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  <id>309428</id>
  <name><![CDATA[Robin Maconie]]></name>
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  <about><![CDATA[]]></about>
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  <books>
        <book>
  <id type="integer">2213192</id>
  <isbn>0714529184</isbn>
  <isbn13>9780714529189</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Stockhausen on Music]]>
  </title>
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  <link>http://www.goodreads.com/book/show/2213192.Stockhausen_on_Music</link>
  <average_rating>4.44</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[If a genius is someone whose ideas survive all attempts at explanation', writes the well-known contemporary musicologist Robin Maconie, 'then by that definition Stockhausen is the nearest thing to Beethoven this century has produced. Reason? His music lasts.<br/><br/>With penetrating philosophical and spiritual insights Stockhausen describes, in this collection of lectures and interviews conducted in English, a whole new universe of sounds and events.<br/><br/>&quot;Stockhausen's uncompromising attitude to conventional aesthetics has made him one of the world's most admired musicians.&quot;?<em>The Independent</em><br/><br/>&quot;Let there be no doubt that he is a giant, a monster cartographer of massive new spaces.&quot;?<em>Tempo</em><br/><br/>&quot;The great innovator of the 1950s and 1960s is still a fountain of ideas. <em>Stockhausen on Music</em> shows the extrordinary range of his mind.&quot;?<em>The Sunday Times</em>]]>
  </description>
<authors>
    <author>
    <id>309429</id>
        <name><![CDATA[Karlheinz Stockhausen]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/309429.Karlheinz_Stockhausen]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>19</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">564713</id>
  <isbn>0810853566</isbn>
  <isbn13>9780810853560</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Other Planets: The Music of Karlheinz Stockhausen]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175833024m/564713.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175833024s/564713.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/564713.Other_Planets_The_Music_of_Karlheinz_Stockhausen</link>
  <average_rating>5.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Here is a catalogue raisonee of Stockhausen's complete output, involving no technical analyses, but rather an examination of the music's aesthetic, practical, and intellectual assumptions. The book contains plentiful citations from the history of radio, f]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">2590508</id>
  <isbn>0193154293</isbn>
  <isbn13>9780193154292</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Works of Karlheinz Stockhausen]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2590508.Works_of_Karlheinz_Stockhausen</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1976</published>
</book>

        <book>
  <id type="integer">2080583</id>
  <isbn>0198163886</isbn>
  <isbn13>9780198163886</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Concept of Music]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2080583.The_Concept_of_Music</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[What is music for? How does it work? What does it represent? What does it mean? In this brilliant and thought-provoking book which is now available in paperback, Robin Maconie examines these fundamental questions matching musical tradition and scientific knowledge to produce answers which are often unexpected, frequently inspired, and invariably illuminating. Drawing on a wealth of evidence from the history of ideas, literature, and the arts, to classical physics and computer science, he argues with passion and humour for a fundamental reapprasial of music, not as mere entertainment, but as a medium of significant thought whose influence on the development of Western society has been profound.]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">2590509</id>
  <isbn>0810858797</isbn>
  <isbn13>9780810858794</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Way of Music: Aural Training for the Internet Generation]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2590509.The_Way_of_Music_Aural_Training_for_the_Internet_Generation</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[The Way of Music builds on the author's earlier work, The Second Sense: Language, Music and Hearing, and is a study guide in attention training, listening skills, and music appreciation for students, teachers and the general reader.]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">564714</id>
  <isbn>0193154773</isbn>
  <isbn13>9780193154773</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Works of Karlheinz Stockhausen]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/564714.The_Works_of_Karlheinz_Stockhausen</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Stockhausen is probably the most influential composer alive today. He has dominated new music for 35 years, pioneering advances in electronic music, multi-orchestra music, musical meditation, and music theatre.    Robin Maconie's book, first published in 1976, remains the only overview of Stockhausen's music in any language and is highly regarded, not least by the composer himself. This new edition is enlarged and completely revised, taking account of the works composed in the intervening years, which include such major landmarks as Sirius and Licht. The contents are now streamed into chapters treating groups of works which share a line of development, for example 'The Path to Electronic Music' which deals with the evolution of Stockhausen's electronic music from 1952 to 1956, or Metamusic, which follows the evolution of his process compositions from 1963 to 1970.]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">2590510</id>
