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  <id>269091</id>
  <name><![CDATA[Joseph Lanza]]></name>
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        <book>
  <id type="integer">851968</id>
  <isbn>0472089420</isbn>
  <isbn13>9780472089420</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Elevator Music: A Surreal History of Muzak, Easy-Listening, and Other Moodsong; Revised and Expanded Edition]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178907023m/851968.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178907023s/851968.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851968.Elevator_Music_A_Surreal_History_of_Muzak_Easy_Listening_and_Other_Moodsong_Revised_and_Expanded_Edition</link>
  <average_rating>3.79</average_rating>
  <ratings_count>14</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;It's campy, it's cool, empty, intrusive, trite, and treacly. It's Big Brother singing. Call it what you will -- elevator music, Moodsong ® easy listening, or Muzak ®. For a musical genre that was supposed to offend no one, it has a lot of enemies.<br/>&lt;/div&gt;&lt;div&gt;Musical cognoscenti decry its insipid content; regular folk -- if they notice -- bemoan its pervasiveness; while hipsters and campsters celebrate its retro chic. Mindful of the many voices, Joseph Lanza's Elevator Music sings seriously, with tongue in cheek, the praises of this venerable American institution.<br/>&lt;/div&gt;&lt;div&gt;Lanza addresses the criticisms of elites who say that Muzak and its ilk are dehumanized, vapid, or cheesy. These reactions, he argues, are based more on cultural prejudices than honest musical appraisal.<br/>&lt;/div&gt;&lt;div&gt;Says Lanza, today's so-called mood music is the inheritor of a long tradition of mood-altering music stretching back to the ancients; Nero's fiddle and the sirens of Odysseus being two famous examples. Contemporary atmospheric music, Lanza argues, not only serves the same purpose, it is also the inevitable background for our media-dominated age.<br/>&lt;/div&gt;&lt;div&gt;One of Lanza's premises, to quote Mark Twain, is that this music is &quot;better than it sounds.&quot; &quot;This book will have succeeded in its purpose,&quot; he writes, &quot;if I can help efface...the distinction between one person's elevator music and another's prized recording.&quot;<br/>&lt;/div&gt;&lt;div&gt;Joseph Lanza is an author, producer, and music historian. His most recent book is <em>Russ Columbo and the Crooner Mystique</em>. <br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">636426</id>
  <isbn>0312155379</isbn>
  <isbn13>9780312155377</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Gravity : Tilted Perspectives on Rocket Ships, Roller Coasters, Earthquakes, and Angel Food]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176573063m/636426.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1176573063s/636426.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/636426.Gravity_Tilted_Perspectives_on_Rocket_Ships_Roller_Coasters_Earthquakes_and_Angel_Food</link>
  <average_rating>3.17</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">851972</id>
  <isbn>0312152485</isbn>
  <isbn13>9780312152482</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Cocktail: The Influence of Spirits on the American Psyche]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178907024m/851972.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178907024s/851972.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851972.The_Cocktail_The_Influence_of_Spirits_on_the_American_Psyche</link>
  <average_rating>2.80</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Combining history, subjective rumination, and a few nods to the occult, Joseph Lanza, author of <em>Elevator Music</em>, exposes the cocktail as a ritual, a religious ceremony that sates the modern mind and soul.  He shows how cocktails have impacted politics, movies, popular songs, architecture, circadian rhythms, social interactions, and yes, even the mythic power of such American patriarchs as George Washington and his contemporary incarnation, Frank Sinatra.  A funny, informative, and stimulating read.]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">851973</id>
  <isbn>1555540341</isbn>
  <isbn13>9781555540340</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Fragile Geometry: The Films, Philosophy, and Misadventures of Nicolas Roeg (PAJ Books)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851973.Fragile_Geometry_The_Films_Philosophy_and_Misadventures_of_Nicolas_Roeg</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>1989</published>
</book>

        <book>
  <id type="integer">851969</id>
  <isbn>1556526695</isbn>
  <isbn13>9781556526695</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Phallic Frenzy: Ken Russell and His Films]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178907023m/851969.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178907023s/851969.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851969.Phallic_Frenzy_Ken_Russell_and_His_Films</link>
