Andrei Tarkovsky





Andrei Tarkovsky

Author profile


born
in Zavrazhye, Kostroma Province, Russian Federation
April 04, 1932

died
December 29, 1986

gender
male

genre

influences


About this author

Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский) was a Soviet film director, writer and opera director. Tarkovksy is listed among the 100 most critically acclaimed filmmakers. He attained critical acclaim for directing such films as Andrei Rublev, Solaris and Stalker.

Tarkovsky also worked extensively as a screenwriter, film editor, film theorist and theater director. He directed most of his films in the Soviet Union, with the exception of his last two films which were produced in Italy and Sweden. His films are characterized by Christian spirituality and metaphysical themes, extremely long takes, lack of conventional dramatic structure and plot, and memorable images of exceptional beauty.


Average rating: 4.46 · 1,125 ratings · 87 reviews · 17 distinct works · Similar authors
Sculpting in Time
by
4.5 of 5 stars 4.50 avg rating — 756 ratings — published 1984 — 15 editions
Instant Light: Tarkovsky Po...
by
4.45 of 5 stars 4.45 avg rating — 142 ratings — published 2004 — 5 editions
Journal 1970-1986
4.2 of 5 stars 4.20 avg rating — 76 ratings — published 2004 — 5 editions
Andrei Tarkovsky: Interviews
by
4.32 of 5 stars 4.32 avg rating — 53 ratings — published 2006 — 2 editions
Collected Screenplays
by
4.63 of 5 stars 4.63 avg rating — 35 ratings — published 1999
Andrei Rublev
4.17 of 5 stars 4.17 avg rating — 23 ratings3 editions
Stalker: un film de Andreï ...
4.33 of 5 stars 4.33 avg rating — 9 ratings — published 1979
Bright, Bright Day
by
4.5 of 5 stars 4.50 avg rating — 8 ratings — published 2007
Мартиролог
4.88 of 5 stars 4.88 avg rating — 8 ratings — published 1989 — 3 editions
Şiirsel Sinema
4.5 of 5 stars 4.50 avg rating — 4 ratings
More books by Andrei Tarkovsky…
“Let everything that's been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it's tender and pliant. But when it's dry and hard, it dies. Hardness and strength are death's companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
Andrei Tarkovsky

“We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it's a monomial. It falls apart at any attempt of touching it.”
Andrei Tarkovsky

“Some sort of pressure must exist; the artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.”
Andrei Tarkovsky