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  <id>22888</id>
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  <id type="integer">722786</id>
  <isbn>0140168532</isbn>
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  <title>
    <![CDATA[Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World]]>
  </title>
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  <average_rating>3.73</average_rating>
  <ratings_count>41</ratings_count>
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    <![CDATA[A collection of essays on popular culture as it relates to   African Americans includes discussions of Spike Lee, Jackie Robinson,   Bernhard Goetz, Marion Barry, &quot;&quot;What Black People Don't Like,&quot;&quot; and   &quot;&quot;The Natural Superiority of Black Athletes.&quot;&quot; Reprint.]]>
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    <average_rating>3.73</average_rating>
    <ratings_count>99</ratings_count>
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  <id type="integer">722788</id>
  <isbn>0803298161</isbn>
  <isbn13>9780803298163</isbn13>
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  <title>
    <![CDATA[Serenity: A Boxing Memoir]]>
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  <link>http://www.goodreads.com/book/show/722788.Serenity_A_Boxing_Memoir</link>
  <average_rating>3.92</average_rating>
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    <![CDATA[&quot;This is a surprising book, a terrific book. It's not about boxing, but about an odd, demanding world in which boxing is the thread, the key to existence. Wiley deftly broadens the delineation of this world and its people. Perceptive reporting is the foundation and perceptive reporting is rare enough. Wiley enhances it with clear, quick writing laced with humor and with a sensitivity that lends brilliance to this impressive work.&quot;-Robert W. Creamer, author of Baseball and Other Matters in 1941. &quot;Ralph Wiley, with Serenity, has produced an original book about the ring. . . . He can dig beneath the surface and show us what really happened in a bout: why Thomas Hearns, with too much faith in his powerful right hand, lost to Sugar Ray Leonard in their first match. . . . Or why Roberto Durán was acting out of prudence, not cowardice, when he quit in his second fight against Leonard. . . . Yet the book is not really about boxing. Boxing in Serenity is what T. S. Eliot, speaking of plot, called the meat a burglar brings to distract the watchdog. The book is really about growing up in a world where you had to defend yourself physically to survive.&quot;-New York Times. &quot;Wiley's rapport with boxers is profound.&quot;-Publisher's Weekly. &quot;Wiley is one writer who really knows his way around a boxing ring. . . . [He writes] with passion and understanding about complex, violent men and their oddly redemptive sport.&quot;-Booklist.  Ralph Wiley is the author or coauthor of several works, most recently Born to Play: The Eric Davis Story.]]>
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        <book>
  <id type="integer">40727</id>
  <isbn>1933060018</isbn>
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    <![CDATA[Classic Wiley: A Lifetime of Punchers, Players, Punks &amp; Prophets (The Great American Sportswriter Series)]]>
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    <![CDATA[The definitive collection from the late Ralph Wiley-pioneering journalist, acclaimed author of Why Black People Tend to Shout, and a towering voice in the world of sportswriting hen Ralph Wiley, a columnist for <a rel="nofollow" target="_blank" href="http://ESPN.com">ESPN.com</a> and a former writer for Sports Illustrated, passed away on June 13, 2004, he left behind a rich legacy of written work. This volume brings together Wiley's best feature stories from Sports Illustrated, columns from ESPN.com, his 'Parting Shots' from the ESPN television show The Sports Reporters, and excerpts from his books and screenplays.]]>
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        <book>
  <id type="integer">722787</id>
  <isbn>0345380444</isbn>
  <isbn13>9780345380449</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[What Black People Should Do Now: Dispatches from Near the Vanguard]]>
  </title>
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  <link>http://www.goodreads.com/book/show/722787.What_Black_People_Should_Do_Now_Dispatches_from_Near_the_Vanguard</link>
  <average_rating>3.44</average_rating>
  <ratings_count>9</ratings_count>
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    <![CDATA[&quot;Probing, entertaining and agitating.&quot; Essence<br/>By the acclaimed and controversial author of WHY BLACK PEOPLE TEND TO SHOUT, this is an unblinking look at African-American life, including explosive essays on education, Rodney King, multiculturalism, and men and women. Part fiery polemic, part stinging satire, part lyrical testament to how Black people survive everyday racism -- Wiley leaves no stone unturned as he demands that all Black people think about where they are and what they really want to happen.]]>
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        <book>
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  <title>
    <![CDATA[Dark Witness]]>
  </title>
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  <average_rating>3.33</average_rating>
