J.L. Carr





J.L. Carr

Author profile


born
May 20, 1912 in Thirsk Junction, The United Kingdom

died
February 26, 1994

gender
male

About this author


Average rating: 4.02 · 736 ratings · 154 reviews · 9 distinct works
A Month in the Country
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4.03 of 5 stars 4.03 avg rating — 761 ratings — published 1980 — 18 editions
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The Battle Of Pollocks Cros...
4.0 of 5 stars 4.00 avg rating — 11 ratings2 editions
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A Day in Summer
4.0 of 5 stars 4.00 avg rating — 6 ratings — published 1963
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The Harpole Report
3.4 of 5 stars 3.40 avg rating — 5 ratings
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What Hetty Did
4.25 of 5 stars 4.25 avg rating — 4 ratings — published 1988
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How Steeple Sinderby Wander...
3.56 of 5 stars 3.56 avg rating — 9 ratings — published 1975 — 4 editions
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Carr's Illustrated Dictiona...
0.0 of 5 stars 0.00 avg rating — 0 ratings — published 1983 — 2 editions
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Bloody Lucky: Writing on Cr...
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4.0 of 5 stars 4.00 avg rating — 3 ratings — published 1994
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Edward Thomas
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0.0 of 5 stars 0.00 avg rating — 0 ratings3 editions
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Las Tortugas y Los Cocodril...
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0.0 of 5 stars 0.00 avg rating — 0 ratings — published 2007
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More books by J.L. Carr…
“And, at such a time, for a few of us there will always be a tugging at the heart—knowing a precious moment had gone and we not there. We can ask and ask but we can’t have again what once seemed ours for ever—the way things looked, that church alone in the fields, a bed on belfry floor, a remembered voice, a loved face. They’ve gone and you can only wait for the pain to pass. ”
J.L. Carr, A Month in the Country

“If I’d stayed there, would I always have been happy? No, I suppose not. People move away, grow older, die, and the bright belief that there will be another marvelous thing around each corner fades. It is now or never; we must snatch at happiness as it flies.”
J.L. Carr, A Month in the Country

“Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one’s end….Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past. ”
J.L. Carr, A Month in the Country

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