Sign in with Facebook
David duChemin
Author profile
gender
male
website
twitter username
genre
|
Within the Frame: The Journey of Photographic Vision
by David duChemin, Joe McNally   4.34 avg rating — 239 ratings
—
published
2009
—
5 editions
|
My rating:
|
|
VisionMongers: Making a Life and a Living in Photography
4.12 avg rating — 113 ratings
—
published
2009
—
5 editions
|
My rating:
|
|
Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom
4.38 avg rating — 37 ratings
—
published
2010
—
3 editions
|
My rating:
|
|
Photographically Speaking: A Deeper Look at Creating Stronger Images
  3.68 avg rating — 19 ratings
—
published
2011
|
My rating:
|
|
L' Âme Du Photographecomment Donner Un Sens À Vos Images
0.00 avg rating — 0 ratings
—
published
2009
|
My rating:
|
|
The Fast Track Photographer Business Plan: Build a Successful Photography Venture from the Ground Up
by Dane Sanders, David duChemin 4.25 avg rating — 20 ratings
—
published
2010
—
3 editions
|
My rating:
|
Upcoming Events
No scheduled events.
Add an event.
“Consider this your permission to indulge that inner anarchist. Stop following the path you ought to take; follow instead the one you long to take.”
― David duChemin, VisionMongers: Making a Life and a Living in Photography
― David duChemin, VisionMongers: Making a Life and a Living in Photography
“Photographers, like few other kinds of artists I can imagine, have an insanely
personal relationship with their gear.”
― David duChemin, Within the Frame: The Journey of Photographic Vision
personal relationship with their gear.”
― David duChemin, Within the Frame: The Journey of Photographic Vision
“The story is told of Michelangelo being asked about his methods for sculpting.
He replied simply that he worked on a block of marble, removing all that was not
part of the sculpture until only the sculpture remained. I suspect this oversimplifies
the art of sculpture, but it’s an excellent analogy for photography, which is
essentially an art of exclusion.”
― David duChemin
He replied simply that he worked on a block of marble, removing all that was not
part of the sculpture until only the sculpture remained. I suspect this oversimplifies
the art of sculpture, but it’s an excellent analogy for photography, which is
essentially an art of exclusion.”
― David duChemin
Is this you? Let us know. If not, help out and invite David to Goodreads.