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    <![CDATA[&quot;You can find in a text whatever you bring, if you will stand between it and the mirror of your imagination. . . . Yes, take it all around, there is quite a good deal of information in the book. I regret this very much; but really it could not be helped.&quot;<br/><br/> *Mark Twain<br/><br/><br/><br/>Like his literary forebears *Frederick Douglass, James Baldwin, Ralph Ellison, and yes, Mark Twain *Ralph Wiley has some information to purvey. The news is not always good. But with Wiley's electrifying take on subjects from the black intelligentsia to The Bell Curve to O.J., Dark Witness is certain to outrage, entertain, and ultimately enlighten.<br/><br/><br/><br/>The titles of his chapters say it all: &quot;One Day, When I Was On Exhibit.&quot; &quot;Why Black People Are So Stupid.&quot; &quot;Why Niggers Steal, Are Violent, and Stay on Welfare.&quot; &quot;Where Negroes Got All That Rhythm.&quot; &quot;Whoopi-Do and Hughes 2.&quot; &quot;Sin and Juice.&quot; Behind the explosive flash of these phrases simmer the intense honesty and searing self-reflection of a man burning for justice. Taking to heart Douglass's words that &quot;it is not light that is needed, but <br/><br/>fire . . . not the gentle shower, but thunder,&quot; Wiley, heir to the long tradition of &quot;writer as activist,&quot; examines some of the most hotly debated issues of black life today and turns them inside out.<br/><br/><br/><br/>No one writing today has the incisiveness, the fire to dissect the world the way Ralph Wiley does. In Dark Witness he proves once again that he is one of the most gifted writers chronicling life in the crucible that is late-twentieth- century America.<br/><br/><br/><br/>&quot;Wiley brings to the debate his own inimitable style, a bold perspective that is without compromise and a voice that provokes laughter about society's weightiest dilemmas.&quot;<br/><br/> *Emerge<br/><br/><br/><br/>&quot;Humor is a formidable weapon, and Wiley puts it to outstanding use in this sharp-edged book.&quot;<br/><br/> *Kirkus Reviews (starred review)]]>
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    <average_rating>3.73</average_rating>
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        <book>
  <id type="integer">697167</id>
  <isbn>1559720735</isbn>
  <isbn13>9781559720731</isbn13>
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  <title>
    <![CDATA[Why Black People Tend to Shout: Cold Facts and Wry Views from a Black Man's World]]>
  </title>
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  <link>http://www.goodreads.com/book/show/697167.Why_Black_People_Tend_to_Shout_Cold_Facts_and_Wry_Views_from_a_Black_Man_s_World</link>
  <average_rating>2.00</average_rating>
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    <![CDATA[]]>
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  <title>
    <![CDATA[Growing Up King: An Intimate Memoir]]>
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    <![CDATA[Dexter King, who would grow up to eerily resemble his legendary father, MLK, Jr., and display some of the same eloquence, was seven years old when an assassin's bullet took his father's life. The bond between father and son was a close one. For years afterward, Dexter was haunted by a memory of himself and his dad riding their bikes through Atlanta's streets, and by his father's full-throated laugh as he romped with the King children. Dexter tried to find courage in his father's example of selfless heroism, but as his shattered childhood ripened into adolescence, the weight of &quot;the King legacy&quot; pressed down ever more heavily. Kept at arms-length by schoolchildren who weren't sure what to make of the son of a secular saint, afflicted with undiagnosed ADD, and shell-shocked further by the assassination of his grandmother, Dexter stumbled warily into adulthood. Ironically, the wall that separated him from potential friends and girlfriends was sometimes comforting. In distancing himself from others, he lessened the chances of loss.Only in his early 30s did he confront &quot;the legacy&quot; head on, and when he did, he discovered what his father was trying to tell him--and us--about what really matters. Replete with remarkable insights into what families of &quot;fallen heroes&quot; must contend with, as well as surprisingly intimate moments and fresh reflections on race in America, this is a truly extraordinary book.]]>
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  <title>
    <![CDATA[Dark Witness]]>
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    <![CDATA[&quot;You can find in a text whatever you bring, if you will stand between it and the mirror of your imagination. . . . Yes, take it all around, there is quite a good deal of information in the book. I regret this very much; but really it could not be helped.&quot;<br/>--Mark Twain<br/>Like his literary forebears--Frederick Douglass, James Baldwin, Ralph Ellison, and yes, Mark Twain--Ralph Wiley has some information to purvey. The news is not always good. But with Wiley's electrifying take on subjects from the black intelligentsia to The Bell Curve to O.J., Dark Witness is certain to outrage, entertain, and ultimately enlighten.<br/>The titles of his chapters say it all: &quot;One Day, When I Was On Exhibit.&quot; &quot;Why Black People Are So Stupid.&quot; &quot;Why Niggers Steal, Are Violent, and Stay on Welfare.&quot; &quot;Where Negroes Got All That Rhythm.&quot; &quot;Whoopi-Do and Hughes 2.&quot; &quot;Sin and Juice.