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  <name><![CDATA[Michael Shilling]]></name>
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  <about><![CDATA[Michael Shilling is a Lecturer at the University of Michigan, where he received his MFA in Creative Writing. His stories have appeared in The Sun, Fugue, and Other Voices. A recovering rock musician, he played the drums in The Long Winters, as well as numerous other bands in Seattle. Currently, he is working on a novel set in Victorian England.]]></about>
  <influences><![CDATA[Joan Didion, Wallace Stevens, Stanley Booth, Robert Coover, Steve Erickson, Virginia Wolff, Amy Bender, James Ellroy, Anne Sexton]]></influences>
  <gender>male</gender>
  <hometown>NYC</hometown>
  <born_at>1970/06/15</born_at>
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    <![CDATA[Rock Bottom: A Novel]]>
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    <![CDATA[Once, the Blood Orphans had it all: a million-dollar recording contract from Warner Brothers, killer hooks, and cheekbones that could cut glass. Four pretty boys from Los Angeles, they were supposed to be the next big thing, future kings of rock and roll.  <br/><br/>But something happened on the way to glory, and now, two years later, along with their coke-fueled, mohawked female manager, they have washed up in Amsterdam for the final show of their doomed and dismal European tour. The singer has become a born-again Buddhist who preaches from the stage, the bass player's raging eczema has turned his hands into a pulpy mess, the drummer is a sex-fiend tormented by the misdeeds of his porn-king father, and the guitar player--the only talented one--is thoroughly cowed by the constant abuse of his bandmates.  <br/><br/>As they stumble through their final day together, the Blood Orphans find themselves on a comic tour of frustration, danger, excitement, and just possibly, redemption.]]>
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    <![CDATA[The Hierophant]]>
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