David Abram





David Abram

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Average rating: 4.16 · 1,046 ratings · 177 reviews · 24 distinct works
The Spell of the Sensuous: ...
4.24 of 5 stars 4.24 avg rating — 768 ratings — published 1996 — 3 editions
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Becoming Animal
3.92 of 5 stars 3.92 avg rating — 148 ratings — published 2010 — 4 editions
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The Rough Guide to India
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3.6 of 5 stars 3.60 avg rating — 15 ratings — published 2001 — 5 editions
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The Rough Guide to South India
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3.64 of 5 stars 3.64 avg rating — 11 ratings — published 2004 — 4 editions
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The Rough Guide to Kerala
4.25 of 5 stars 4.25 avg rating — 4 ratings — published 2007 — 2 editions
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The Rough Guide to Goa
3.83 of 5 stars 3.83 avg rating — 6 ratings — published 2003 — 5 editions
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The Rough Guide to France
4.67 of 5 stars 4.67 avg rating — 3 ratings — published 2009
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The Rough Guide to Corsica
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3.0 of 5 stars 3.00 avg rating — 2 ratings — published 2000 — 4 editions
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England: The Rough Guide
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4.0 of 5 stars 4.00 avg rating — 1 rating — published 1998
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Scotland: The Rough Guide (...
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3.0 of 5 stars 3.00 avg rating — 1 rating
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“...along with the other animals, the stones, the trees, and the clouds, we ourselves are characters within a huge story that is visibly unfolding all around us, participants within the vast imagination, or Dreaming, of the world.”
David Abram, The Spell of the Sensuous: Perception and Language in a More-Than-Human World

“A story must be judged according to whether it makes sense. And 'making sense' must be here understood in its most direct meaning: to make sense is to enliven the senses. A story that makes sense is one that stirs the senses from their slumber, one that opens the eyes and the ears to their real surroundings, tuning the tongue to the actual tastes in the air and sending chills of recognition along the surface of the skin. To make sense is to release the body from the constraints imposed by outworn ways of speaking, and hence to renew and rejuvenate one's felt awareness of the world. It is to make the senses wake up to where they are.”
David Abram, The Spell of the Sensuous: Perception and Language in a More-Than-Human World

“We sleep, allowing gravity to hold us, allowing Earth- our larger body- to recalibrate our neurons, composting the keen encounters of our waking hours (the tensions and terrors of our individual days), stirring them back, as dreams, into the sleeping substance of our muscles. We give ourselves over to the influence of the breathing earth. Sleep is the shadow of the earth as it seeps into our skin and spreads throughout our limbs, dissolving our individual will into the thousand and one selves that compose it- cells, tissues, and organs taking their prime directives now from gravity and the wind- as residual bits of sunlight, caught in the long tangle of nerves, wander the drifting landscape of our earth-borne bodies like deer moving across the forested valleys.”
David Abram, Becoming Animal

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