Natalia Ginzburg





Natalia Ginzburg

Author profile


born
in Palermo, Italy
July 14, 1916

died
October 07, 1991

gender
female

genre


About this author

Italian novelist, essayist, translator and playwright, who has written of her unconventional family and its opposition in Turin to Fascist oppression. Ginzburg's novels are a mixture of reminiscence, observation, and invention. Much of her fiction is written in the first person in a plain style, and constructed almost entirely of dialogue.
She published her first novel under the pseudonym Alessandra Torninparte.


Average rating: 3.86 · 3,577 ratings · 266 reviews · 66 distinct works · Similar authors
Lessico famigliare
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3.78 of 5 stars 3.78 avg rating — 1,103 ratings — published 1963 — 34 editions
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The Little Virtues
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3.83 of 5 stars 3.83 avg rating — 395 ratings — published 1962 — 16 editions
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Caro Michele
3.67 of 5 stars 3.67 avg rating — 163 ratings — published 1973 — 18 editions
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The City and the House
3.7 of 5 stars 3.70 avg rating — 152 ratings — published 1984 — 14 editions
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چنين گذشت بر من
by
3.82 of 5 stars 3.82 avg rating — 163 ratings — published 1947 — 13 editions
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All Our Yesterdays
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3.96 of 5 stars 3.96 avg rating — 129 ratings — published 1952 — 13 editions
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Voices in the Evening
3.85 of 5 stars 3.85 avg rating — 143 ratings — published 1961 — 15 editions
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La famiglia Manzoni
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3.56 of 5 stars 3.56 avg rating — 64 ratings — published 1983 — 13 editions
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شوهر من
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3.36 of 5 stars 3.36 avg rating — 42 ratings — published 2007 — 2 editions
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La strada che va in città
3.79 of 5 stars 3.79 avg rating — 68 ratings — published 1942 — 13 editions
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More books by Natalia Ginzburg…
“Every day silence harvests its victims. Silence is a mortal illness.”
Natalia Ginzburg

“We become adolescents when the words that adults exchange with one another become intelligible to us.”
Natalia Ginzburg

“Pienso que en la vida de cada uno de nosotros existe un libro similar, que de pequeños no nos limitamos simplemente a leer, sino que inspeccionamos y rebuscamos en cada uno de sus rincones como si de una habitación se tratara. Un libro así, rebuscado como una habitación, escrutado o interrogado como una cara en cada rasgo y arruga, nunca podremos juzgarlo como se juzga un libro, porque para nosotros ha abandonado la zona de los libros y ha pasado a vivir a la zona de la memoria y de los afectos.”
Natalia Ginzburg

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