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  <id>226392</id>
  <name><![CDATA[Hans Ulrich Obrist]]></name>
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        <book>
  <id type="integer">5396926</id>
  <isbn>0500238502</isbn>
  <isbn13>9780500238509</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Formulas for Now]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/5396926.Formulas_for_Now</link>
  <average_rating>4.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[<strong>Imaginative formulas for negotiating contemporary life from an eminent group of artistic and scientific minds.</strong><br/><br/>For centuries the formula has been one of the building blocks of human knowledge. In mathematics and science, formulas express information symbolically—to solve a problem, to describe an observable phenomenon, or to postulate a theory. More generally, a formula can be a plan of action; a statement or declaration; a definition or rule; or a list of ingredients or recipe to achieve a desired outcome.<br/><br/>For all the contributors to this unique volume—including eminent minds from the fields of art, science, mathematics, performance, architecture, design, literature, and sociology—the formula is a fruitful way of investigating the nature of human existence. Selected especially for the book, more than one hundred invited participants have produced or chosen their own personal formulas to express the realities of contemporary life and to offer a means of negotiating a path through it.<br/><br/>At times quirky and idiosyncratic, witty and playful, some of the formulas here register an indisputable fact or propose a speculative idea; others provide a method of bringing order to a complex universe—or point to the impossibility of doing so; still others suggest propositions for a better future. Together they help us understand who we are and the world in which we live.<br/><br/>Contributors include Marina Abramovic; David Adjaye; John Baldessari; Matthew Barney; Louise Bourgeois; Thomas Demand; Elizabeth Diller; Olafur Eliasson; Brian Eno; Damien Hirst; Rem Koolhaas; Jeff Koons; Harry Mathews; Yoko Ono; Gerhard Richter; Nancy Spero; Rosemarie Trockel; Wang Jian Wei; James Watson. 105 illustrations, 48 in color.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">3012636</id>
  <isbn>3865603351</isbn>
  <isbn13>9783865603357</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Olafur Eliasson: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3012636.Hans_Ulrich_Obrist_Olafur_Eliasson_The_Conversation_Series</link>
  <average_rating>3.00</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Hans Ulrich Obrist and Icelandic artist Olafur Eliasson have known each other for many years, and have worked together intimately--on exhibitions, book projects, performances and more. Their legendary conversations, gathered here, are revealing, challenging, philosophical--and essential to both oeuvres.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>60300</id>
        <name><![CDATA[Olafur Eliasson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/60300.Olafur_Eliasson]]></link>
    <average_rating>4.08</average_rating>
    <ratings_count>13</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">4110639</id>
  <isbn>390582955X</isbn>
  <isbn13>9783905829556</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[A Brief History of Curating]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4110639.A_Brief_History_of_Curating</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Part of JRP|Ringer's innovative <em>Documents</em> series, published with Les Presses du Reel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, &quot;the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a 'spiritual guest worker'... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice--itself defined by selection and arrangement--would come to be seen as an art that operates on the field of art itself?&quot;]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">3088724</id>
  <isbn>3883759228</isbn>
  <isbn13>9783883759227</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist and John Chamberlain: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3088724.Hans_Ulrich_Obrist_and_John_Chamberlain_The_Conversation_Series</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of <em>The Conversation Series</em>, about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to &quot;recipes&quot; for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>121995</id>
        <name><![CDATA[John Chamberlain]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/121995.John_Chamberlain]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">2512986</id>
  <isbn>8884914922</isbn>
  <isbn13>9788884914927</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Armin Linke: Transient]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2512986.Armin_Linke_Transient</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This work of Armin Linke is one of modern photography's most startling attempts to fix images of cultural transformations that are taking place on a global scale - images focused both on the actual landscape and on man's place in this new world culture. Organized as both an atlas and &quot;an impossible archive,&quot; Transient is a courageous undertaking which creates a new definition for the idea of metamorphosis in a modern world.<br/> <br/>Transient is the first glimpse of an idea Linke has pursued for the last decade: a project he calls 4flights, for which he has produced thousands of images. This volume presents <br/>the first look at what may be a photographic masterpiece, a significant selection of 200 &quot;local&quot; photographs that taken together are a full 360-degree interpretation of the profound, accelerating alteration our world is undergoing.<br/> <br/>The book is designed by Cornell Windly and includes text and dialogues by Hans Ulrich Obrist, Stefano Boeri, Stalker, Amedeo Martegani and Luca Molinari.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>93807</id>
