<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	<author>
  
  <id>282470</id>
  <name><![CDATA[Ellen Spolsky]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
  <fans_count type="integer">0</fans_count>
  <followers_count type="integer">0</followers_count>
  <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
  <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
  <about><![CDATA[]]></about>
  <influences><![CDATA[]]></influences>
  <gender></gender>
  <hometown></hometown>
  <born_at></born_at>
  <died_at></died_at>
  
  <books>
        <book>
  <id type="integer">6370885</id>
  <isbn>0838755429</isbn>
  <isbn13>9780838755426</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Iconotropism: Turning Toward Pictures]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6370885-iconotropism</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[This is the first collection of word and image studies set within the perspective of the cognitive study of interpretation. The editor's claim that pictures and texts arise from the biological as well as the social interaction of individual artists, viewers, and readers with their environments is exemplified by the selection of original essays ranging from studies of Raphael, Titian, and Carracci, to an emblematic portrait by Georgia O'Keeffe, and to drawings retrieved from German concentration camps. This collection begins the work - surely to be expanded by art historians and theorists of the image, as interest in cognition and interpretation itself spreads - of investigating what can be learned about the interpretation of pictures within their historical contexts when an innate iconotropism, or hunger for what can be known from pictures, is assumed. Illustrated Ellen Spolsky is Professor of English and Director of the Lechter Institute for Literary Research at Bar-Ilan University in Israel.]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">4296338</id>
  <isbn>0754603768</isbn>
  <isbn13>9780754603764</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Satisfying Skepticism]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4296338.Satisfying_Skepticism</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Studying early modern pyrrhonists such as Shakespeare and Caravaggio from the perspective of modern and postmodern skeptics such as Stanley Cavell, Ellen Spolsky argues the original and controversial hypothesis that skepticism is virtually inevitable, given the evolved architecture of the human mind. In a set of examples of sixteenth and seventeenth century Western European literature and art, she shows how neither painters, writers, readers, nor their fictional characters can escape the epistemological conflicts produced by the intermodular conflicts of their brains. Nevertheless, the skeptical dilemmas they face are always understood and interpreted within the set of possibilities provided by their contingent cultural surroundings. For Othello and for Coriolanus, skepticism is tragic, but for Tasso and Tintoretto, it can be satisfying, and even comic. The set of available genres of paintings and plays are among the historically contingent ways in which early modern audiences framed their responses to the anxieties of the age. The large altar paintings of the Doubting Thomas and the small Dutch landscape prints, for example, respond quite differently to the political and religious crisis of the Reformation.The works discussed here, from pastoral poetry to the paintings of Susanna at her bath, display the interface between biologically instantiated epistemological possibilities and culturally woven webs of interpretation. Spolsky produces a broad interdisciplinary exchange, alert to the dynamics of early modern gender construction, and enriching a cognitively aware literary theory with perspectives gained from recent cultural and philosophical approaches to art history. She explores the distorting effect of Protestant iconoclasm on the work of Sir Philip Sidney, there in a tragicomic mode. Her examples are easily accessible to the general reader, yet provide surprising insights to scholars of the period as well. Finally, the book makes a strong statement in the debate about behavioral determinism, arguing from a period of conflict and creativity that we are not prisoners to our hunter-gatherer past, but are, rather, evolved to build cultures that themselves provide flexibility and a satisfying adaptabilityin the face of constant change.Satisfying Skepticism demonstrates what the field of cultural studies can gain by asking cognitive questions, and how cognitive studies gains by engaging its hypotheses with the complexity of actual historical contexts.<br/>]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">4296337</id>
  <isbn>0838751121</isbn>
  <isbn13>9780838751121</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Uses of Adversity: Failure and Accommodation in Reader Response]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1238480433m/4296337.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1238480433s/4296337.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4296337.The_Uses_of_Adversity_Failure_and_Accommodation_in_Reader_Response</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">4296336</id>
  <isbn>0791415252</isbn>
  <isbn13>9780791415252</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Summoning: Ideas of the Covenant and Interpretive Theory (S U N Y Series in Modern Jewish Literature and Culture)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1238480580m/4296336.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1238480580s/4296336.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4296336.Summoning_Ideas_of_the_Covenant_and_Interpretive_Theory</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Papers of a conference sponsored by the Lechter Institute for Literary Research in cooperation with the Kaplan Fund for American Literature, held in the fall of 1989 at Bar-Ilan University, Israel.<br/>]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">3569994</id>
  <isbn>079141387X</isbn>
  <isbn13>9780791413876</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Gaps in Nature: Literary Interpretation and the Modular Mind (Suny Series, the Margins of Literature)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3569994.Gaps_in_Nature_Literary_Interpretation_and_the_Modular_Mind</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">2110873</id>
  <isbn>078850181X</isbn>
  <isbn13>9780788501814</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Judgment of Susanna: Authority and Witness]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2110873.The_Judgment_of_Susanna_Authority_and_Witness</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">1396744</id>
  <isbn>0230006310</isbn>
  <isbn13>9780230006317</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Word vs. Image: Cognitive Hunger in Shakespeare's England]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183269946m/1396744.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1183269946s/1396744.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1396744.Word_vs_Image_Cognitive_Hunger_in_Shakespeare_s_England</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Arguing on recent cognitive evidence that reading a Bible is much more difficult for human brains than seeing images, this book exposes the depth and breadth of Protestant theologians' misunderstandings about how people could reform their spiritual lives - how they could literally change their minds. Shakespeare's achievement, accomplished for the English stage by a translation of the Italian grotesque, was to display for audiences battered by years of religious chaos and dread that a loving God was not only in heaven but in full control on earth: His providence was embodied and visible: you didn't have to read it.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">507367</id>
  <isbn>0804713006</isbn>
  <isbn13>9780804713009</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Bounds of Interpretation: Linguistic Theory and Literary Text]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1238480326m/507367.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1238480326s/507367.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/507367.The_Bounds_of_Interpretation_Linguistic_Theory_and_Literary_Text</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>282471</id>
        <name><![CDATA[Ellen Schauber]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282471.Ellen_Schauber]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
</book>

