Pamela Freeman
Author profile
born
in Australia
January 01, 1960
gender
female
website
genre
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Blood Ties (Castings, #1)
— published 2008 — 12 editions |
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Deep Water (Castings, #2)
— published 2008 — 8 editions |
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Full Circle (Castings, #3)
— published 2009 — 6 editions |
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The Castings Trilogy (Castings, #1-3)
— published 2010 — 6 editions |
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Ember and Ash
— published 2011 — 6 editions |
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The Black Dress: Mary Mackillop's Early Years
— published 2006 — 2 editions |
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The Willow Tree's Daughter (Floramonde, #1)
by Pamela Freeman, Tracie Grimwood — published 1994 |
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The Centre of Magic (Floramonde #4)
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Windrider
— published 1996 |
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Victor's Quest
— published 2008 — 2 editions |
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“There were worse things than death.
There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family.
She hung on tighter.
The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever.
Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways.
She felt herself falling.
With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell.
Time to die.
Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side.
On the other side.
Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry.
"You can't do that!" one yelled. "It's impossible!"
"Well, he shagging did it!" another said. "Can't be impossible!"
"Head for the bridge!" Beck shouted. "We can still get him! I want that horse!”
― Pamela Freeman, Blood Ties
There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family.
She hung on tighter.
The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever.
Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways.
She felt herself falling.
With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell.
Time to die.
Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side.
On the other side.
Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry.
"You can't do that!" one yelled. "It's impossible!"
"Well, he shagging did it!" another said. "Can't be impossible!"
"Head for the bridge!" Beck shouted. "We can still get him! I want that horse!”
― Pamela Freeman, Blood Ties
“The fact that she was still alive felt wrong, out of balance. She didn't feel special, or protected, or gods-bound. She thought the gods had acted to protect the roan, and she had just been along for the ride. It was the roan who was special, not she.
I should be dead, she thought. If she was dead, then all would have been settled. The warlord's men would have been satisfied to see her body swept away, the roan would have been safe from Beck's whip, the ghost of tyhe man she had killed could have gone to his rest. There was a rounding off - a justice - in her death. But alive, no one was satisfied and no one was safe.”
― Pamela Freeman, Blood Ties
I should be dead, she thought. If she was dead, then all would have been settled. The warlord's men would have been satisfied to see her body swept away, the roan would have been safe from Beck's whip, the ghost of tyhe man she had killed could have gone to his rest. There was a rounding off - a justice - in her death. But alive, no one was satisfied and no one was safe.”
― Pamela Freeman, Blood Ties
“The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago.
I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction."
Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history.”
― Pamela Freeman, Blood Ties
I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction."
Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history.”
― Pamela Freeman, Blood Ties
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