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  <id>210891</id>
  <name><![CDATA[David G. De Long]]></name>
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  <id type="integer">1307895</id>
  <isbn>0789300990</isbn>
  <isbn13>9780789300997</isbn13>
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  <title>
    <![CDATA[Louis I. Kahn: In the Realm of Architecture: Condensed]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1307895.Louis_I_Kahn_In_the_Realm_of_Architecture_Condensed</link>
  <average_rating>4.50</average_rating>
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    <![CDATA[&lt;div&gt;This condensed edition of<em> Louis I. Kahn: In the Realm of Architecture</em> is a definitive and richly illustrated volume that presents the oeuvre of one of this century's most influential practitioners, teachers, and thinkers in architecture. Here is the detailed account of the architecture and philosophy of Louis Kahn, whose buildings have become the very signature of the modernist aesthetic and whose vision permanently changed the direction of American architecture.<br/><br/>Kahn's career is documented here with meticulous attention to all aspects of his work-- from his own fascinating biography to the unique philosophy that underlies his buildings to the structures themselves. The stunning range of Kahn's architectural vision becomes fully apparent: his structures are at once solemn and resonant, elemental and musical. Extraordinary, exclusively commissioned color photographs of his masterworks-- the Yale Center for British Art, the National Assembly complex at Dhaka, Bangladesh, the Kimbell Art Museum, the Indian Institute of Management, the Salk Institute-- exquisitely demonstrate how Kahn's architecture wholly reinvents space and light. In all, more than two hundred illustrations, including numerous drawings and floor plans, accompany the painstakingly researched text.<br/><br/>This volume-- published in association with the Museum of Contemporary Art in Los Angeles and with the exclusive participation of the Louis I. Kahn Collection-- contains six principal essays that critically address different dimensions and periods of Kahn's architecture. The essays and photography are accompanied by succinct notes and captions, as well as a complete list of buildings and projects and an index, making this book the preeminent scholarly and illustrative source for Kahn's architecture.<br/>&lt;/div&gt;]]>
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    <author>
    <id>210892</id>
        <name><![CDATA[David B. Brownlee]]></name>
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    <average_rating>4.06</average_rating>
    <ratings_count>16</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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    <author>
    <id>210891</id>
        <name><![CDATA[David G. De Long]]></name>
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    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
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  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">721138</id>
  <isbn>0300089953</isbn>
  <isbn13>9780300089950</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Out of the Ordinary: Architecture/Urbanism/Design]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177624755m/721138.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/721138.Out_of_the_Ordinary_Architecture_Urbanism_Design</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This engaging book presents the first critical retrospective look at the extraordinary architectural achievement of Robert Venturi, Denise Scott Brown, and their firm. Known for such prominent buildings as the Sainsbury Wing at the National Gallery in London and the Seattle Art Museum as well as such major urban revitalisation plans as Washington Avenue in Miami and South Street in Philadelphia, Venturi, Scott Brown and Associates changed the face of architectural history. This husband and wife team rejected the universality of modernist design for a particularised contextual and associational approach to building, lauding the &quot;complexity and contradictions&quot; in the historic citycape and &quot;learning from Las Vegas&quot; the value and vitality of the everyday environment. The book, which combines both biography and critical analysis, includes essays on the firm's early and later architectural works and on their lesser-known decorative arts. It also features handsome colour plates of the firm's buildings, architectural drawings, and furniture and other decorative arts, as well as a checklist of all their buildings and projects.  The catalogue accompanies a major exhibition that opens at the Philadelphia Museum of Art in June of 2001 and then travels to the Museum of Contemporary Art in La Jolla, California; and the Heinz Architectural Center in Pittsburgh, Pennsylvania.]]>
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<authors>
    <author>
    <id>383793</id>
        <name><![CDATA[David Brownlee]]></name>
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    <average_rating>5.00</average_rating>
    <ratings_count>1</ratings_count>
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    <author>
    <id>210891</id>
        <name><![CDATA[David G. De Long]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/210891.David_G_De_Long]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>375532</id>
        <name><![CDATA[Kathryn B. Hiesinger]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/375532.Kathryn_B_Hiesinger]]></link>
    <average_rating>3.50</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">6565990</id>
  <isbn>0812241614</isbn>
  <isbn13>9780812241617</isbn13>
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  <title>
