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  <id>359962</id>
  <name><![CDATA[Myriam J.A. Chancy]]></name>
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  <about><![CDATA[Myriam J. A. Chancy was born in Port-au-Prince, Haiti and was raised there and in Quebec City for the first four years of her life; subsequently, her family emigrated to Winnipeg, in the Prairies of Canada.  Her first language is &quot;French French,&quot; as the Martiniquans would say, and she learned English between the ages of 8-10.  She studied English Literature and Philosophy at the University of Manitoba where Evelyn J. Hinz was a shaping influence on her future trajectory as a writer, editor, and ultimately, as a professor of English.  She received her MA in English Literature from Dalhousie University in Nova Scotia and won a coveted SSHRCC Ph. D. fellowship from the Government of Canada without having considered or applied to Ph. D. programs.  During this time, she published her first fiction and creative non-fiction in a journal called Proem (now defunct) dedicated to writers 25 years or under.  She ultimately decided to accept the SSHRCC award and attended the University of Iowa from 1990-1994 where she received her Ph. D. in English Literature with specialization in Caribbean Women's Literature.  <br/><br/>She published two academic texts, _Searching for Safe Spaces: Afro-Caribbean Women Writers in Exile_ &amp; Framing Silence: Revolutionary Novels by Haitian Women in 1997; Searching was awarded an OAB Award from Choice, the journal of the American Library Association in 1999 and Framing Silence, the first comprehensive study of Haitian women's literature has been foundational in establishing the field.<br/><br/>In 2003, her first novel, _Spirit of Haiti_ was published in London, England; it was short listed for the Canada/Caribbean Region First Novel Award of the Commonwealth Writer's Prize in 2004 on a long list which included Ramabai Espinet and Margaret Atwood.<br/><br/>In 2005, her second novel _The Scorpion's Claw_ was published by Peepal Tree Press in Leeds, England; it enjoys some success and is taught in numerous schools in the US, the Caribbean and the UK.  It received the distinction of being selected to be placed, along with works by other contemporary Caribbean authors, in high school libraries across Guyana in 2007.]]></about>
  <influences><![CDATA[Too many to count...but, I will say: de Ségur, de la Fontaine, Morisseau Leroy, Margaret Atwood, Alice Walker, Countee Cullen, Leonard Cohen (music), Raymond Carver, Chopin, Mozart, Bach, Sade (singer)...music of all genres...regular folks on the streets at home and while traveling....food....paternal step-grandmother, parents...friends....life....illness...grace...]]></influences>
  <gender>female</gender>
  <hometown>Port-au-Prince</hometown>
  <born_at>1970/03/18</born_at>
  <died_at></died_at>
  
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  <id type="integer">930295</id>
  <isbn>0813523400</isbn>
  <isbn13>9780813523408</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Framing Silence: Revolutionary Novels by Haitian Women]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1179546388s/930295.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/930295.Framing_Silence_Revolutionary_Novels_by_Haitian_Women</link>
  <average_rating>3.50</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[In this study of Haitian women's literature, the author explores their history, traditions, stories and tales. The authors' unwillingness to subordinate to narratives of national autonomy, issues of race, class, colour, caste and sexuality are central to the fiction.]]>
  </description>
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    <author>
    <id>359962</id>
        <name><![CDATA[Myriam J.A. Chancy]]></name>
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    <average_rating>3.82</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">1679399</id>
  <isbn>190229419X</isbn>
  <isbn13>9781902294193</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Spirit of Haiti (City Colours series)]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1679399.Spirit_of_Haiti</link>
  <average_rating>5.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[A moving tale of contemporary Haiti dogged by a fascinating history and the fragile lives born of it, this novel tells how the lives of four witnesses of military-ruled Haiti during the terror-filled years of the Duvalier regime of the early 1990s intersect. These vivid characters include Léah Ochún, who rises from the sea like a siren one morning off the coast of Cap Haitien, clothes untouched by water, blue stones wrapped around her neck, eyes blind to light; Carmen, soon to be a mother, who returns to Haiti from Canada as if to the call of the vodou; Alexis, who flees the island in search of a land without strife; and Philippe, who walks the northern hills alert to ancestral voices still haunting its peaks and valleys, his gay identity exploited in tourist trade as he struggles to maintain spiritual dignity and a hold on hope, his body decaying from AIDS. This is ultimately a novel about confronting the failings of the human heart and the triumph of memory over despair.]]>
  </description>
<authors>
    <author>
    <id>359962</id>
        <name><![CDATA[Myriam J.A. Chancy]]></name>
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    <average_rating>3.82</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">1679398</id>
  <isbn>1900715910</isbn>
  <isbn13>9781900715911</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Scorpion's Claw]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1186768336m/1679398.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1186768336s/1679398.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1679398.The_Scorpion_s_Claw</link>
  <average_rating>3.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[This challenging, multi-layered story is told from a womanist perspective through a network of narrative voices encompassing two generations of Haitians, tied together both by blood relations and bloodshed. In addition to the characters' personal struggles with the harsh realities of postcolonial Haiti, the violent history of the last six centuries of the country, from the brutal years of colonialism and slavery to the chaotic aftermath of the fall of the Baby Doc regime, is also explored. The rhythm of the prose echoes Haitian Créole as this dramatic novel unfolds.]]>
  </description>
<authors>
    <author>
    <id>359962</id>
        <name><![CDATA[Myriam J.A. Chancy]]></name>
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    <average_rating>3.82</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">671504</id>
  <isbn>1566395402</isbn>
  <isbn13>9781566395403</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Searching for Safe Spaces: Afro-Caribbean Women Writers in Exile]]>
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  <small_image_url>http://photo.goodreads.com/books/1176993221s/671504.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/671504.Searching_for_Safe_Spaces_Afro_Caribbean_Women_Writers_in_Exile</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
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    <![CDATA[Home. Exile. Return. Words heavy with meaning and passion. For Myriam Chancy, these three themes animate the lives and writings of dispossessed Afro-Caribbean women.   <p>Understanding exile as flight from political persecution or types of oppression that single out women, Chancy concentrates on diasporic writers and filmmakers who depict the vulnerability of women to poverty and exploitation in their homelands and their search for safe refuge. These Afro-Caribbean feminists probe the complex issues of race, nationality, gender, sexuality, and class that limit women's lives. They portray the harsh conditions that all too commonly drive women into exile, depriving them of security and a sense of belonging in their adopted countries&#151;the United States, Canada, or England.   <p>As they rework traditional literary forms, artists such as Joan Riley, Beryl Gilroy, M. Nourbese Philip, Dionne Brand, Makeda Silvera, Audre Lorde, Rosa Guy, Michelle Cliff, and Marie Chauvet give voice to Afro-Caribbean women's alienation and longing to return home. Whether their return is realized geographically or metaphorically, the poems, fiction, and film considered in this book speak boldly of self-definition and transformation.</p></p>]]>
  </description>
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    <author>
    <id>359962</id>
        <name><![CDATA[Myriam J.A. Chancy]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/359962.Myriam_J_A_Chancy]]></link>
    <average_rating>3.82</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
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