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  <id>27357</id>
  <name><![CDATA[Paul Wood]]></name>
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  <id type="integer">93067</id>
  <isbn>0631200665</isbn>
  <isbn13>9780631200666</isbn13>
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  <title>
    <![CDATA[Art in Theory, 1815-1900: An Anthology of Changing Ideas]]>
  </title>
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  <link>http://www.goodreads.com/book/show/93067.Art_in_Theory_1815_1900_An_Anthology_of_Changing_Ideas</link>
  <average_rating>4.25</average_rating>
  <ratings_count>8</ratings_count>
  <description>
    <![CDATA[Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art. Like its highly successful companion volume, Art in Theory 1900-1990, also edited by Charles Harrison and Paul Wood, its primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its 260 texts, clear organization and considerable editorial content combine to furnish a vivid and indispensable introduction to the history of the art of the period. The anthology is also invaluable to anyone interested in the wider cultural debates of the nineteenth century, and in the development of modern aesthetic theories.   Harrison, Wood and Gaiger collect writings by artists, critics, philosophers and literary figures, some reprinted in their entirety, others excerpted from longer works.  Among the major themes treated are concepts of genius and originality, modes of landscape painting, approaches to Realism, the question of Modernity and debates over Impressionism, theories of optics and color, the aesthetics of photography, and the rise of photography. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each text is briefly introduced by an outline giving the circumstances of its original appearance and indicating its relevance to the development of modern artistic theory.  An extensive bibliography is also provided.]]>
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    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">93069</id>
  <isbn>0631200649</isbn>
  <isbn13>9780631200642</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Art in Theory, 1648-1815: An Anthology of Changing Ideas]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1171252331s/93069.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/93069.Art_in_Theory_1648_1815_An_Anthology_of_Changing_Ideas</link>
  <average_rating>4.00</average_rating>
  <ratings_count>8</ratings_count>
  <description>
    <![CDATA[Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period.Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations.Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and colour, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism.Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided.For more details of our book and journal list in Art, visit <a rel="nofollow" target="_blank" href="http://www.blackwellpublishing.com/arttheory" title="http://www.blackwellpublishing.com/arttheory">http://www.blackwellpublishing.com/artth...</a>]]>
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    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
    <author>
    <id>53387</id>
        <name><![CDATA[Jason Gaiger]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/53387.Jason_Gaiger]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">814595</id>
  <isbn>0300102305</isbn>
  <isbn13>9780300102307</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Art of the Avant-Gardes]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1178644808s/814595.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/814595.Art_of_the_Avant_Gardes</link>
  <average_rating>4.33</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Art of the Avant-Gardes is the second of four books that make up the Open University's Art of the Twentieth Century series. It discusses the development of modern art in the first third of the century. The book opens with an essay that introduces the main themes of art in the period and summarises the political context in which it developed: the First World War, the Russian Revolution and the subsequent consolidation of the European dictatorships. The book consists of four parts. The first looks at the centrally important idea of 'expression' in art, and related questions of Orientalism and the 'primitive'. The second part concentrates on Cubism, and the third goes on to investigate the development of abstract art. The final part discusses the radical avant-garde movements committed to overcoming the barrier between 'art' and 'life': Dada, Soviet Constructivism and Surrealism. The book is wonderfully illustrated throughout, and more specific case studies range from Picasso's Demoiselles d'Avignon to the transition from sculpture to object in English abstraction.]]>
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<authors>
    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">110482</id>
  <isbn>0929445163</isbn>
  <isbn13>9780929445168</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Conceptual Art]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1171641657s/110482.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/110482.Conceptual_Art</link>
  <average_rating>3.50</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Paul Wood's Conceptual Art is essential reading for anyone who wants to understand exactly how and why exhibitions of contemporary art have come to include anything and everything&#151;from pickled sharks to mass-produced toilets, piles of rubbish to multi-screen videos. Wood's text is coherent, precisely argued, and jargon-free: it provides a concise introduction to the important figures of a movement that changed the practice of modern art forever.   <p>&quot;Conceptual art&quot; commonly refers to work that conveys an idea or a concept in a manner that need not involve the creation or display of a traditional art object. Like Pop art, Abstract Expressionism, and Minimalism, Conceptual art was an historical form of avant-garde practice that rose to prominence in the postwar era and continues to exert an influence over visual art.   <p>Conceptual Art offers an easy-to-digest historical overview of the Conceptual art movement's development, rise to prominence, and legacy. Artists and art collectives discussed in the book include Art &amp; Language, Arte Povera, John Baldessari, Joseph Beuys, Victor Burgin, Marcel Duchamp, Fluxus, Joseph Kosuth, Richard Long, Nam June Paik, the Situationists, and Lawrence Wiener.</p></p>]]>
