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  <id>206144</id>
  <name><![CDATA[Peter Reed]]></name>
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        <book>
  <id type="integer">11234</id>
  <isbn>0141186178</isbn>
  <isbn13>9780141186177</isbn13>
  <text_reviews_count type="integer">31</text_reviews_count>
  <title>
    <![CDATA[A Fairly Honourable Defeat]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1166465309m/11234.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/11234.A_Fairly_Honourable_Defeat</link>
  <average_rating>4.05</average_rating>
  <ratings_count>241</ratings_count>
  <description>
    <![CDATA[In a dark comedy of errors, Iris Murdoch portrays the mischief wrought by Julius, a cynical intellectual who decides to demonstrate through a Machiavellian experiment how easily loving couples, caring friends, and devoted siblings can betray their loyalties. As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.]]>
  </description>
<authors>
    <author>
    <id>7287</id>
        <name><![CDATA[Iris Murdoch]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/7287.Iris_Murdoch]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>5811</ratings_count>
    <text_reviews_count>612</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>1970</published>
</book>

        <book>
  <id type="integer">369485</id>
  <isbn>3764372400</isbn>
  <isbn13>9783764372408</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Groundswell: Constructing the Contemporary Landscape]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174191857m/369485.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/369485.Groundswell_Constructing_the_Contemporary_Landscape</link>
  <average_rating>4.60</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Groundswell: Constructing the Contemporary Landscape presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and abandonment. The projects, found throughout North America, Europe, Asia, and the Middle East, were selected for their outstanding design, and for their variety of contexts, materials, scale, and types of spaces. This fully illustrated volume includes an essay by Peter Reed, Curator in the Department of Architecture and Design at The Museum of Modern Art, that demonstrates how these innovative projects expand the definition of the modernist landscape while responding to a variety of conditions such as program, social function, and the transformation and reclamation previously industrial areas. The essay is followed by a full-color plate section featuring the selected projects. Catalogue entries for each project provide a succinct description of the site, its transformation, and design concepts illustrated by photographs, drawings, and models.]]>
  </description>
<authors>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">2054875</id>
  <isbn>0870700243</isbn>
  <isbn13>9780870700248</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Modern Starts: People, Places, Things]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2054875.Modern_Starts_People_Places_Things</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[In <em>ModernStarts</em>, the first cycle of a three-part exhibition (on display until March 14, 2000) celebrating the art of the 20th century, New York's Museum of Modern Art explores the birth of modernism. Culling from its collection of works made between 1880 and 1920, and grouping them as &quot;People,&quot; &quot;Places,&quot; or &quot;Things&quot;--instead of placing them in a more traditional chronological arrangement--the exhibition and its companion book follow the three themes through their varied early incarnations and ultimate artistic legacies. For example, works by Picasso, Rodin, Matisse, and Munch illustrate the &quot;Actors, Dancers, and Bathers&quot; chapter of the &quot;People&quot; segment. Included, too, though, is a 1993 Rineke Dijkstra photo of a young man at the beach, set on a page facing Cézanne's <em>The Bather</em>, which he painted in 1885. The two compositions are so strikingly similar that one can't help but imagine that Cézanne's painting was on the photographer's mind as she captured her own bather more than a century later. Yet each image is distinctly a product of its creator's own vision. <p>  &quot;Places,&quot; as one might expect, explores locations that are both real and imagined through photos, architecture, and painting. Here again, artists practicing during the decades of nascent modernism--van Gogh, Gaugin, and art nouveau designer Hector Guimard, to name a few--are heavily represented. And here, too, later artists are mixed in to follow the trajectory of an idea: <em>First Dream</em>, a 1981 Bill Viola video set in the woods, is placed as a direct descendent of Eugène Atget's early-1920s images of trees in a suburban Parisian park. <p>  &quot;Things&quot; is filled with objects raided from the museum's formidable design collection: Wright and Mackintosh chairs, a fireplace grille by Gaudí, a Tiffany lamp, a meat slicer designed by Egmont Arens in 1935, and Meret Oppenheim's fur-covered teacup set, along with representations of objects by the likes of Marcel Duchamp, Giorgio de Chirico, and, much later, Michael Craig-Martin. This innovative method of looking at relatively well known images will stimulate readers to rethink the artistically fertile period of the early 20th century and its continued relevance to today's art. <em>ModernStarts</em> is a thick volume stocked with many more artworks than can be described here--over 450 in all--and serves as an excellent record of the era in which artistic modernism found its footing. <em>--Jordana Moskowitz</em> </p></p>]]>
  </description>
<authors>
    <author>
    <id>54174</id>
