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  <id>272073</id>
  <name><![CDATA[Gerrit Noordzij]]></name>
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  <id type="integer">487140</id>
  <isbn>0907259308</isbn>
  <isbn13>9780907259305</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Stroke: Theory of Writing]]>
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  <link>http://www.goodreads.com/book/show/487140.The_Stroke_Theory_of_Writing</link>
  <average_rating>4.22</average_rating>
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    <![CDATA[Appearing for the first time in an English-language edition, <em>The Stroke</em> puts forward a genuine theory of writing&#8212;that is, the concepts behind letters on the page, whether by pen, pencil, or brush. Concerned not with art calligraphy and beautiful forms, <em>The Stroke</em> is a description of the phenomenon of letters and how they are made in writing. Starting from basic principles, Noordzij begins with the white space that creates definition by surrounding letters. Then, using simple geometrical concepts, he describes in minute detail how the strokes of writing can be formed. His theory serves to repair the split that grew up, with the invention of printing, between written and typographic letters. With <em>The Stroke</em>, Noordzij can be seen as a prophet of digital typography committed to freeing typefaces from the constraints of their embodiment in metal.]]>
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        <name><![CDATA[Gerrit Noordzij]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/272073.Gerrit_Noordzij]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>14</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
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        <book>
  <id type="integer">487135</id>
  <isbn>088179175X</isbn>
  <isbn13>9780881791754</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Letterletter]]>
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  <average_rating>4.20</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This iconoclastic collection of essays on typography, writing and life is the work of Gerrit Noordzij, a master calligrapher and teacher of lettering and type design at The Hague. Letterletter opens up whole new perspectives on not just the world of letterforms but on the world and the written word, in general. Occasionally cranky, always well-written and insightful, Letterletter is an invaluable design tool and, more importantly, a pure pleasure to read. As Noordzij notes, &quot;Its lack of dignity, authority and tolerance could not prevent Letterletter from becoming a collectors item.&quot;&lt;/div&gt;]]>
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        <name><![CDATA[Gerrit Noordzij]]></name>
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    <average_rating>4.21</average_rating>
    <ratings_count>14</ratings_count>
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  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">487141</id>
  <isbn>9060196074</isbn>
  <isbn13>9789060196076</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Zeis en sikkel: De kunst van het maaien]]>
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    <id>272073</id>
        <name><![CDATA[Gerrit Noordzij]]></name>
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    <average_rating>4.21</average_rating>
    <ratings_count>14</ratings_count>
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  </author>
  </authors>  <published>1979</published>
</book>

        <book>
  <id type="integer">487139</id>
  <isbn>9070002175</isbn>
  <isbn13>9789070002176</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[De streek: Theorie van het schrift]]>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
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    <id>272073</id>
        <name><![CDATA[Gerrit Noordzij]]></name>
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    <average_rating>4.21</average_rating>
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  </authors>  <published>1985</published>
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