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  <id>29811</id>
  <name><![CDATA[Matthew Stadler]]></name>
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  <fans_count type="integer">4</fans_count>
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        <book>
  <id type="integer">871032</id>
  <isbn>0802136621</isbn>
  <isbn13>9780802136626</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Allan Stein]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179073766m/871032.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/871032.Allan_Stein</link>
  <average_rating>3.62</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[Here are some facts: &quot;Allan Daniel Stein was born November 7, 1895, in San Francisco, the only child of Michael and Sarah Stein. Mike, the older brother of Leo and Gertrude, sold a streetcar business in 1903 and moved with Sarah and Allan to Paris. Gertrude and Leo had preceded them.&quot; Here are some fictions: Three missing Picasso sketches may establish that Allan was the model for the painting <em>Boy Leading a Horse</em>. An initially unnamed narrator, fired from a teaching position for having sex with a 15-year-old student before he'd actually seduced the boy, assumes the identity of his close friend Herbert, a Seattle museum curator, and goes to Paris to look for the drawings. There, he becomes obsessed with Stéphane, another 15-year-old boy.<p>  Like Nabokov's <em>Lolita</em>, <em>Allan Stein</em> depicts human sexuality in a way that is as captivating as it is disturbing. But the pedophiliac element--and its graphic manifestations--should not necessarily frighten readers away. Matthew Stadler's ornate, twisting sentences show strong sensitivity to place and setting, whether he's describing the streets of Paris, the French countryside, or a cluttered bar in Seattle. There's also a strong undercurrent of ironic humor, particularly in the exchanges between the narrator and the real Herbert and in the narrator's memories of adventures shared as a boy with his mother. <em>Allan Stein</em> is a book (and Matthew Stadler an author) one might be tempted to ignore as &quot;difficult.&quot; In doing so, however, one would be overlooking a unique gem.  <em>--Ron Hogan</em></p>]]>
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<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">1208959</id>
  <isbn>0060926554</isbn>
  <isbn13>9780060926557</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Sex Offender]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1193729497m/1208959.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1193729497s/1208959.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1208959.The_Sex_Offender</link>
  <average_rating>3.33</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This extravagantly imagined tale chronicles the rehabilitation of a teacher who has had a love affair with a twelve-year-old boy. While the man's crime was to mistake molestation for love, his cure will partake of the same confusion: to help and rehabilitate him, the police and the doctors subject the teacher to increasingly bizarre forms of therapy. Called &quot;an astonishment&quot; by Dennis Cooper, The Sex Offender weds compelling mystery with comedy, satire, and politics.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">1236610</id>
  <isbn>0802136966</isbn>
  <isbn13>9780802136961</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Dissolution of Nicholas Dee]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1182144551m/1236610.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1182144551s/1236610.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1236610.The_Dissolution_of_Nicholas_Dee</link>
  <average_rating>3.80</average_rating>
  <ratings_count>10</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Michael Upchurch called The Dissolution of Nicholas Dee &quot;a work of great charm, playful paranoia, and exquisite obsession.&quot; It is now available from Grove Press in its definitive, revised edition with an introduction by Michael Cunningham. Adrift in a glittering city of high culture and constant crime, an earnest young historian named Nicholas Dee finds his life being taken over by a mysterious dwarf and the curiously gifted illiterate boy he is charged with teaching.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">1136237</id>
  <isbn>0684191857</isbn>
  <isbn13>9780684191850</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Landscape: Memory]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1136237.Landscape_Memory</link>
  <average_rating>4.17</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">1135941</id>
  <isbn>1568985576</isbn>
  <isbn13>9781568985572</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Snapshot Chronicles: Inventing the American Photo Album]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181276158m/1135941.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1181276158s/1135941.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1135941.Snapshot_Chronicles_Inventing_the_American_Photo_Album</link>
  <average_rating>4.17</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Today, the photo album is something we practically take for granted, and &quot;scrapbooking&quot; is a billion dollar industry with its own television network. It was not always so. Before the camera, ordinary families had little more than the family Bible, a portrait of grandpa, and a drawer full of documents. Then Eastman Kodak introduced the Brownie, giving Americans the means to document and record their daily lives. Hundreds of thousands of these cameras were produced, and as a result small collections of photographs were assembled and preserved in an astonishing assortment of albums, with photographs as the raw material for collages, constructions, and text experiments.  <p><em>Snapshot Chronicles</em> is a visual exploration of the creative outpouring made possible by the camera. Friends, family, travel, domestic life, special occasions, the workplace, farm and city life&#8212;these were all intermingled in early albums in surprising and dynamic forms. Men, women, and even children became the creators of their own visual biographies, and documenters of previously unprecedented aspects of American life.  <p>Four essayists weave together the history of the photo album, making them not just a part of our past but a significant aspect of Americana. <em>Snapshot Chronicles</em> is designed by noted graphic designer Martin Venezky (<em>It Is Beautiful...Then Gone</em>). <p>Copublished with the Douglas F. Cooley Memorial Art Gallery, Reed College.</p></p></p>]]>
  </description>
<authors>
    <author>
    <id>557943</id>
        <name><![CDATA[Stephanie Snyder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/557943.Stephanie_Snyder]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>7</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
    <author>
    <id>248926</id>
        <name><![CDATA[Barbara Levine]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/248926.Barbara_Levine]]></link>
    <average_rating>4.10</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">2107744</id>
  <isbn>097232349X</isbn>
  <isbn13>9780972323499</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Back Room: An Anthology]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2107744.The_Back_Room_An_Anthology</link>
  <average_rating>4.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[THE BACK ROOM is an occasional series of presentations/symposia/bacchanals in Portland, Oregon, replete with food, drink, music, and general boisterousness garlanding the central pleasure of bright intellects voicing their excellent texts, winging it in conversation, and screening or presenting various textual and visual delights. Including work by Dodie Bellamy, Kevin Killian, Moira Roth, Lisa Robertson, and many more. This collection is meant to inspire and inform copycat efforts in other cities.]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">6063813</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Where We Live Now: an annotated reader]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1237669067m/6063813.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1237669067s/6063813.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6063813.Where_We_Live_Now_an_annotated_reader</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This annotated reader offers better tools for making sense of the often sprawling landscapes where we live now. It presents the work of urban planner Thomas Sieverts, in a new English translation by Diana George, and uses Sieverts's description of the &quot;in-between landscape&quot; to open our eyes to where we live now. The readings collected in this book inspect indigenous settlement patterns in North America for pre-European examples of sustainable urbanism that is also &quot;in-between&quot; or decentered.]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">6063803</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Where We Live Now: abridged]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1238356654m/6063803.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1238356654s/6063803.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6063803.Where_We_Live_Now_abridged</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&quot;This small book presents a new translation of German urban historian Thomas Sieverts's important analysis of cities, ZWISCHENSTADT. The translation by Diana George offers us a better way to see sprawl and to imagine a better future.&quot;<br/><br/>  ]]>
  </description>
<authors>
    <author>
    <id>29811</id>
        <name><![CDATA[Matthew Stadler]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p5/29811.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231837643p2/29811.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/29811.Matthew_Stadler]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>76</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

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