    <![CDATA[Sunnylands: Art and Architecture of the Annenberg Estate in Rancho Mirage, California]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6565990-sunnylands</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[<p>Located near Palm Springs, California, in a community known as Rancho Mirage, Sunnylands was built in the early 1960s by Walter and Leonore Annenberg, two of America's leading philanthropists. Envisioned by noted California architect A. Quincy Jones and the renowned interior design team of William Haines and Ted Graber, the estate has come to be regarded as an icon of midcentury modernism.<br/><br/>The grounds at Sunnylands include twelve man-made lakes and an eighteen-hole golf course surrounded by hundreds of eucalyptus trees, olive trees, and oleanders, all set against the majestic backdrop of the San Jacinto and Santa Rosa Mountains. Housed within the estate are exceptional collections--modern sculpture, paintings and works on paper, the Steuben Glass collection, decorative arts, Chinese art, and one-of-a-kind Mayan and Hindu objects--framed by furnishings in a style known as Hollywood Regency.<br/><br/>Sunnylands became known as a gathering place for American presidents, British royalty, world-famous artists, writers, actors, and other noted achievers. President Dwight D. Eisenhower and his wife, Mamie, often joined the Annenbergs at Sunnylands. President Nixon used the estate to work on his State of the Union Message in 1974, and nearly every U.S. president since has paid a visit.<br/><br/><em>Sunnylands: Art and Architecture of the Annenberg Estate in Rancho Mirage, California</em> tells the story of the celebrated home--how it came to be commissioned, details of its design and construction, acquisition of the extensive collections of art and objects, changes over the years--and includes comments by noted guests. A foreword by Kathleen Hall Jamieson positions Sunnylands within its geographical and social setting, and an afterword by the late Anne d'Harnoncourt provides a firsthand account of what being there was like. New photographs and drawings commissioned especially for the book expand upon archival plans and photographs to complete this richly detailed portrait of an extraordinary place.</p>]]>
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    <author>
    <id>210891</id>
        <name><![CDATA[David G. De Long]]></name>
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    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>324285</id>
        <name><![CDATA[Anne d'Harnoncourt]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/324285.Anne_d_Harnoncourt]]></link>
    <average_rating>4.75</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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    <author>
    <id>78058</id>
        <name><![CDATA[Kathleen Hall Jamieson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/78058.Kathleen_Hall_Jamieson]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>169</ratings_count>
    <text_reviews_count>35</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">772484</id>
  <isbn>8881183927</isbn>
  <isbn13>9788881183920</isbn13>
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  <title>
    <![CDATA[Frank Lloyd Wright and the Living City]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178220130m/772484.jpg</image_url>
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  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Frank Lloyd Wright (1867-1959) is acknowledged as America's greatest architect. By the first decade of the twentieth century he had reexamined all aspects of architecture, pioneering advanced applications of materials, transforming interior space into continuous interwoven areas, and redefining architectural programs for the new democratic society he envisioned. Over the next five decades, while fulfilling specific commissions, he continued to conceive of individual buildings as solutions to general problems. His designs can be grouped into nine typologies according to the basic human functions they were designed to serve: communal work, commerce, worship, learning, the arts, recreation, the community, individual dwelling, and communal dwelling. Near the end of his life, in 1958, Wright published <em>The Living City</em>, the final version of his vision of an ideal social order. Indeed, all of his building and projects can be seen, retrospectively, as prototypes and proposals, models for the new, decentralized pattern of living that he offered as a blueprint for the future and from which we have much to learn today.<br/><br/><em>Frank Lloyd Wright and the Living City</em> is an innovative survey of Wright's career focused upon the nine basic building types found in the Living City and pursuing the evolution of each throughout his career. The text and illustrations combine to reveal his lifelong ideal of organic architecture, in which he envisioned each building, its interior, and the furniture and fixtures within it, as well as the surrounding landscape or town. Edited by David G. De Long, the book includes essays by David G. De Long on Wright and his vision of the Living City, by Jean-Louis Cohen on Wright and the European reception of his designs, by David A. Hanks on Wright's decorative arts and their European counterparts, and by J. Michael Desmond, Richard Joncas, and Jack Quinan on the nine typologies. Bruce Brooks Pfeiffer has contributed a biographical outline of the architect's career. The book accompanies a major traveling exhibition organized by the Vitra Design Museum, Weil am Rhein, Germany, with the collaboration of Exhibitions International, New York, and with the cooperation of the Frank Lloyd Wright Foundation.<br/>&lt;/div&gt;]]>
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    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>196346</id>
        <name><![CDATA[Jean-Louis Cohen]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/196346.Jean_Louis_Cohen]]></link>
    <average_rating>3.66</average_rating>
    <ratings_count>41</ratings_count>
    <text_reviews_count>2</text_reviews_count>
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        <name><![CDATA[David G. De Long]]></name>
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    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
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    <author>
    <id>2589538</id>