        <book>
  <id type="integer">1396743</id>
  <isbn>0754638499</isbn>
  <isbn13>9780754638490</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Work of Fiction: Cognition, Culture, and Complexity]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183269945m/1396743.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1183269945s/1396743.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1396743.The_Work_of_Fiction_Cognition_Culture_and_Complexity</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[The essays gathered here demonstrate and justify the excitement and promise of cognitive historicism, providing a lively introduction to this new and quickly growing area of literary studies. Written by eight leading critics whose work has done much to establish the new field, they display the significant results of a largely unprecedented combination of cultural and cognitive analysis. The authors explore both narrative and dramatic genres, uncovering the tensions among presumably universal cognitive processes, and the local contexts within which complex literary texts are produced.Alan Richardson's opening essay evaluates current approaches to the study of literature and cognition, locating them on the map of recent literary studies, indicating their most compelling developments to date, and suggesting the most promising future directions.The seven essays that follow provide innovative readings of topics ranging from Shakespeare (Othello, Macbeth, Cymbeline, The Rape of Lucrece) through Samuel Richardson's Clarissa, to contemporary authors Ian McEwan and Gilbert Sorrentino. They underscore some of the limitations of new historicist and post-structuralist approaches to literary cultural studies while affirming the value of supplementing rather than supplanting them with insights and methods drawn from cognitive and evolutionary theory. Together, they demonstrate the analytical power of considering these texts in the context of recent studies of cultural universals, 'theory of mind,' cognitive categorization and genre, and neural-materialist theories of language and consciousness. This groundbreaking collection holds appeal for a broad audience, including students and teachers of literary theory, literary history, cultural studies, and literature and science studies.<br/>]]>
  </description>
<authors>
    <author>
    <id>4192</id>
        <name><![CDATA[Alan Richardson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/4192.Alan_Richardson]]></link>
    <average_rating>4.27</average_rating>
    <ratings_count>325</ratings_count>
    <text_reviews_count>100</text_reviews_count>
  </author>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">6490382</id>
  <isbn>0822365294</isbn>
  <isbn13>9780822365297</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Literature and the Cognitive Revolution]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6490382-literature-and-the-cognitive-revolution</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Since the 1950s, the cognitive revolution has been transforming work in psychology, linguistics, and anthropology. Literary scholars, however, have only recently begun to grapple with the significance of cognitive understandings of language, mind, and behavior for literary and cultural studies. This unique issue of Poetics Today brings the concerns of literary history and cultural studies for the first time into a sustained and productive dialogue with cognitive methods, findings, and paradigms. The introduction situates the collection in relation to previous work, defines the issues, highlights the stakes. Articles by Mark Turner and Paul Hernadi propose a bold extension of notions of literary history to include not only preliterature oral forms but the entire history of the species, viewing literary activity as a crucial human adaptation. Ellen Spolsky's essay provides an unprecedented statement of common ground shared by cognitive-evolutionary approaches and poststructuralist theory. The final three essays examine works by Aphra Behn, A. L.  Barbauld, and Jane Austen in terms of their contemporary cultural and political contexts as well as in light of paradigms drawn from cognitive neuroscience and evolutionary theory. A commentary by Tony Jackson surveys the entire issue from the viewpoint of an informed outsider.]]>
  </description>
<authors>
    <author>
    <id>465518</id>
        <name><![CDATA[Reuven Tsur]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/465518.Reuven_Tsur]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>2939525</id>
        <name><![CDATA[Tony E.Jackson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/2939525.Tony_E_Jackson]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>82577</id>
        <name><![CDATA[Lisa Zunshine]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/82577.Lisa_Zunshine]]></link>
    <average_rating>3.50</average_rating>
    <ratings_count>22</ratings_count>
    <text_reviews_count>7</text_reviews_count>
  </author>
    <author>
    <id>454326</id>
        <name><![CDATA[Paul Hernadi]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/454326.Paul_Hernadi]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>282470</id>
        <name><![CDATA[Ellen Spolsky]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/282470.Ellen_Spolsky]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>56351</id>
        <name><![CDATA[Mark Turner]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/56351.Mark_Turner]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>96</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

      <books>
</author>
</GoodreadsResponse>