  </description>
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    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">565516</id>
  <isbn>0300102976</isbn>
  <isbn13>9780300102970</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Themes in Contemporary Art]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175842091m/565516.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175842091s/565516.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/565516.Themes_in_Contemporary_Art</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”<br/><br/>The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization of art at the end of the twentieth century. Full color illustrations are featured throughout the volume.  <br/><br/>Gill Perry is senior lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University.<br/><br/>]]>
  </description>
<authors>
    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">3379527</id>
  <isbn>0134097971</isbn>
  <isbn13>9780134097978</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[How to get your children to do what you want them to do]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3379527.How_to_get_your_children_to_do_what_you_want_them_to_do</link>
  <average_rating>3.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1977</published>
</book>

        <book>
  <id type="integer">6658289</id>
  <isbn>0970620004</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[False Confessions: A Life in Hawaii]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6658289-false-confessions</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[&quot;Tourist&quot; Hawai'i is one thing. Real Hawai'i is outlandish -- so much so that the line between everyday experience and fantastic invention often vanishes. Or at least it does in these forty-one masterfully written musings. <br/><br/>Hilarious and irreverent, full of games and yet passionately honest, they represent the best of a wildly popular Maui newspaper column called &quot;Four Wheels Five Corners.&quot; Working without editorial restrictions, Paul Wood fashioned these pieces from his quarter-century of life on Maui, then lobbed them onto the island like fireworks -- or, in some cases, hand grenades -- each one designed to burst with a flash of humor and truth in the minds and hearts of his fiercely loyal readers. <br/><br/>Prepare to be inspired, perplexed, delighted, and infuriated. No one's ever written this way about the real Hawai'i before. Maybe because no one's ever dared. <br/><br/>&quot;Some of the best and boldest writing in the Pacific.&quot; -- The Maui News]]>
  </description>
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    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">1389525</id>
  <isbn>0300102968</isbn>
  <isbn13>9780300102963</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Varieties of Modernism]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183203059m/1389525.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1183203059s/1389525.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1389525.Varieties_of_Modernism</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This book, the third in the Art of the Twentieth Century series, considers works of art produced in Europe and the United States between the 1930s and the 1960s.<br/><br/>Arranged in four main parts, this abundantly illustrated book begins by examining aspects of the European avant-garde from the 1930s to the aftermath of the Second World War. The second part focuses on the emergence of Abstract Expressionism in the U.S., in particular the work of Jackson Pollock and important critics. Part three looks at &#8220;autonomous&#8221; high modernism of the early to mid-1960s and the contemporary, related modernist theorization of photography. The final part of the book addresses the reemergence in the 1950s and 1960s of the concerns of the 1920 avant-gardes operating in the so-called &#8220;gap between art and life.&#8221;  <br/><br/>Paul Wood is senior lecturer in art history, The Open University.<br/><br/>]]>
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    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">672485</id>
  <isbn>0631227075</isbn>
  <isbn13>9780631227076</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Art in Theory 1900-2000: An Anthology of Changing Ideas]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177002649m/672485.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177002649s/672485.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/672485.Art_in_Theory_1900_2000_An_Anthology_of_Changing_Ideas</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">4072640</id>
  <isbn>0300067968</isbn>
  <isbn13>9780300067965</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Investigating Modern Art]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4072640.Investigating_Modern_Art</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Through this appealing and generously illustrated book, modern art in all its complexity and diversity becomes accessible. Charting the development of modern art from the nineteenth century through the present day, the authors discuss such movements as Cubism, Surrealism, Abstract Impressionism, and Minimal Art by focusing on key artists, including Picasso, Matisse, Pollock, and Warhol.]]>
  </description>
<authors>
    <author>
    <id>27357</id>
        <name><![CDATA[Paul Wood]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/27357.Paul_Wood]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>198</ratings_count>
    <text_reviews_count>28</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

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