        <name><![CDATA[J. Michael Desmond]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/2589538.J_Michael_Desmond]]></link>
    <average_rating>0.0</average_rating>
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    <author>
    <id>183587</id>
        <name><![CDATA[David A. Hanks]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/183587.David_A_Hanks]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>6</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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    <author>
    <id>1033640</id>
        <name><![CDATA[Richard Joncas]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/1033640.Richard_Joncas]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>69185</id>
        <name><![CDATA[Bruce Brooks Pfeiffer]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/69185.Bruce_Brooks_Pfeiffer]]></link>
    <average_rating>3.92</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">918537</id>
  <isbn>0847825361</isbn>
  <isbn13>9780847825363</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Auldbrass: Frank Lloyd Wright's Southern Plantation]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179446545m/918537.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179446545s/918537.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/918537.Auldbrass_Frank_Lloyd_Wright_s_Southern_Plantation</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Although Frank Lloyd Wright designed more than 1,000 projects during his long and prolific career, Auldbrass Plantation, in Yemassee, South Carolina, is the only plantation he ever designed. It is also one of the largest and most complex projects he ever undertook. Wright had an unusually intense commitment to Auldbrass, and worked on it, off and on, for more than twenty years, from 1938 until his death in 1959. Because Auldbrass was private and because it fell into disrepair in the 1960s after the owners' death, it was rarely photographed or studied, and as a consequence little has been known about this major work. Now, with the completed restoration and new photography, this book affords the first opportunity to see one of Wright's greatest works, as the master himself originally envisioned it. Through photos, plans, and drawings, we see what Wright planned, and how it has finally all been either restored or realized for the first time. In 1986, film producer Joel Silver (<em>Die Hard, Lethal Weapon, 48 Hours, Predator, Romeo Must Die, The Matrix</em>, and over forty other films) bought Auldbrass. He had earlier bought and meticulously restored Wright's famous 1923 Storer House in Hollywood. Now he has again collaborated with Wright's grandson, architect Eric Lloyd Wright, who restored the Storer House, to restore the Auldbrass Plantation.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>210891</id>
        <name><![CDATA[David G. De Long]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/210891.David_G_De_Long]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">772484</id>
  <isbn>8881183927</isbn>
  <isbn13>9788881183920</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Frank Lloyd Wright and the Living City]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178220130m/772484.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178220130s/772484.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/772484.Frank_Lloyd_Wright_and_the_Living_City</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Frank Lloyd Wright (1867-1959) is acknowledged as America's greatest architect. By the first decade of the twentieth century he had reexamined all aspects of architecture, pioneering advanced applications of materials, transforming interior space into continuous interwoven areas, and redefining architectural programs for the new democratic society he envisioned. Over the next five decades, while fulfilling specific commissions, he continued to conceive of individual buildings as solutions to general problems. His designs can be grouped into nine typologies according to the basic human functions they were designed to serve: communal work, commerce, worship, learning, the arts, recreation, the community, individual dwelling, and communal dwelling. Near the end of his life, in 1958, Wright published <em>The Living City</em>, the final version of his vision of an ideal social order. Indeed, all of his building and projects can be seen, retrospectively, as prototypes and proposals, models for the new, decentralized pattern of living that he offered as a blueprint for the future and from which we have much to learn today.<br/><br/><em>Frank Lloyd Wright and the Living City</em> is an innovative survey of Wright's career focused upon the nine basic building types found in the Living City and pursuing the evolution of each throughout his career. The text and illustrations combine to reveal his lifelong ideal of organic architecture, in which he envisioned each building, its interior, and the furniture and fixtures within it, as well as the surrounding landscape or town. Edited by David G. De Long, the book includes essays by David G. De Long on Wright and his vision of the Living City, by Jean-Louis Cohen on Wright and the European reception of his designs, by David A. Hanks on Wright's decorative arts and their European counterparts, and by J. Michael Desmond, Richard Joncas, and Jack Quinan on the nine typologies. Bruce Brooks Pfeiffer has contributed a biographical outline of the architect's career. The book accompanies a major traveling exhibition organized by the Vitra Design Museum, Weil am Rhein, Germany, with the collaboration of Exhibitions International, New York, and with the cooperation of the Frank Lloyd Wright Foundation.<br/>&lt;/div&gt;]]>
  </description>
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    <id>210891</id>
        <name><![CDATA[David G. De Long]]></name>
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    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
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  </authors>  <published>1986</published>
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