&quot; Behind the explosive flash of these phrases simmer the intense honesty and searing self-reflection of a man burning for justice. Taking to heart Douglass's words that &quot;it is not light that is needed, but fire...not the gentle shower, but thunder,&quot; Wiley, heir to the long tradition of &quot;writer as activist,&quot; examines some of the most hotly debated issues of black life today and turns them inside out:<br/>Affirmative action: &quot;Many times, it seemed the 'worst' black candidates were chosen in hopes that they would fail. People talked about increased productivity, but often they meant in the personal sense. When others succeeded or produced, they felt lessened--it is human nature to feel this, but for a 'white' man to feel inferior to a 'black' in America causes instant insanity.&quot;<br/>O.J. Simpson: &quot;Now I've heard it said that The Juice, owing to his choices in women and habitat, wanted to be 'white.' A bigger crock of crap I've never heard. Juice made 'whites' feel comfortable with his kind of 'blackness.' He didn't want to be 'white.' He wanted to be privileged. And he was.&quot;<br/>Huck Finn: &quot;There's a Mark Twain Middle School not three miles from my base camp. An administrative aide there, a 'black' man, had wanted to delete any reference to that archaic/contemporary word 'nigger' from Twain's book--the one place where such copious use of the word in society was first best put in perspective, where it was used to describe a condition, where it reflected on the speaker, not the subject. There is not one usage of nigger in Huck Finn that I consider inauthentic and I am hard to please that way.&quot;<br/>No one writing today has the incisiveness, the fire to dissect the world the way Ralph Wiley does. In Dark Witness he proves once again that he is one the most gifted writers chronicling life in the crucible that is late-twentieth century America.]]>
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    <![CDATA[Serenity: A Boxing Memoir: A Search for the Boxer's Peace of Mind, from Joe Louis to Mike Tyson]]>
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  <link>http://www.goodreads.com/book/show/3077611.Serenity_A_Boxing_Memoir_A_Search_for_the_Boxer_s_Peace_of_Mind_from_Joe_Louis_to_Mike_Tyson</link>
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        <book>
  <id type="integer">722791</id>
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    <![CDATA[Dark Witness]]>
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    <![CDATA[&quot;You can find in a text whatever you bring, if you will stand between it and the mirror of your imagination. . . . Yes, take it all around, there is quite a good deal of information in the book. I regret this very much; but really it could not be helped.&quot;<br/>--Mark Twain<br/>Like his literary forebears--Frederick Douglass, James Baldwin, Ralph Ellison, and yes, Mark Twain--Ralph Wiley has some information to purvey. The news is not always good. But with Wiley's electrifying take on subjects from the black intelligentsia to The Bell Curve to O.J., Dark Witness is certain to outrage, entertain, and ultimately enlighten.<br/>The titles of his chapters say it all: &quot;One Day, When I Was On Exhibit.&quot; &quot;Why Black People Are So Stupid.&quot; &quot;Why Niggers Steal, Are Violent, and Stay on Welfare.&quot; &quot;Where Negroes Got All That Rhythm.&quot; &quot;Whoopi-Do and Hughes 2.&quot; &quot;Sin and Juice.&quot; Behind the explosive flash of these phrases simmer the intense honesty and searing self-reflection of a man burning for justice. Taking to heart Douglass's words that &quot;it is not light that is needed, but fire...not the gentle shower, but thunder,&quot; Wiley, heir to the long tradition of &quot;writer as activist,&quot; examines some of the most hotly debated issues of black life today and turns them inside out:<br/>Affirmative action: &quot;Many times, it seemed the 'worst' black candidates were chosen in hopes that they would fail. People talked about increased productivity, but often they meant in the personal sense. When others succeeded or produced, they felt lessened--it is human nature to feel this, but for a 'white' man to feel inferior to a 'black' in America causes instant insanity.&quot;<br/>O.J. Simpson: &quot;Now I've heard it said that The Juice, owing to his choices in women and habitat, wanted to be 'white.' A bigger crock of crap I've never heard. Juice made 'whites' feel comfortable with his kind of 'blackness.' He didn't want to be 'white.' He wanted to be privileged. And he was.&quot;<br/>Huck Finn: &quot;There's a Mark Twain Middle School not three miles from my base camp. An administrative aide there, a 'black' man, had wanted to delete any reference to that archaic/contemporary word 'nigger' from Twain's book--the one place where such copious use of the word in society was first best put in perspective, where it was used to describe a condition, where it reflected on the speaker, not the subject. There is not one usage of nigger in Huck Finn that I consider inauthentic and I am hard to please that way.&quot;<br/>No one writing today has the incisiveness, the fire to dissect the world the way Ralph Wiley does. In Dark Witness he proves once again that he is one the most gifted writers chronicling life in the crucible that is late-twentieth century America.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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