        <name><![CDATA[Maria Del Carmen Gonzalez]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/54174.Maria_Del_Carmen_Gonzalez]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
    <author>
    <id>509185</id>
        <name><![CDATA[Mary Chan]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/509185.Mary_Chan]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">440264</id>
  <isbn>0749446323</isbn>
  <isbn13>9780749446321</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Not Bosses But Leaders: How to Lead the Way to Success]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174787938m/440264.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174787938s/440264.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/440264.Not_Bosses_But_Leaders_How_to_Lead_the_Way_to_Success</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This pioneering work from leadership guru John Adair has transformed the understanding of how leadership works and how executives can become business leaders. It can genuinely be called a &quot;classic,&quot; and has now been translated into 14 languages. Presented as a dialogue with a young business executive who is soon to become a strategic leader, Not Bosses But Leaders offers guidance on exactly what is needed to become a leader. Each fundamental aspect of leadership is exposed and explained in a concise, lucid way.]]>
  </description>
<authors>
    <author>
    <id>25934</id>
        <name><![CDATA[John Adair]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-M-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-M-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/25934.John_Adair]]></link>
    <average_rating>3.33</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">360145</id>
  <isbn>0870701959</isbn>
  <isbn13>9780870701955</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Museum of Modern Art Sculpture Garden]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174083528m/360145.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174083528s/360145.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/360145.The_Museum_of_Modern_Art_Sculpture_Garden</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[In the Fall of 2004, The Museum of Modern Art completed a major expansion and renovation of its famous midtown Manhattan building, doubling the Museum's size and introducing dynamic new galleries and public spaces. At the core of the remodeled Museum, designed by architect Yoshio Taniguchi, is the Abby Aldrich Rockefeller Sculpture Garden, newly restored to its 1953 dimensions. Described by Taniguchi as &quot;perhaps the most distinctive single element of the Museum today,&quot; the Sculpture Garden, an oasis of water, trees and masterpieces of modern sculpture, has long been the Museum's signature space--as well as its social heart. This fully illustrated, affordable, pocket-sized book is designed to convey the beauty and elegance of the garden. It also features a photographic chronology of the many performances, exhibitions and events held in the garden over the years, as well as an introduction and a brief historical narrative.]]>
  </description>
<authors>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">2416235</id>
  <isbn>0816621829</isbn>
  <isbn13>9780816621828</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Wisdom in the Open Air: The Norwegian Roots of Deep Ecology]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2416235.Wisdom_in_the_Open_Air_The_Norwegian_Roots_of_Deep_Ecology</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Contents:<br/><br/>1. Introduction: Deep Ecology from Summit to Blockade<br/>2. Peter Wessel Zapffe. The Last Messiah. Farewell, Norway. Poems.<br/>3. Arne Naess. Intrinsic Value: Will the Defenders of Nature. Please Rise. The Politics of the Deep Ecology Movement. Everything Really Important Is Dangerous.<br/>4. Sigmund Kvaloy. Complexity and Time: Breaking the Pyramid's Reign. Getting Our Feet Wet.<br/>5. Nils Faarlund. A Way Home. Touch the Earth.<br/>6. Finn Alnaes. The Way of Two-ness.<br/>7. Johan Galtung. Development Theory: Notes on an Alternative Approach.<br/>8. Erik Dammann and The Future in Our Hands. The Future in Our Hands: Its Conceptions, Aims, and Strategies.<br/>9. Conclusion: Deep Ecology as a Force for Change.]]>
  </description>
<authors>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
    <author>
    <id>144848</id>
        <name><![CDATA[David Rothenberg]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/144848.David_Rothenberg]]></link>
    <average_rating>3.50</average_rating>
    <ratings_count>52</ratings_count>
    <text_reviews_count>22</text_reviews_count>
  </author>
  </authors>  <published>1992</published>
</book>

        <book>
  <id type="integer">2270844</id>
  <isbn>0748612009</isbn>
  <isbn13>9780748612000</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Glasgow]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2270844.Glasgow</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[<p>Glasgow is the prime British example of the industrial city, and this lavishly illustrated book traces its architectural and socio-economic history from its merchant origins, through the 19th and 20th century urban decline, and onwards to its present, much celebrated regeneration. This new edition, published to coincide with Glasgow's year as City of Architecture and Design in 1999, offers the reader an insight into Glasgow at the Millenium, covering the most recent scholarship, and looking to the future of Glasgow in the coming century. Every chapter has been updated to cover new developments, and a new chapter covers three sites crucial to the future forming of the city.</p>]]>
  </description>
<authors>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">2461931</id>
