<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	<author>
  
  <id>370435</id>
  <name><![CDATA[Sawako Nakayasu]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
  <fans_count type="integer">2</fans_count>
  <followers_count type="integer">1</followers_count>
  <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
  <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
  <about><![CDATA[SAWAKO NAKAYASU's books include So we have been given time  Or, (Verse, 2004) Nothing fictional but the accuracy or arrangement (she, (forthcoming from Quale Press, 2005) and Clutch  (Tinfish chapbook, 2002). Find more info here:  <a rel="nofollow" target="_blank" href="http://www.factorial.org/sn/sn_home.html">http://www.factorial.org/sn/sn_home.html</a>]]></about>
  <influences><![CDATA[]]></influences>
  <gender>female</gender>
  <hometown></hometown>
  <born_at></born_at>
  <died_at></died_at>
  
  <books>
        <book>
  <id type="integer">1471142</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Insect Country]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1259161569m/1471142.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1259161569s/1471142.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1471142.Insect_Country</link>
  <average_rating>4.41</average_rating>
  <ratings_count>37</ratings_count>
  <description>
    <![CDATA[lavender]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">692920</id>
  <isbn>0974450367</isbn>
  <isbn13>9780974450360</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[nothing fictional but the accuracy or arrangement]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177297714m/692920.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177297714s/692920.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/692920.nothing_fictional_but_the_accuracy_or_arrangement</link>
  <average_rating>4.56</average_rating>
  <ratings_count>32</ratings_count>
  <description>
    <![CDATA[Nothing fictional but the accuracy or arrangement (she catalogs women moving through the world. These women move through mundane activities--tossing out spoiled food, watering plants--that branch out into infinite dimensions of consciousness, memory and sensory experience. The subject herself--simply &quot;she&quot;--is relegated to the title page, allowing the reader to experience her impressions and actions unmediated. From this vantage point, at once disembodied and deeply felt, the stories read with their own resonant clarity, as if viewed through a body of water, the bottom visible but shifting and refracted, shimmering always.]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">692921</id>
  <isbn>0974635308</isbn>
  <isbn13>9780974635309</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[So We Have Been Given Time    Or]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177297714m/692921.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177297714s/692921.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/692921.So_We_Have_Been_Given_Time_Or</link>
  <average_rating>4.47</average_rating>
  <ratings_count>32</ratings_count>
  <description>
    <![CDATA[<p>Nakayasu's book-length poem uses its tumbling dramatic form to create a new inquiry into &quot;character,&quot; &quot;time,&quot; &quot;place,&quot; &quot;direction &quot; and other elements. Lyrical language and personal, engaging voices take the reader on a dizzying and affecting journey through a &quot;geography of risk.&quot;  This wholly original work  brings poetry into regions hitherto explored only by the most experimental forms of music and plastic arts.</p><p><strong>Sawako Nakayasu</strong> was born in Yokohama, Japan, and has lived in the US since the age of six. Her previous pubications include <em>Clutch </em>(Tinfish, 2002), <em>Balconic </em>(Duration, 2003), and <em>Nothing fictional but accuracy or arrangement (she </em> (Faux, 2003), and she edits the press Factorial. In 2003 she received the US-Japan Creative Artists' Program Fellowship from the NEA.</p>]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">1488757</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Insect Country]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184156237m/1488757.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184156237s/1488757.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1488757.Insect_Country</link>
  <average_rating>4.68</average_rating>
  <ratings_count>22</ratings_count>
  <description>
    <![CDATA[*A dusi/e-chap printed in a limited edition chapbook as well as published as an e-book printable. (year one)]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">6352557</id>
  <isbn>1886224986</isbn>
  <isbn13>9781886224988</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Hurry Home Honey: Love Poems 1994-2004]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1240775332m/6352557.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1240775332s/6352557.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6352557-hurry-home-honey</link>
  <average_rating>4.54</average_rating>
  <ratings_count>13</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">692918</id>
  <isbn>0975446827</isbn>
  <isbn13>9780975446829</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Three Factorial]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177297713m/692918.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177297713s/692918.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/692918.Three_Factorial</link>
  <average_rating>3.80</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Three Factorial is now available in a beautiful trilingual edition, featuring poetry in translation between Japanese, French, and English. A large proportion of the book features contemporary Japanese poetry in translation from many of Japan's most innovative poets who are very little known in the West. Also included are fine examples of Japanese visual poetry by the renowned Seiichi Nikuni, as well as innovative sound poetry from a few of Japan's younger poets.]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">692924</id>
  <isbn>0975446835</isbn>
  <isbn13>9780975446836</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Four Factorial]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177297715m/692924.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177297715s/692924.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/692924.Four_Factorial</link>
