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  <id>160877</id>
  <name><![CDATA[Silvia Kolbowski]]></name>
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  <id type="integer">276126</id>
  <isbn>092318340X</isbn>
  <isbn13>9780923183400</isbn13>
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  <title>
    <![CDATA[Silvia Kolbowski / Walid Raad: Between Artists]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173339204m/276126.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173339204s/276126.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276126.Silvia_Kolbowski_Walid_Raad_Between_Artists</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Inadvertently situated during the Israeli invasion of Lebanon in the summer of 2006, this epistolary dialogue between the two artists traces one artist's evacuation from Lebanon, and one artist's experience of the war through texts and images. Interwoven are discussions about aesthetic methodology, representations of war and its aftermath, and the psychical stakes of the politics of war and art.<br/><br/>5 x 7.5 inches<br/>88pp, 14 color reproductions]]>
  </description>
<authors>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">276129</id>
  <isbn>0262112264</isbn>
  <isbn13>9780262112260</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[October: The Second Decade, 1986-1996 (October Books)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173339205m/276129.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173339205s/276129.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276129.October_The_Second_Decade_1986_1996</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[<em>October: The Second Decade</em> collects examples of the innovative critical and theoretical work for which the journal October is known. A journal anthology draws a collective portrait; together, the gathered texts demonstrate the journal's ambitions and strengths. From the outset, <em>October</em>'s aim has been to consider a range of cultural practices and to assess their place at a particular historical juncture. That task has now taken on an intensified urgency. The catastrophic state of our urban economies and the attendant social crises, as well as the more general predicaments of a postcolonial era, have had an inescapable impact on the cultural and discursive practices that are <em>October</em>'s concern. Hence, <em>October</em> in its second decade has had an intensified concern with the role of cultural production within the public sphere and a sharper focus on the intersections of cultural practices with institutional structures. The topics of inquiry include body politics and psychoanalysis, spectacle and institutional critique, art practice and art history, and postcolonial discourse.<br/> <br/> <strong>Contributors</strong>: Carol Armstrong, Leo Bersani, Homi Bhabha, Yve-Alain Bois, Mikkel Borch-Jacobsen, Benjamin H. D. Buchloh, Susan Buck-Morss, Lygia Clark, T. J. Clark, Jonathan Crary, Gilles Deleuze, Manthia Diawara, Peter Eisenman, Hal Foster, Group Material, Denis Hollier, Alexander Kluge, Gertrud Koch, Silvia Kolbowski, Rosalind Krauss, Annette Michelson, Helen Molesworth, V. Y. Mudimbe, Oskar Negt, Mignon Nixon.]]>
  </description>
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    <author>
    <id>12156</id>
        <name><![CDATA[Rosalind Krauss]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/12156.Rosalind_Krauss]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>308</ratings_count>
    <text_reviews_count>27</text_reviews_count>
  </author>
    <author>
    <id>178050</id>
        <name><![CDATA[Annette Michelson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/178050.Annette_Michelson]]></link>
    <average_rating>3.84</average_rating>
    <ratings_count>19</ratings_count>
    <text_reviews_count>3</text_reviews_count>
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    <author>
    <id>64746</id>
        <name><![CDATA[Yve-Alain Bois]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/64746.Yve_Alain_Bois]]></link>
    <average_rating>4.29</average_rating>
    <ratings_count>189</ratings_count>
    <text_reviews_count>22</text_reviews_count>
  </author>
    <author>
    <id>3005058</id>
        <name><![CDATA[Benjamin H. D. Buchloh]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/3005058.Benjamin_H_D_Buchloh]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>64744</id>
        <name><![CDATA[Hal Foster]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64744.Hal_Foster]]></link>
    <average_rating>3.90</average_rating>
    <ratings_count>453</ratings_count>
    <text_reviews_count>47</text_reviews_count>
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    <author>
    <id>59959</id>
        <name><![CDATA[Denis Hollier]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/59959.Denis_Hollier]]></link>
    <average_rating>3.94</average_rating>
    <ratings_count>32</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">6816763</id>
  <isbn>0945323182</isbn>
  <isbn13>9780945323181</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Proximity to Power, American Style]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6816763-proximity-to-power-american-style</link>
  <average_rating>2.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;Just in time for the 2008 election, WhiteWalls presents a comprehensive collection of Silvia Kolbowski’s wry and searching responses to the questionable actions of the American government, as well as recent national shifts in legal, corporate, and cultural power. In 2003, Kolbowski interviewed men—deliberately left anonymous—who work in proximity to men who wield greater power in the fields of business, media, art, and politics about the men for whom they worked. Interested in the vantage point of the man who occupies a support position in relation to the masculine powers privileged by American culture, Kolbowski also interviewed boys between the ages of seven and eleven, asking only one question: “What most represents power to you?” The spoken responses of these forty children were then interpreted as visual images—including Francisco Goya’s “The Sleep of Reason Produces Monsters,” the iconic face of Malcolm X, tidal waves, and sports heroes of every size and style—here presented in over one hundred full-color and black-and-white illustrations.&lt;DIV&gt; &lt;/DIV&gt;]]>
  </description>
<authors>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">276128</id>
  <isbn>3883758949</isbn>
  <isbn13>9783883758947</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Secession: Inadequate...like...power]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173339205m/276128.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173339205s/276128.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276128.Secession_Inadequate_like_power</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Documented here is Silvia Kolbowski's work from the 1980s through to today. At the center are the works, An Inadequate History of Conceptual Art, Like Looking Away, and her newest work, Proximity to Power: American Style. Accompanying these works are illustrations, text-excerpts, and project-statements by the artist.]]>
  </description>
<authors>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">276130</id>
  <isbn>0913519022</isbn>
  <isbn13>9780913519028</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Monumental prop/portions]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276130.Monumental_prop_portions</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">276131</id>
  <isbn>0262752158</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[October 65]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/276131.October_65</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>160882</id>
        <name><![CDATA[Laura Mulvey]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160882.Laura_Mulvey]]></link>
    <average_rating>3.92</average_rating>
    <ratings_count>120</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>160877</id>
        <name><![CDATA[Silvia Kolbowski]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/160877.Silvia_Kolbowski]]></link>
    <average_rating>3.00</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

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