Pauline Kael
Author profile
born
June 19, 1919
in Petaluma, California, The United States
died
September 03, 2001
gender
female
genre
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I Lost it at the Movies: Film Writings, 1954-1965
— published 1965 — 3 editions |
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For Keeps: 30 Years at the Movies
— published 1994 — 2 editions |
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5001 Nights at the Movies
— published 1982 — 8 editions |
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Kiss Kiss Bang Bang: Film Writings, 1965-1967
— published 1968 — 4 editions |
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Reeling: Film Writings, 1972-1975
— published 1976 — 4 editions |
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When the Lights Go Down: Film Writings, 1975-1980
— 2 editions |
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The Citizen Kane Book
by Pauline Kael, Orson Welles, Herman J. Mankiewicz — published 1971 — 9 editions |
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Deeper Into Movies: Film Writings, 1969-1972
— published 1973 — 5 editions |
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Going Steady: Film Writings, 1968-1969
— published 1970 — 4 editions |
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Hooked: Film Writings 1985-1988
— published 1989 — 3 editions |
“A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.”
― Pauline Kael, For Keeps: 30 Years at the Movies
― Pauline Kael, For Keeps: 30 Years at the Movies
“Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.”
― Pauline Kael
― Pauline Kael

























