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  <id>217473</id>
  <name><![CDATA[Erick Lyle]]></name>
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  <id type="integer">2432139</id>
  <isbn>1933368985</isbn>
  <isbn13>9781933368986</isbn13>
  <text_reviews_count type="integer">32</text_reviews_count>
  <title>
    <![CDATA[On the Lower Frequencies]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2432139.On_the_Lower_Frequencies</link>
  <average_rating>4.42</average_rating>
  <ratings_count>100</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;<em>&lt;div&gt;On the Lower Frequencies</em> is at once a manual, memoir, and history of creative resistance in a world awash with war and poverty. An icon on the 1990s zine scene, Iggy Scam traces not only the evolution of cities, but of his own thinking, from his early focus on more outré forms of resistance through more contemplative times as he becomes preoccupied with the need for a more affirmative vision of the future. In one of the book&#8217;s key pieces, Scam celebrates the history and passing of Hunt&#8217;s Donuts in San Francisco&#8217;s Mission District. On one level an epitaph for a beloved hangout and on another a metaphor for the effects of gentrification, it&#8217;s the untold history of an entire neighborhood in a single retail establishment. Whether handing out fake Starbucks coupons or dreaming of a future with more public art and punk holidays, Scam gives the reader inspiration for living defiantly. &lt;/div&gt;&lt;/div&gt;]]>
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    <author>
    <id>217473</id>
        <name><![CDATA[Erick Lyle]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/217473.Erick_Lyle]]></link>
    <average_rating>4.47</average_rating>
    <ratings_count>112</ratings_count>
    <text_reviews_count>34</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">381929</id>
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  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[scam no. 5.5 the epicenter of crime: the hunt's donuts story]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/381929.scam_no_5_5_the_epicenter_of_crime_the_hunt_s_donuts_story</link>
  <average_rating>4.92</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[awesome]]>
  </description>
<authors>
    <author>
    <id>217473</id>
        <name><![CDATA[Erick Lyle]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/217473.Erick_Lyle]]></link>
    <average_rating>4.47</average_rating>
    <ratings_count>112</ratings_count>
    <text_reviews_count>34</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">6631363</id>
  <isbn>159376250X</isbn>
  <isbn13>9781593762506</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Wet Cement: The Sidewalks of San Francisco]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6631363-wet-cement</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;When presented with a patch of wet cement and a chance at immortality in the built environment of the city, what do you write? Love notes, political slogans, band names, and simple declarations of existence on a certain date; just about every kind of message is etched in the cement of the sidewalks of San Francisco.<br/><br/>In <em>Wet Cement</em>, Lyle reveals the city as something other than a collection of streets and buildings: it is the convergence of all the ideas and aspirations of everyone who has ever lived there. The cement etchings, presented in an extensive collection of photographs, create a narrative that accompanies a walk down any street. The wet cement functions as a time-lapse photo, encapsulating the voices of decades of city dwellers.<br/><br/>In the spirit of both Walter Benjamin and Jane Jacobs, the photographs of cement etchings are for Lyle a jumping-off point, triggering tales of lost legends, lost utopias, and lost love in a city that is constantly decaying, regenerating, and accumulating new layers of history — a fascinating meditation on the art of walking, reading, and remembering in an urban environment.&lt;/DIV&gt;]]>
  </description>
<authors>
    <author>
    <id>217473</id>
        <name><![CDATA[Erick Lyle]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/217473.Erick_Lyle]]></link>
    <average_rating>4.47</average_rating>
    <ratings_count>112</ratings_count>
    <text_reviews_count>34</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

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