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  <id>179730</id>
  <name><![CDATA[Jennifer Gross]]></name>
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        <book>
  <id type="integer">842188</id>
  <isbn>8881583283</isbn>
  <isbn13>9788881583287</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Laura Owens]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178826745m/842188.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/842188.Laura_Owens</link>
  <average_rating>4.20</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[American Laura Owens is among a select group of artists credited with the rebirth of painting. She has developed a style all her own, moving from landscape to abstraction with energetic thick brushstrokes, fanciful childlike doodles, or sophisticated fine line drawings. &quot;Each painting can act as a question,&quot; she says, and, demonstrating a wide and imaginative range, she's constantly experimenting and changing her work. &quot;Ultimately, you want to make the painting that you want to be with, not one that is constantly telling you everything it knows. Who wants to be with something or someone like that? It's more fun to be with someone who is willing to go out on a limb.&quot; This book is being designed by Owens herself to accompany an exhibition at the Isabella Stewart Gardner Museum in Boston, and will include, along with paintings from the show, new drawings made exclusively for the publication, as well as several textile works from the museum's collection that inspired her while she served as artist-in-residence in the Spring of 2000.]]>
  </description>
<authors>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>307820</id>
        <name><![CDATA[Laura Owens]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/307820.Laura_Owens]]></link>
    <average_rating>4.10</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">6580171</id>
  <isbn>0810984989</isbn>
  <isbn13>9780810984981</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Art for Obama: Designing Manifest Hope and the Campaign for Change]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6580171-art-for-obama</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;Few events in recent memory have captivated the world’s attention like that of Barack Obama’s historic presidential campaign. Not only did it stir passionate political momentum, but it also inspired the creative talents of a world of artists, illustrators, and graphic designers.<br/> <br/>Shepard Fairey’s iconic <em>Hope </em>portrait became the face of the campaign and, more than ever before, innovative graphic design became a central strategy for winning the race.<br/> <br/>Comprised of collages, paintings, photo composites, prints, and computer-generated pieces, <em>Art for Obama </em>showcases the well-known images of the campaign as well as less famous but equally creative pieces from around the globe. This is a volume for design and art aficionados, as well as supporters of the 44th President of the United States who want a keepsake as uncommon as his extraordinary campaign.&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;]]>
  </description>
<authors>
    <author>
    <id>66397</id>
        <name><![CDATA[Shepard Fairey]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1216073754p5/66397.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/66397.Shepard_Fairey]]></link>
    <average_rating>4.32</average_rating>
    <ratings_count>113</ratings_count>
    <text_reviews_count>18</text_reviews_count>
  </author>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2009</published>
</book>

        <book>
  <id type="integer">1276561</id>
  <isbn>3775790489</isbn>
  <isbn13>9783775790482</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Richard Tuttle: Replace the Abstract Picture Plane]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1182446909m/1276561.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1182446909s/1276561.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1276561.Richard_Tuttle_Replace_the_Abstract_Picture_Plane</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[From 1996 to 1999 Richard Tuttle worked for the Kunsthaus Zug, in Switzerland, in an endeavor to provide the institution's collective activities with a new orientation. To this end, Tuttle created four rather different large works that referred to the space of the museum as a whole as well as its immediate surroundings. Astounding in view of Tuttle's body of mostly small and delicate work, these tailor-made objects redefine the space which they inhabit. The works also act in dialogue with each other: Replace the Abstract Picture Plane IV, for instance, consists of no less than forty parts whose asymmetrical arrangement on the first two floors of the southern wing respond to the spiral shape of the green snake located in the northern wing. Conceived by Tuttle, this new monograph constitutes a work of art in itself, and represents a pioneering step in collaborations between artists and museums. Also presented here is a photographic essay by Guido Baselgia, who viewed and documented Tuttle's work at Zug for the duration of its three-year stay.]]>
  </description>
<authors>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>341216</id>
        <name><![CDATA[Richard Tuttle]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/341216.Richard_Tuttle]]></link>
    <average_rating>4.14</average_rating>
    <ratings_count>7</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">1588953</id>
  <isbn>0977868656</isbn>
  <isbn13>9780977868650</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Kristin Baker: Surge and Shadow]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1185544572m/1588953.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1185544572s/1588953.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1588953.Kristin_Baker_Surge_and_Shadow</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Surge and Shadow presents ambitious new work by Kristin Baker, formerly best known for her critically-acclaimed paintings of automobile racing. In the large-scale acrylic paintings on PVC gathered here, Baker riffs on very different subject matter: historical paintings ranging back from the New York School to encompass nineteenth-century Romanticism and history painting. In this body of work, one senses the sweeping dramatic symphonies and tragic wreckages of Turner and the Romantic painters of the early nineteenth century so that Baker's crashing colors gain impact from the heft of her materials and technique, unleashing a &quot;visual force field that absorbs the viewer in the passion of the moment,&quot; according to Yale University Art Gallery's Jennifer Gross.Also included are Baker's recent explorations of freestanding painting-constructions that approach sculptural dimensions. Kristin Baker attended the School of the Museum of Fine Arts, Boston and received her MFA from Yale University in 2002. Deitch Projects presented her first solo exhibition, Flat Out, in New York in September of 2003.]]>
  </description>
<authors>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>452454</id>
        <name><![CDATA[Kristin Baker]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/452454.Kristin_Baker]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">7270869</id>
  <isbn>0300100043</isbn>
  <isbn13>9780300100044</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Edgar Degas: Defining the Modernist Edge]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/7270869-edgar-degas</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834–1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist’s working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.]]>
  </description>
<authors>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>111581</id>
        <name><![CDATA[Richard Kendall]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/111581.Richard_Kendall]]></link>
    <average_rating>4.43</average_rating>
    <ratings_count>72</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">5702546</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Class Action Dilemmas: Pursuing Public Goals for Private Gain, Executive Summary]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/5702546.Class_Action_Dilemmas_Pursuing_Public_Goals_for_Private_Gain_Executive_Summary</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>179732</id>
        <name><![CDATA[Deborah R. Hensler]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179732.Deborah_R_Hensler]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>179728</id>
        <name><![CDATA[Bonita Dombey-Moore]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179728.Bonita_Dombey_Moore]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>179729</id>
        <name><![CDATA[Beth Giddens]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179729.Beth_Giddens]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>179730</id>
        <name><![CDATA[Jennifer Gross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179730.Jennifer_Gross]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>8</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>179731</id>
        <name><![CDATA[Erik K. Moller]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179731.Erik_K_Moller]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>179727</id>
        <name><![CDATA[Nicholas M. Pace]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179727.Nicholas_M_Pace]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

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