  <isbn>0870700553</isbn>
  <isbn13>9780870700552</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Show To End All Shows: Frank Lloyd Wright And The Museum Of Modern Art, 1940 (Studies in Modern Art 8)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2461931.The_Show_To_End_All_Shows_Frank_Lloyd_Wright_And_The_Museum_Of_Modern_Art_1940</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[In 1940, The Museum of Modern Art staged a retrospective of the work of Frank Lloyd Wright, the great American architect, then in his 70s, who had experienced a professional rebirth over the previous decade after many years of relative invisibility. Wright was a full collaborator in the organization of the project, which he intended, he said, to be &quot;the show to end all shows.&quot; To accompany the exhibition, the Museum planned a publication in the form of a Festschrift, commissioning essays from many of the best-known architecture figures of the day--Alvar Aalto, Henry-Russell Hitchcock, Richard Neutra, Mies van der Rohe, and others. Wright, however, took issue with certain parts of the book, complimentary though it was, and after an incendiary exchange of correspondence, including the architect's threat to cancel the entire exhibition, the show went forward but the book did not. In the 60-odd years since, the essays that MoMA commissioned have remained in its files, most of them lost to public view. Now, for the first time in one volume, MoMA is publishing the entire surviving group, along with a full selection of the letters and telegrams between Wright, MoMA, and others detailing MoMA's and the architect's collaboration-cum-collision. Accompanying these period documents is an extensive essay by the noted Frank Lloyd Wright scholar Kathryn Smith, who provides a full account of the exhibition, both as it was and as it was intended to be--including, for example, an unrealized plan to erect one of Wright's Usonian Houses in the MoMA garden. Smith also explores Wright's relationship to his critics, the architectural profession, and the Museum in the years leading up to the exhibition.]]>
  </description>
<authors>
    <author>
    <id>41874</id>
        <name><![CDATA[Kathryn Smith]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1243975904p5/41874.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1243975904p2/41874.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/41874.Kathryn_Smith]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>1461</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">482702</id>
  <isbn>0810961822</isbn>
  <isbn13>9780810961821</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Philip Johnson and the Museum of Modern Art: Studies in Modern Art 6]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/482702.Philip_Johnson_and_the_Museum_of_Modern_Art_Studies_in_Modern_Art_6</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>70168</id>
        <name><![CDATA[Kirk Varnedoe]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/70168.Kirk_Varnedoe]]></link>
    <average_rating>4.39</average_rating>
    <ratings_count>148</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">7211058</id>
  <isbn>0870701177</isbn>
  <isbn13>9780870701177</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Philip Johnson and the Museum of Modern Art]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/7211058-philip-johnson-and-the-museum-of-modern-art</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>70168</id>
        <name><![CDATA[Kirk Varnedoe]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/70168.Kirk_Varnedoe]]></link>
    <average_rating>4.39</average_rating>
    <ratings_count>148</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
    <author>
    <id>269737</id>
        <name><![CDATA[Terence Riley]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269737.Terence_Riley]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
    <author>
    <id>269738</id>
        <name><![CDATA[Mirka Benes]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/269738.Mirka_Benes]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>45667</id>
        <name><![CDATA[John Elderfield]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/45667.John_Elderfield]]></link>
    <average_rating>4.70</average_rating>
    <ratings_count>33</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">4869024</id>
  <isbn>0851157416</isbn>
  <isbn13>9780851157412</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Travel Diaries of Peter Pears, 1936-1978]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4869024.The_Travel_Diaries_of_Peter_Pears_1936_1978</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[This volume brings together all the travel diaries of Sir Peter Pears (1910-1986), principal interpreter of Britten's works. Pears accompanied Britten on many of his trips and the record of their tour of the Far East in 1955 is of special interest. Here the sound of the gamelan orchestras enchanted Britten and deeply influenced his musical development.  A valuable source of material on the musical development of both Pears and Benjamin Britten...a `must' for those interested in either. OPERA JOURNAL (US)]]>
  </description>
<authors>
    <author>
    <id>1353628</id>
        <name><![CDATA[Peter Pears]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/1353628.Peter_Pears]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>206144</id>
        <name><![CDATA[Peter Reed]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206144.Peter_Reed]]></link>
    <average_rating>4.05</average_rating>
    <ratings_count>251</ratings_count>
    <text_reviews_count>32</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

      <books>
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