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  <id>201004</id>
  <name><![CDATA[Ian Berry]]></name>
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        <book>
  <id type="integer">1236652</id>
  <isbn>0847830195</isbn>
  <isbn13>9780847830190</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Kara Walker: Narratives of a Negress]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1182145014m/1236652.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/1236652.Kara_Walker_Narratives_of_a_Negress</link>
  <average_rating>4.40</average_rating>
  <ratings_count>10</ratings_count>
  <description>
    <![CDATA[&#8220;This collection of Walker's astonishing tableaux dramatizes black-white interactions via horrifically accurate imaginings of one-on-one encounters&#8211;encounters that, in their microcosms of exploitation and mutual dependency, seem to speak directly to current forms of black-white relations.&#8221;   &#8211;Publishers Weekly]]>
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<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>343297</id>
        <name><![CDATA[Darby English]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/343297.Darby_English]]></link>
    <average_rating>4.16</average_rating>
    <ratings_count>19</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>578064</id>
        <name><![CDATA[Vivian Patterson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/578064.Vivian_Patterson]]></link>
    <average_rating>4.40</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">631843</id>
  <isbn>0972518843</isbn>
  <isbn13>9780972518840</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Shahzia Sikander: Nemesis]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176504257m/631843.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1176504257s/631843.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/631843.Shahzia_Sikander_Nemesis</link>
  <average_rating>5.00</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[Trained in miniature painting in Pakistan, Shahzia Sikander boldly reinvents this tradition in her rich and detailed paintings and animations. Her integration of contemporary motifs and references in a traditional context teases the boundaries imposed by time, gender, religion, and culture in two stylistic approaches. The first is characteristic of miniature painting, while the second features loosely rendered forms suggestive of blood, viscera, and the body. Sikander's compositions renegotiate difference, making fluid the distinctions between past and present, Hindu and Islamic, Eastern and Western.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">932947</id>
  <isbn>0714835234</isbn>
  <isbn13>9780714835235</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Living Apart]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179579116m/932947.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179579116s/932947.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/932947.Living_Apart</link>
  <average_rating>4.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Berry, an Englishman who first made his way to South Africa as a teenager, has spent four decades documenting ordinary lives in extraordinary circumstances. After photographing the Sharpeville riots of 1960--a pivotal event--he elected to concentrate not on &quot;the violent concentration between black and white, but the society that gave cause to it.&quot; His efforts to get &quot;under the skin&quot; of that tense society have resulted in a rich and enlightening chronicle of segregation that recalls the powerful photojournalism of W. Eugene Smith.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">2298830</id>
  <isbn>0976572311</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Opener 11: Nina Katchadourian: All Forms of Attraction (Opener Series 11)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2298830.Opener_11_Nina_Katchadourian_All_Forms_of_Attraction</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Incorporating sculpture, photography, video, and sound, her multilayered projects are propelled by deliberate attempts to observe, scrutinize, order, and disorder her surroundings.<br/>Nina Katchadourian makes engaging and irreverent artworks that combine investigative practices with a more elusive, poetic logic.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">5815360</id>
  <isbn>0976572346</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Opener 13: Joseph Grigely: St. Cecilia]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/5815360.Opener_13_Joseph_Grigely_St_Cecilia</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Joseph Grigely creates works that explore the failures, idiosyncrasies, and ruptures of language and communication. An artist who has been deaf since childhood, Grigely first became known in the early 1990's for a series of works called Conversations with the Hearing.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">2907582</id>
  <isbn>0970879067</isbn>
  <isbn13>9780970879066</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Staging the Indian: The Politics of Representation]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2907582.Staging_the_Indian_The_Politics_of_Representation</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This catalogue contrasts the turn of the century photographic and ethnographic record of the American Indian as a &quot;disappearing race&quot; by Edward Curtis with new artwork by six contemporary Native artists. Artists; Marcus Amerman, Judith Lowry, James Luna, Shelley Niro, Nora Naranjo-Morse and Bently Spang. Includes a foreward by W.Richard West, essays by Jill Sweet, Katherine Hauser, and Barry Pritzker, interviews with the artists by Ian Berry, and responses by Skidmore College students. Hardcover, 2002, 128 pages.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>699752</id>
        <name><![CDATA[Jill Drayson Sweet]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/699752.Jill_Drayson_Sweet]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">5874197</id>
  <isbn>1902015878</isbn>
  <isbn13>9781902015873</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Heather McGill (Cranbrook Monographs)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/5874197.Heather_McGill</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">6604119</id>
  <isbn>0976572354</isbn>
  <isbn13>9780976572350</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Amy Sillman: Third Person Singular]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6604119-amy-sillman</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Amy Sillman is an uncompromising painter. Her widely influential body of work has built on traditional formats-such as landscape, portraiture, abstraction, and caricature-only to move past them, pushing these known ways of working into new places.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">6549775</id>
  <isbn>026201355X</isbn>
  <isbn13>9780262013550</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Tim Rollins and K.O.S.: A History]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6549775-tim-rollins-and-k-o-s</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[A critical history and comprehensive catalog of the celebrated and controversial works created by activist and artist Tim Rollins and Kids of Survival.]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">2298833</id>
  <isbn>0972518886</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Opener 9: Michael Oatman: A Lifetime of Service and a Mile of Thread (Opener Series 9)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2298833.Opener_9_Michael_Oatman_A_Lifetime_of_Service_and_a_Mile_of_Thread</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Fusing the roles of librarian, archaeologist, taxonomist and artist, Michael Oatman makes intricately detailed collages and exhaustively researched installations focused on what he calls, &quot;poetic interpretation of documents&quot;]]>
  </description>
<authors>
    <author>
    <id>201004</id>
        <name><![CDATA[Ian Berry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/201004.Ian_Berry]]></link>
    <average_rating>4.48</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

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