Marcus Gray





Marcus Gray

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Average rating: 3.87 · 315 ratings · 40 reviews · 11 distinct works
Last Gang in Town: The Stor...
3.82 of 5 stars 3.82 avg rating — 128 ratings3 editions
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It Crawled From The South: ...
3.92 of 5 stars 3.92 avg rating — 110 ratings — published 1992 — 4 editions
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The Clash: Return of the La...
3.82 of 5 stars 3.82 avg rating — 45 ratings — published 2002 — 2 editions
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Route 19 Revisited: The Cla...
3.96 of 5 stars 3.96 avg rating — 27 ratings — published 2009 — 5 editions
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Marcus Gray
4.0 of 5 stars 4.00 avg rating — 1 rating — published 2002 — 2 editions
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Route 19 Revisited: The Cla...
0.0 of 5 stars 0.00 avg rating — 0 ratings
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The Clash. Combat Rock
0.0 of 5 stars 0.00 avg rating — 0 ratings
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London's Rock Landmarks
0.0 of 5 stars 0.00 avg rating — 0 ratings
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Emily's Secret
0.0 of 5 stars 0.00 avg rating — 0 ratings
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Skin Tight: The Art of Marc...
0.0 of 5 stars 0.00 avg rating — 0 ratings — published 2002
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“In music, recording, writing, photography, design, film-making and any other creative endeavour, it may be true that anyone can do it, but it is not quite as true as punk sometimes seemed to suggest that anyone can do it in a way that is appreciated by others. The key point is that, without determination and application, talent and ideas are just unrealised potential. That lesson-there for anyone who wishes to learn it-is perhaps punk's , and the Clash's, greatest legacy.”
Marcus Gray

“But the Clash as a performing band, either live on-stage, or back together in the studio: that can never happen again. It was hard enough to envisage a Clash without Mick Jones in 1983, but it is impossible to envisage one without Joe Strummer now or at any time in the future. Even if the other members of the band do get back together, and they (or Sony) choose to use the name, it won't be the Clash. Joe Strummer is dead, and irreplaceable. That's it, now. From here to eternity.”
Marcus Gray, The Clash: Return of the Last Gang in Town - 2nd Edition

“She felt the State of Rock was symbolised by the stadium-type concerts given earlier that summer by the likes of the Who the Stones and Elton John, causing her to opine, 'The time is right for an aggressive infusion of life blood.' She also claimed the new London punk scene had not been inspired by the New York new wave, but was instead developing parallel to it.”
Marcus Gray, The Clash: Return of the Last Gang in Town - 2nd Edition



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