  <average_rating>3.33</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;A biography of director Ken Russell that details the wild ideas, surreal moments, personal faith, and cavalcade of colorful personalities surrounding this eccentric filmmaker&#8212;on and off the set. Best known for the acclaimed movies <em>Altered States</em>, <em>The Devils</em>, <em>Gothic</em>, <em>The Music Lovers</em>, <em>Tommy</em>, and <em>Women in Love</em>, Russell redefined cinema in the 1960s, &#8217;70s, and &#8217;80s, working with magnetic actors such as Jack Nicholson, Michael Caine, Ann-Margret, William Hurt, Gabriel Byrne, Vanessa Redgrave, and Glenda Jackson, who won a Best Actress Oscar for her role in <em>Women in Love</em>. Russell&#8217;s imagery, dialogue, and erotic metaphors are both outrageous and thought provoking, and he has explored the lives and works of such literary and musical luminaries as Claude Debussy, D.H. Lawrence, Pyotr Ilyich Tchaikovsky, Mary Shelley, Gustav Mahler, and Oscar Wilde. This intimate biography ranges over Russell&#8217;s entire life and career and highlights how creative differences stopped production of a movie version of <em>Evita</em>, how he grappled with censors and got accused of blasphemy for his adaptation of Aldous Huxley&#8217;s <em>The Devils</em>, how he creatively staged the love duet between Faust and Helen over a bowl of pasta in the opera <em>Mephistopheles</em>, and how Alan Bates and Oliver Reed compared their penis sizes before diving into <em>Women in Love</em>&#8217;s nude wrestling scene.  &lt;/div&gt;&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">851965</id>
  <isbn>1556525435</isbn>
  <isbn13>9781556525438</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Vanilla Pop: Sweet Sounds from Frankie Avalon to ABBA]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178907021m/851965.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178907021s/851965.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851965.Vanilla_Pop_Sweet_Sounds_from_Frankie_Avalon_to_ABBA</link>
  <average_rating>3.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This pop culture history serves up the soda fountain sound of the musical form that pervaded popular culture from the late 1950s to the mid-1970s: vanilla pop. The argument that vanilla, rather than being the absence of flavor, is a unique, identifiable, and underappreciated characteristic of pop music is presented. Paying tribute to vanilla pop&#8217;s mild-mannered, soft, soothing, sweet-tempered vision, the key components of this sound that freshens the ear with its extreme studio processing, high-register vocals, and sparkly acoustics are highlighted alongside its primary artists, including Frankie Avalon, Pat Boone, the Four Preps, the Carpenters, Doris Day, ABBA, and even the early-1990s balladeer Tommy Page. Beloved songs from this era such as &quot;A Shoulder to Cry On,&quot; &quot;A Summer Song,&quot; &quot;For All We Know,&quot; &quot;Johnny Angel,&quot; &quot;Sealed with a Kiss,&quot; and &quot;Whatever Will Be, Will Be (Que Sera, Sera)&quot; are also profiled. This definitive history pays tribute to a pop music in danger of being forgotten and is a gallant attempt to challenge fashionable misconceptions and refocus the world's pop sensibility to the sounds, as well as the artists, traversing the vanilla extreme.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">851970</id>
  <isbn>0922915806</isbn>
  <isbn13>9780922915804</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Russ Columbo and the Crooner Mystique]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178907024m/851970.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178907024s/851970.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/851970.Russ_Columbo_and_the_Crooner_Mystique</link>
  <average_rating>1.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Along with Rudy Vallee and Bing Crosby, Russ Columbo was the model  crooner of the late 1920s, with a smoothly sentimental ballad  style. His mellifluous but melancholy voice spoke to many Americans  still drifting in the malaise after World War I and at the beginning  of the depression. But unlike most crooners, Columbo not only wrote  and sang songs about lovestruck dreamers but also lived out such  stories, unable or unwilling to separate art from life. Based on  material from the singer’s personal effects, including original  music transcripts, photographs, diaries, and love letters, the  biography also includes concise histories of the most important  crooners and the controversies their theatrics often elicited.  ]]>
  </description>
<authors>
    <author>
    <id>269091</id>
        <name><![CDATA[Joseph Lanza]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269091.Joseph_Lanza]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>9</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

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