        <name><![CDATA[Stefano Boeri]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/93807.Stefano_Boeri]]></link>
    <average_rating>3.82</average_rating>
    <ratings_count>62</ratings_count>
    <text_reviews_count>6</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6318510</id>
  <isbn>3865605079</isbn>
  <isbn13>9783865605078</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Olafur Eliasson: Experiment Marathon]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6318510.Hans_Ulrich_Obrist_Olafur_Eliasson_Experiment_Marathon</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their <em>24-Hour Experiment Marathon</em>, held in the Rem Koolhaas-designed Serpentine Gallery Pavilion. In the tradition of Obrist's now-legendary ongoing <em>24-Hour Interview Marathon</em>, the crowds were standing-room-only and the action never stopped. This publication details the more than 40 screenings, performances and experimental films making up this genre-bending blend of science and art.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>60300</id>
        <name><![CDATA[Olafur Eliasson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/60300.Olafur_Eliasson]]></link>
    <average_rating>4.08</average_rating>
    <ratings_count>13</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>63348</id>
        <name><![CDATA[John Brockman]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1231083393p5/63348.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1231083393p2/63348.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/63348.John_Brockman]]></link>
    <average_rating>3.69</average_rating>
    <ratings_count>606</ratings_count>
    <text_reviews_count>144</text_reviews_count>
  </author>
    <author>
    <id>77743</id>
        <name><![CDATA[Bruno Latour]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1210215858p5/77743.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1210215858p2/77743.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77743.Bruno_Latour]]></link>
    <average_rating>3.86</average_rating>
    <ratings_count>368</ratings_count>
    <text_reviews_count>33</text_reviews_count>
  </author>
    <author>
    <id>103099</id>
        <name><![CDATA[Gustav Metzger]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/103099.Gustav_Metzger]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>461391</id>
        <name><![CDATA[Barbara Vanderlinden]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/461391.Barbara_Vanderlinden]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">7096521</id>
  <isbn>3865604013</isbn>
  <isbn13>9783865604019</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Enzo Mari: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/7096521-hans-ulrich-obrist-enzo-mari</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Volume 15 of <em>The Conversation Series</em> features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s.<br/><strong>Enzo Mari</strong> was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebruder Thonet and a collection for the Japanese home store Muji.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>853252</id>
        <name><![CDATA[Enzo Mari]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-M-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-M-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/853252.Enzo_Mari]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">6867613</id>
  <isbn>3865602177</isbn>
  <isbn13>9783865602176</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Gilbert &amp; George: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6867613-hans-ulrich-obrist-gilbert-george</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert &amp; George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>170481</id>
        <name><![CDATA[Gilbert &amp; George]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/170481.Gilbert_George]]></link>
    <average_rating>4.60</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">6858624</id>
  <isbn>3865604986</isbn>
  <isbn13>9783865604989</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Gustav Metzger: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6858624-hans-ulrich-obrist-gustav-metzger</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[In volume 16 of <em>The Conversation Series</em>, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped.&quot; In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of 13 and the many projects he has yet to realize. &quot;]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>103099</id>
        <name><![CDATA[Gustav Metzger]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/103099.Gustav_Metzger]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">6344780</id>
  <isbn>3865603408</isbn>
  <isbn13>9783865603401</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Hans Ulrich Obrist &amp; Philippe Parreno: The Conversation Series]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6344780-hans-ulrich-obrist-philippe-parreno</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[The French filmmaker and artist Philippe Parreno born in Algeria, has been working and collaborating with curator/thinker/editor Hans Ulrich Obrist for many years; over many projects they have taken huge risks and broken countless conventions together. The conversations gathered here give us a window into a dynamic and forward thinking aesthetic relationship.]]>
  </description>
<authors>
    <author>
    <id>226392</id>
        <name><![CDATA[Hans Ulrich Obrist]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/226392.Hans_Ulrich_Obrist]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>355499</id>
        <name><![CDATA[Philippe Parreno]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/355499.Philippe_Parreno]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

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