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  <name><![CDATA[Tom Mckeon]]></name>
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  <id type="integer">6975924</id>
  <isbn>0061468479</isbn>
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  <title>
    <![CDATA[The Devil's Bones: A Novel]]>
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  <average_rating>3.50</average_rating>
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    <![CDATA[<p> In two previous <em>New York Times</em> bestselling novels, Jefferson Bass enthralled readers with ripped-from-the-headlines forensic cases, memorable characters, and plots that &quot;rival Kathy Reichs and Patricia Cornwell&quot; (<em>Seattle Post-Intelligencer</em>). Drawing on research at the Body Farm—three acres of land in the backwoods of Tennessee, where bodies are left to the elements to illuminate human decomposition—Bass has moved fiction to a fascinating new realm, with forensics expertise drawn from his five decades of work as the world's leading forensic anthropologist. But this latest novel cements Jefferson Bass as one of the finest writers of suspense working today, and in a work of drama, cunning, and heartbreak, thrills the reader with fiction that feels all too real. </p> <p> A woman's charred body has been found inside a burned car perched atop a hill in Knoxville. Is it accidental death, or murder followed by arson? Forensic anthropologist Bill Brockton's quest for answers prompts an experiment straight from Dante's <em>Inferno</em>: In the dark of night, he puts bodies to the torch, researching how fire consumes flesh and bone. </p> <p> In the meantime, Brockton is sent a mysterious package—a set of cremated remains that looks entirely unreal. With the help of a local crematorium, he investigates and discovers a truth too horrifying to believe: A facility in another state has not been disposing of bodies properly, instead scattering them all around the grounds. </p> <p> Little does Brockton know that his research is about to collide with reality—with the force of a lit match meeting spilled gasoline. En route to trial, his nemesis, medical examiner Garland Hamilton, has escaped from custody. What follows is a deadly game of cat and mouse, played for the ultimate stakes: Brockton's own life. With help from his loyal graduate assistant, Miranda, and ace criminalist Art Bohanan, Brockton eventually tracks Hamilton, but when the police arrive, they find only a smoldering ruin. Sifting through the ashes, Brockton finds the incinerated remains of Hamilton . . . or does he? The answer—along with Brockton's ultimate test—comes in a searing moment of truth. </p>]]>
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        <name><![CDATA[Jefferson Bass]]></name>
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        <name><![CDATA[Tom Mckeon]]></name>
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  <id type="integer">7181044</id>
  <isbn>0641921128</isbn>
  <isbn13>9780641921124</isbn13>
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  <title>
    <![CDATA[The Last Crossing]]>
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  <link>http://www.goodreads.com/book/show/7181044-the-last-crossing</link>
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    <![CDATA[Set in the late 19th century, <em>The Last Crossing</em>, Guy Vanderhaeghe's first novel since his acclaimed <em>Englishman's Boy</em>, is the story of three well-off English brothers: twins Simon and Charles Gaunt and their elder sibling, Addington, a former soldier and an arrogant scoundrel. At the behest of their dictatorial father, Charles and Addington travel the prairies of the U.S. and Canada in search of sensitive Simon, who has disappeared. Much of the novel concerns their journeys--bottles of port and claret rattling in their wagons--through Indian country with a cast of intricately drawn, fully realized characters. The small troupe is led through the whiskey-coloured light by Jerry Potts, a half-breed with one foot firmly in each world. The heart of the plot involves the love that Charles, a painter, feels for Lucy Stoveall, a simple but lovely country woman who accompanies them, secretly intent on avenging her sister's murder. However, the most intriguing character in this marvelous collection of all-too-human personalities is Custis Straw, a Bible-reading, heavy-drinking Civil War veteran who hides his tremendous dignity behind a bumbling facade, and who also loves Lucy. <p>  Vanderhaeghe's rich language reveals a genuine feel for the prairies and their rough settlements: &quot;a boom town draws rogues like a jam jar draws wasps,&quot; he writes, and describes &quot;miles of wet plain patched with apple green, new penny copper, glints of silver.&quot; Though this is a Western in the traditional sense, Vanderhaeghe never sinks into parody. Rather, he uses the Western motif to reveal a number of profound universal truths about personal honour, and human failings and strengths. His humane character depictions reach emotional depths found in few novels today. <em>--Mark Frutkin, Amazon.ca</em> </p>]]>
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        <name><![CDATA[Guy Vanderhaeghe]]></name>
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    <average_rating>3.71</average_rating>
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        <name><![CDATA[John Keating]]></name>
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    <average_rating>3.80</average_rating>
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        <name><![CDATA[John Cox]]></name>
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    <average_rating>4.33</average_rating>
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    <id>3182701</id>
        <name><![CDATA[Colin Lane]]></name>
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