>
  <isbn>1555540112</isbn>
  <isbn13>9781555540111</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Dada Performance (PAJ Books)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175800100m/560134.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175800100s/560134.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/560134.Dada_Performance</link>
  <average_rating>4.83</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[<p>In the first collection of its kind, Mel Gordon brings together important texts by leading Dadaists Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.</p>]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1987</published>
</book>

        <book>
  <id type="integer">560137</id>
  <isbn>0786400986</isbn>
  <isbn13>9780786400980</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175800101m/560137.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175800101s/560137.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/560137.Meyerhold_Eisenstein_and_Biomechanics_Actor_Training_in_Revolutionary_Russia</link>
  <average_rating>4.75</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[Russian theater director Vsevolod Meyerhold designed <em>Biomechanics</em>-a system of actor training-shortly after the Russian Revolution. One of Meyerhold's students was the great Russian film director Sergei Eisenstein. Gathered from private Moscow archives, this is the first book-length study of Meyerhold's stylized training method in practical detail, as well as Eisenstein's theoretical analysis of Biomechanics.]]>
  </description>
<authors>
    <author>
    <id>307122</id>
        <name><![CDATA[Alma H. Law]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/307122.Alma_H_Law]]></link>
    <average_rating>4.75</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">439242</id>
  <isbn>0936839082</isbn>
  <isbn13>9780936839080</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Stanislavsky Technique: Russia: A Workbook for Actors (Applause Acting Series)]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1174777695s/439242.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/439242.The_Stanislavsky_Technique_Russia_A_Workbook_for_Actors</link>
  <average_rating>4.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[It is virtually impossible to discuss modern acting or actor training without first mentioning the Russian thoerist and director Konstantin Stanislavsky. Complete in one volume, Mel Gordon explores the actor training systems of Stanislavsky and his two most important disciples, Evgeni Vakhtangov and Michael Chekhov, tracing the major teachings and refinements over the first 50 years of use by actors. Gordon reconstructs the actual exercises taught at the Moscow Art Theatre and various Russian acting studios, and he clears away the myths and confusion about the practical use of Stanislavsky's System. This volume contains: The Stanislavsky System - First Studio Exercises 1912-1916; Vakhtangov as Rebel and Theoretician - Exercises 1919-1921; Michael Chekhov - Exercises 1919-1952; and Stanislavsky's Fourth Period - Theory of Physical Actions, 1934-1938.]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">405323</id>
  <isbn>1555540139</isbn>
  <isbn13>9781555540135</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Expressionist Texts (PAJ Books)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174472523m/405323.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174472523s/405323.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/405323.Expressionist_Texts</link>
  <average_rating>3.33</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Expressionism has been a dominant force in painting, film, graphics, theatre, literature, and music throughout the twentieth century. Several of the classics of the style are represented in this volume, including: <em>Sphinx and the Strawman</em> by Oskar Kokoschka, <em>Sancta Susanna</em> by August Stramm, From Morn to Midnight by Georg Kaiser, <em>Ithaka</em> by Gottfried Benn, <em>The Son</em> by Walter Hasenclever, <em>The Transfiguration</em> by Ernst Toller, <em>Crucifixion</em> by Lothar Schreyer.]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
</book>

        <book>
  <id type="integer">2403431</id>
  <isbn>0936839104</isbn>
  <isbn13>9780936839103</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stanislavsky: The American Tradition]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2403431.Stanislavsky_The_American_Tradition</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
</book>

        <book>
  <id type="integer">7294976</id>
  <isbn>1932595783</isbn>
  <isbn13>9781932595789</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Siegel and Shuster's Funnyman: The First Jewish Superhero, from the Creators of Superman]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/7294976-siegel-and-shuster-s-funnyman</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[<p>Here is a kaleidoscopic analysis of Jewish humor as seen through <em>Funnyman</em>, a  little-known super-heroic invention by the creators of <em>Superman</em>. Included are complete comic-book stories and daily and Sunday newspaper panels from Jerry Siegel and Joe Shuster’s creative fiasco.</p>  <p>Siegel and Shuster, two Jewish teenagers from Cleveland, sold the rights to their amazing and astonishingly lucrative comic book superhero to Detective Comics for $130 in 1938. Not only did they lose the ownership of the Superman character, they also agreed to write and illustrate it for ten years at ten dollars per page. Their contract with the DC publishers was soon heralded as the most foolish agreement in the history of American popular culture.</p>  <p>After toiling on workman’s wages for a decade, Siegel and Shuster struggled to come up with a new superhero, one that would right their wrongs and prove that justice, fair-play, and zany craftsmanship was the true American way and would lead to ultimate victory. But when the naïve duo launched their new comic character Funnyman in 1947, it failed miserably. All the turmoil and personal disasters in Siegel and Shuster’s postwar life percolated into the comic strip.</p>  <p>This book tells the back story of the unsuccessful strip and Siegel and Shuster’s ambition to have their funny Jewish superhero trump Superman.</p>  <p><strong>Mel Gordon</strong> is the author of <em>Voluptuous Panic: The Erotic World of Weimar Berlin</em>.</p>  <p><strong>Thomas Andrae</strong> is the author of <em>Batman and Me</em>.</p>]]>
  </description>
<authors>
    <author>
    <id>81563</id>
        <name><![CDATA[Jerry Siegel]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/81563.Jerry_Siegel]]></link>
    <average_rating>3.98</average_rating>
    <ratings_count>356</ratings_count>
    <text_reviews_count>34</text_reviews_count>
  </author>
    <author>
    <id>90515</id>
        <name><![CDATA[Thomas Andrae]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/90515.Thomas_Andrae]]></link>
    <average_rating>3.64</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>37198</id>
        <name><![CDATA[Mel Gordon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/37198.Mel_Gordon]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>174</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2010</published>
</book>

      <books>
</author>
</GoodreadsResponse>