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Phantom Limb is a book of poety with shifts of voice and perspective to keep things lively - he inhabits Montaigne in one long poem, and in another, examines the life of Baby Boomers. Some steps back into history but mainly a contemporary inhabiting...more
Phantom Limb is a book of poety with shifts of voice and perspective to keep things lively - he inhabits Montaigne in one long poem, and in another, examines the life of Baby Boomers. Some steps back into history but mainly a contemporary inhabiting of the present. Eloquent, quiet and sometimes, very funny. Poems of water run through the collection, so much that I would have liked a water-related title (though the poem 'Phantom Limb' is lovely). I like the energized conversational tone of some of the poems, and that I can hear the poet speak. An accomplished work.(less)
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Andy Quan
is now following Ralabonte's reviews
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I've read a few Anne Tyler novels, way back when, and obviously liked them enough to keep returning to them. She creates memorable, fully-dimensional characters and writes with wry observation of modern life and a hopefulness, a key theme about learn...more
I've read a few Anne Tyler novels, way back when, and obviously liked them enough to keep returning to them. She creates memorable, fully-dimensional characters and writes with wry observation of modern life and a hopefulness, a key theme about learning to accept the life that we are given. As a young man, and I think I read all of her novels in my early, perhaps mid-twenties, I think I would have found this appealing, that we age and whatever complicated circumstances or tragedies that we undergo, we find ways to keep breathing.
But I'm not sure whether this book was somewhat weak, or whether I've grown out of Anne Tyler. Rebecca, a 53-year old grandmother and party-planner, has somewhat of a minor crisis, though not one that anyone in her family notices. She wonders what happened to the girl she was, and what would have happened if she had married her college fiancé rather than the man she left him for, inheriting a ready-made family of three step-daughters to which she added a daughter of her own. Not much happens in the book. She visits her mother. She goes to a special day at her step-grandson's school. She organises her uncle's 100th birthday party. Through the story, we learn the details of her life. The largest narrative arc is her getting back in touch with her old boyfriend, and then their subsequent meetings.
However, there is a likeability problem. Rebecca doubts herself constantly. She fusses and frets. Sometimes a sharper humour emerges, but she's generally a martyr, playing a role, and helping everyone around her. Her daughters, and their various husbands and children, circle around. The daughters are quirky, but after the first character descriptions, the jokes don't deepen (Biddy, the caterer, makes inedible food that is too fancy for anyone's taste). And they're vile. They bicker with each other, at their step-mother, and say insensitive things. Her uncle is more amusing and sweet, as is her brother-in-law, Zeb, who shows some caring for her. But she's mostly unappreciated, unacknowledged and barely listened to. And there's no character development for any of the supporting characters, and though this is Rebecca's story, it's not particularly interesting to be surrounded by this huge cast of unhappy and unpleasant people.
The writing is strong, and occasional wise observations allowed me to finish the novel; but otherwise, it's not one I'll be recommending. I did have a quick look at another review: John Leonard writing in the New York Times (http://www.nytimes.com/books/01/05/20...) is obviously a fan, and he reminds me of the reasons I probably liked the other books of Tyler that I've read — and yet, he recounts six of her novels with basically the same plots or endings to this one. So, perhaps my problem with the book was that I'd read it before.(less)
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At university, with the incomparable Geoffrey Eathorne as our professor for our Commonwealth Literature course at Trent University in Canada, I read Anita Desai's Clear Light of Day. It was a stand out. I don't remember it perfectly but that it had b...more
At university, with the incomparable Geoffrey Eathorne as our professor for our Commonwealth Literature course at Trent University in Canada, I read Anita Desai's Clear Light of Day. It was a stand out. I don't remember it perfectly but that it had beautiful writing and I enjoyed the story.
Two decades letter, I haven't read anything by her since and saw 'The Zigzag way' on the shelf of a favourite used bookstore. The story is set in Mexico, a young academic, aimless, looking for his past and something to do while his partner is doing research there. He zigzags into one story, an eccentric and mysterious old European woman who has gained a reputation on an expert in a local indigenous group. And then leaving her, he zigzags into the story of his grandfather, a Cornish miner who worked in the mines of Mexico.
I can see the richness of the original idea, and the threads did come together somewhat – but I also got the feeling of a writer who was trying to put some of her travel experiences into a story and perhaps got a grant to do so. Themes of displacement and belonging, travel and immigration, finding one's way and one's history: yes. But the story is not particularly deeply felt and the main character has a somewhat weak personality. If I was to climb aboard the idea of a zigzag story, I wanted more than what I got.
I also found that her writing could be beautiful at times, but other times overwritten. Waiting for the formidable Doña Vera to speak, she "considered her reply. Then it came, as ominous as a rumble of pebbles in a dry arroyo, heard at first from a distance, then gathering strength as it approached, finally crashing upon them."(less)
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Michael Chabon is one of those names that I scan bookshelves for, all on the basis of one book: The Amazing Adventures of Kavalier and Clay. It was a big, substantial novel with ideas and history, whimsy and sadness, and unforgettable characters. And...more
Michael Chabon is one of those names that I scan bookshelves for, all on the basis of one book: The Amazing Adventures of Kavalier and Clay. It was a big, substantial novel with ideas and history, whimsy and sadness, and unforgettable characters. And a comic-book theme: as a former collector, I loved it.
I think I read Mysteries of Pittsburgh, which was OK but didn't stay with me. So, here's another try - I found it on the shelves of a used bookshop, and the description of a swashbuckling adventure tale in A.D. 950 sounded fun. I like the fantasy genre. As well, it's a thin book, and I felt like reading something light.
What struck me most of all was its mixture of readability and dense poetry: fifteen short chapters of a coherent adventure with requisite peaks and valleys and cliff-hanging moments, with a narrative drive supplied as much by the wonderful characters as the action. And yet, his prose is lyrical, precise and condensed - it felt as if in a different order than most prose I've read lately, and I had to concentrate on the words, slow down to make sure I'd caught every bit of meaning. It's also a treat that such skill is applied to humour - various exchanges of insults, or even over-the-top descriptions of battle and slaughter, made me laugh out of loud.
There's an odd afterword which usefully describes some of his research and writing process but has a strange defensive and apologetic section of how a serious writer of literary fiction came to write comic adventure. I'd say writing like this needs no explanation.
Original review at: http://andyquan.com/?p=457(less)
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Slant
by
Andy Quan (Goodreads Author)
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Slant was my first book of poems - it was so exciting to be published. Silas White of Nightwood Editions did an amazing job as my editor. The voice of the poems of Slant is gentle and young, exploratory and energetic. More information and reviews up...more
Slant was my first book of poems - it was so exciting to be published. Silas White of Nightwood Editions did an amazing job as my editor. The voice of the poems of Slant is gentle and young, exploratory and energetic. More information and reviews up on my website at http://andyquan.com/?page_id=201 - and also check under the 'Feature Reviews' section. If you pick up a copy and read it, I hope you enjoy it, and I'm happy to engage in conversations and discussion about the book here.(less)
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I had great fun co-editing this collection - and mainly due to the poets included. It's a wide range of diverse voices from so many different types of Chinese backgrounds, to families long in Canada to more recent immigrants. What links them together...more
I had great fun co-editing this collection - and mainly due to the poets included. It's a wide range of diverse voices from so many different types of Chinese backgrounds, to families long in Canada to more recent immigrants. What links them together is talent. These poets are really amazing. I'd recommend you checking it out. More information and reviews at my website: http://andyquan.com/?page_id=171(less)
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