  <average_rating>5.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Four Factorial presents the second installment of an ongoing feature of contemporary Japanese poetry in translation. It features a selection of some of the most unique Japanese poetry written today, including a number of younger poets who have never before been translated and published in English. <br/> <br/> The issue also features the results of the 2004 Speed Round, PLUS, a collaborative visual poem by Jennifer Lowe and Tim Ramick, and an essay on Japanese surrealism by George Kalamaras.]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">692928</id>
  <isbn>0975446819</isbn>
  <isbn13>9780975446812</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Two Factorial]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177297716m/692928.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177297716s/692928.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/692928.Two_Factorial</link>
  <average_rating>4.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Two Factorial presents more innovative collaborative writing, including a reprinted excerpt from the long out-of-print but groundbreaking <em>Elements of Performance Art</em> by Fiona Templeton &amp; Anthony Howell; a trans-Atlantic exchange between Jerome Rothenberg and Stefan Hyner addressing the Holocaust; and various acts of crime, fraud, fire, prolificiency, and always, collaboration.  <p>Other writers featured in this issue include Norma Cole &amp; Avery Burns, Sarah Ann Cox &amp; Yedda Morrison &amp; Elizabeth Treadwell, Caroline Presnell &amp; Bobbie West &amp; April West, Kerri Sonnenberg &amp; Sawako Nakayasu, Sue Landers &amp; Natasha Dwyer, Dawn Trook &amp; Jeff Lytle, Eric Baus &amp; Noah Eli Gordon &amp; Nick Moudry &amp; Travis Nichols, John Crouse &amp; Andrew Topel, Octavia Orange &amp; Accomplice, Fiona Templeton &amp; Anthony Howell, Zara Houshmand &amp; Tamiko Thiel, plus a few anonymous contributors.</p>]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6352556</id>
  <isbn>0981522726</isbn>
  <isbn13>9780981522722</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Texture Notes]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6352556-texture-notes</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">6512406</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Aufgabe #4 (Fall 2004)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1243803635m/6512406.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1243803635s/6512406.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6512406-aufgabe-4</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Feature guest edited by Sawako Nakayasu, with translations by Sawako Nakayasu, Hiroaki Sato, and Eric Selland<br/><br/>Preface by Sawako Nakayasu<br/>Chika Sagawa, Poems<br/>Seiichi Niikuni, Three Poems<br/>Chimako Tada, From A Woman of a Distant Land<br/>Taeko Tomioka, Two Poems<br/>Ayane Kawata, from Time of Sky<br/>Sumiko Yagawa, Etcetera Ode<br/>Takashi Hiraide, from For the Fighting Spirit of the Walnut<br/>Masato Inagawa, from Seal<br/>Ayane Kawata, from Castles in the Air – A Dream Journal<br/>Hirata Toshiko, Four Poems<br/>Hiromi Ito, Snow<br/>Kyong-Mi Park, Weather Patterns<br/><br/>Poetry<br/><br/>Africa Wayne, Three Poems<br/>kari edwards, from having been blue for charity<br/>Jennifer Scappettone, Beauty is the New Absurdity<br/>Gustaf Sobin, Three Poems<br/>Trey Sager, Two Plus Two Makes Data<br/>E. Tracy Grinnell &amp; Paul Foster Johnson, from Quadriga<br/>Laynie Browne, from The Scented Fox<br/>Drew Kunz, from A Lull of Margins<br/>John Sakkis, from Quotidian<br/>Dawn Michelle Baude, Two Poems<br/>Roberto Harrison, from Counter Daemons – WYSIWYG<br/>Sarah Rosenthal, Two Poems<br/>Kate Colby, Pangaea Redivivus/Re[as]sembling Anastasia<br/>Elizabeth Marie Young, Two Poems<br/>Xue Di, Two Poems<br/>John Keene, Three Poems<br/>Chris Tysh, Viv’s vague à l’âme<br/>David Pavelich, from Ash<br/>Christine Hume, Static Portrait the Younger<br/>Timothy Shea, Above<br/>Jennifer K. Dick, Frequency<br/>Gian Lombardo, A’s Tale<br/>Susan Landers, The Suicides: Words &amp; Blood<br/>Chris Martin, Three Poems<br/>Jill Magi, from Threads<br/>Bill Marsh, Two Poems<br/>Jeffrey Jullich, Throes<br/>Michelle Noteboom, Two Poems<br/>Scott Inguito, Three Poems<br/>Ted Mathys, from The Figure<br/>Mary Burger, Talking About the Universe as if It Existed<br/>Laura Mullen, (Undersong) The Distance (This)<br/><br/>Essays/Notes/Reviews/Interviews<br/><br/>Christine Hume, The SonNets of William Shakespeare by Jen Bervin<br/>Drew Kunz, in the process of writing-in arrangement: Laynie Browne’s Acts of Levitation<br/>Eric Selland, The Landscape of Identity: Poetry and the Modern in Japan<br/>Sarah Rosenthal, from Artifice and Accident: An Interview with Stephen Ratcliffe<br/>Bill Marsh, An Aura of Occasion: The Poker, Submodern Fiction, and Antennae<br/>Laynie Browne, Poetics of Impending Loss, A Tale<br/>Chris Martin, Talking Dirty &amp; Carried Away: kari edwards' iduna<br/>Meadow Dibble-Dieng and Heidi Brevik, Beyond the Darkness: An Interview with Xue Di<br/>Brian Strang, Returning to Our Lesser Instincts: Craig Watson's True News<br/>Contributors’ Notes<br/><br/>Cover Art<br/><br/>Rachel Bers<br/>]]>
  </description>
<authors>
    <author>
    <id>637326</id>
        <name><![CDATA[E. Tracy Grinnell]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1230663831p5/637326.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1230663831p2/637326.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/637326.E_Tracy_Grinnell]]></link>
    <average_rating>5.00</average_rating>
    <ratings_count>53</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
    <author>
    <id>370435</id>
        <name><![CDATA[Sawako Nakayasu]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p5/370435.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1184155967p2/370435.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/370435.Sawako_Nakayasu]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>146</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

      <books>
</author>
</GoodreadsResponse>