  <isbn>0198166486</isbn>
  <isbn13>9780198166481</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Science of Music]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2590510.The_Science_of_Music</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Apart from providing an outlet for human emotions, does music have a use? Is a Mozart symphony intelligent, and is music a language? If so, what does it say and how does it say it? In this perceptive and revolutionary sequel to The Concept of Music, Robin Maconie teases out the musical science underlying subjects as diverse as Pythagoras's theorem, Plato's city state, mysteries of religion, myth, and folklore, theories of the mind, and key insights of Newton, Freud, and Wittgenstein.  Western civilization is based on a foundation of universal laws derived from acoustics and hearing. Music is not only the product of that civilizing process but also the key to understanding the hidden structures and rituals of established belief.  Beneath the surface of mass entertainment lie musical notations, images, instruments, and ensemble interactions to be understood afresh as models and mind games in an ongoing programme of scientfic discovery, information management, and social organization. That understanding is exciting in itself, has important educational and cultural implications, and is essential for future progress in musical composition.]]>
  </description>
<authors>
    <author>
    <id>309428</id>
        <name><![CDATA[Robin Maconie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/309428.Robin_Maconie]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">6493004</id>
  <isbn>1853263311</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Wordsworth Dictionary of Biography]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1243206599m/6493004.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1243206599s/6493004.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6493004-the-wordsworth-dictionary-of-biography</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Further Contributors: Mike Pudlo, Ian Ridpath, Adrian Room, John Rowlinson, Jack Schofield, Mark Slade, Angela Smith, Imogen Stooke Wheeler, Glyn A Stone, Ingrid von Essen, Stephen Webster, Liz Whitelegg &amp; John Woodruff]]>
  </description>
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    <author>
    <id>56911</id>
        <name><![CDATA[David Armstrong]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/56911.David_Armstrong]]></link>
    <average_rating>3.42</average_rating>
    <ratings_count>26</ratings_count>
    <text_reviews_count>5</text_reviews_count>
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    <author>
    <id>1920674</id>
        <name><![CDATA[Charles Kidd]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1920674.Charles_Kidd]]></link>
    <average_rating>0.0</average_rating>
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    <author>
    <id>2940551</id>
        <name><![CDATA[Suzanne Duke]]></name>
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        <name><![CDATA[Jane Farron]]></name>
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    <id>54552</id>
        <name><![CDATA[Malcolm Bradbury]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/54552.Malcolm_Bradbury]]></link>
    <average_rating>3.68</average_rating>
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    <id>2940553</id>
        <name><![CDATA[Brendan P Bradley]]></name>
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    <id>85512</id>
        <name><![CDATA[Barbara Taylor]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/85512.Barbara_Taylor]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>91</ratings_count>
    <text_reviews_count>34</text_reviews_count>
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    <author>
    <id>2940554</id>
        <name><![CDATA[Roy Brigsden]]></name>
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    <author>
    <id>42248</id>
        <name><![CDATA[Peter Fleming]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/42248.Peter_Fleming]]></link>
    <average_rating>4.13</average_rating>
    <ratings_count>79</ratings_count>
    <text_reviews_count>17</text_reviews_count>
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    <author>
    <id>347054</id>
        <name><![CDATA[Stephen Kite]]></name>
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    <author>
    <id>784006</id>
        <name><![CDATA[David Cotton]]></name>
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    <average_rating>3.00</average_rating>
    <ratings_count>2</ratings_count>
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    <author>
    <id>5490</id>
        <name><![CDATA[Peter Lafferty]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/5490.Peter_Lafferty]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>5512</id>
        <name><![CDATA[Linda Gamlin]]></name>
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    <average_rating>4.00</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
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  </authors>  <published>1994</published>
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    <![CDATA[Alice and Her Fabulous Teeth]]>
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    <![CDATA[]]>
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        <name><![CDATA[Catherine Myler Fruisen]]></name>
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        <name><![CDATA[Robin Maconie]]></name>
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  </authors>  <published>1999</published>
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