<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	<author>
  
  <id>3005058</id>
  <name><![CDATA[Benjamin H. D. Buchloh]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/3005058.Benjamin_H_D_Buchloh]]></link>
  <fans_count type="integer">0</fans_count>
  <followers_count type="integer">0</followers_count>
  <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
  <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
  <about><![CDATA[]]></about>
  <influences><![CDATA[]]></influences>
  <gender></gender>
  <hometown></hometown>
  <born_at></born_at>
  <died_at></died_at>
  
  <books>
        <book>
  <id type="integer">6669353</id>
  <isbn>0262513129</isbn>
  <isbn13>9780262513128</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Gerhard Richter]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6669353-gerhard-richter</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[The contemporary painter Gerhard Richter (born in 1932) has been heralded both as modernity's last painter and as painting's modern savior, seen to represent both the end of painting and its resurrection. Richter works in a dizzying variety of styles, from abstraction to a German cool pop that combines painterly technique and appropriation; his work includes photo paintings, large abstract canvases, and stained glass windows. This collection features writing by prominent critics, including Hal Foster, Gertrud Koch, and Thomas Crow; essays by Rachel Haidu and Johannes Meinhardt that are published here for the first time; and an essay and two interviews with the artist by Benjamin H. D. Buchloh, Richter's &quot;longtime sparring partner&quot; (as the curator Robert Storr has called him).<br/>  <br/>  These writings examine Richter's work as a whole, from <em>October 18, 1977,</em> his dreamlike series of paintings depicting the dead Baader-Meinhof gang, to his abstract trio <em>Abstract Paintings;</em> from his unsettling portrait of &quot;Uncle Rudi&quot; in Nazi garb to his late series of portraits of his wife and young child.<br/>  <br/>  This addition to the October Files series will be an essential handbook to one of the most enigmatic figures in contemporary art.<br/>  <br/>  <em>October Files</em>]]>
  </description>
<authors>
    <author>
    <id>3005058</id>
        <name><![CDATA[Benjamin H. D. Buchloh]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3005058.Benjamin_H_D_Buchloh]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">276129</id>
  <isbn>0262112264</isbn>
  <isbn13>9780262112260</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[October: The Second Decade, 1986-1996 (October Books)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173339205m/276129.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173339205s/276129.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276129.October_The_Second_Decade_1986_1996</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[<em>October: The Second Decade</em> collects examples of the innovative critical and theoretical work for which the journal October is known. A journal anthology draws a collective portrait; together, the gathered texts demonstrate the journal's ambitions and strengths. From the outset, <em>October</em>'s aim has been to consider a range of cultural practices and to assess their place at a particular historical juncture. That task has now taken on an intensified urgency. The catastrophic state of our urban economies and the attendant social crises, as well as the more general predicaments of a postcolonial era, have had an inescapable impact on the cultural and discursive practices that are <em>October</em>'s concern. Hence, <em>October</em> in its second decade has had an intensified concern with the role of cultural production within the public sphere and a sharper focus on the intersections of cultural practices with institutional structures. The topics of inquiry include body politics and psychoanalysis, spectacle and institutional critique, art practice and art history, and postcolonial discourse.<br/> <br/> <strong>Contributors</strong>: Carol Armstrong, Leo Bersani, Homi Bhabha, Yve-Alain Bois, Mikkel Borch-Jacobsen, Benjamin H. D. Buchloh, Susan Buck-Morss, Lygia Clark, T. J. Clark, Jonathan Crary, Gilles Deleuze, Manthia Diawara, Peter Eisenman, Hal Foster, Group Material, Denis Hollier, Alexander Kluge, Gertrud Koch, Silvia Kolbowski, Rosalind Krauss, Annette Michelson, Helen Molesworth, V. Y. Mudimbe, Oskar Negt, Mignon Nixon.]]>
  </description>
<authors>
    <author>
    <id>12156</id>
        <name><![CDATA[Rosalind Krauss]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/12156.Rosalind_Krauss]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>308</ratings_count>
    <text_reviews_count>27</text_reviews_count>
  </author>
    <author>
    <id>178050</id>
        <name><![CDATA[Annette Michelson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/178050.Annette_Michelson]]></link>
    <average_rating>3.84</average_rating>
    <ratings_count>19</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>64746</id>
        <name><![CDATA[Yve-Alain Bois]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/64746.Yve_Alain_Bois]]></link>
    <average_rating>4.29</average_rating>
    <ratings_count>189</ratings_count>
    <text_reviews_count>22</text_reviews_count>
  </author>
    <author>
    <id>3005058</id>
        <name><![CDATA[Benjamin H. D. Buchloh]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3005058.Benjamin_H_D_Buchloh]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>64744</id>
        <name><![CDATA[Hal Foster]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/64744.Hal_Foster]]></link>
    <average_rating>3.90</average_rating>
    <ratings_count>453</ratings_count>
    <text_reviews_count>47</text_reviews_count>
  </author>
    <author>
    <id>59959</id>
        <name><![CDATA[Denis Hollier]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/59959.Denis_Hollier]]></link>
    <average_rating>3.94</average_rating>
    <ratings_count>32</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

      <books>
</author>
</GoodreadsResponse>