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“The tickling narrative, unlike the sexual narrative, has no climax.
Is the tickling scene, at its most reassuring, not a unique representation of desire and, at its most unsettling, a paradigm of the perverse contract?
Does it not highlight, this delightful game, the impossibility of satisfaction and of reunion, with its continual reenactment of the irresistible attraction and the inevitable repulsion of the object, in which the final satisfaction is frustration?”
― Adam Phillips, On Kissing, Tickling, and Being Bored: Psychoanalytic Essays on the Unexamined Life
Is the tickling scene, at its most reassuring, not a unique representation of desire and, at its most unsettling, a paradigm of the perverse contract?
Does it not highlight, this delightful game, the impossibility of satisfaction and of reunion, with its continual reenactment of the irresistible attraction and the inevitable repulsion of the object, in which the final satisfaction is frustration?”
― Adam Phillips, On Kissing, Tickling, and Being Bored: Psychoanalytic Essays on the Unexamined Life
“Sanity, as the project of keeping ourselves recognizably human, therefore has to limit the range of human experience. To keep faith with recognition we have to stay recognizable. Sanity, in other words, becomes a pressing preoccupation as soon as we recognize the importance of recognition. When we define ourselves by what we can recognize, by what we can comprehend- rather than, say, by what we can describe- we are continually under threat from what we are unwilling and/or unable to see. We are tyrannized by our blind spots, and by whatever it is about ourselves that we find unacceptable.”
― Adam Phillips, Going Sane: Maps of Happiness
― Adam Phillips, Going Sane: Maps of Happiness
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