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Rodney Koeneke
Goodreads author profile
born
September 12, 1968
in The United States
gender
male
website
genre
member since
July 2007
Segue Reading Series
presents SATURDAY, 3/24 @ 4 PM
RODNEY KOENEKE & JOHN GODFREY
Bowery Poetry Club308 Bowery, just north of Houston
Rodney Koeneke is the author of Musee Mechanique, Rouge State, and a chapbook, Rules for Drinking Forties. Hobbies past and present include flarf, neo-benshi, and Poets Theater. He lives in Portland, Oregon.
John Godfrey is the author of a number of collecti... read more »
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Musee Mechanique
  4.79 avg rating — 38 ratings
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published
2006
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2 editions
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Rouge State
by Rodney Koeneke (Goodreads Author), David Baratier (Goodreads Author) 4.58 avg rating — 26 ratings
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published
2003
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Rules for Drinking Forties (chapbook)
4.80 avg rating — 10 ratings
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published
2009
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On the Clamways (chapbook)
5.00 avg rating — 7 ratings
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published
2004
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Empires of the Mind: I. A. Richards and Basic English in China, 1929-1979
5.00 avg rating — 4 ratings
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published
2003
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Flarf Orchestra
by Drew Gardner, Rodney Koeneke (Goodreads Author), K. Silem Mohammad (Goodreads Author) 4.67 avg rating — 3 ratings
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published
2011
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| Koestenbaum steps into his cheekily arriere-garde ottava rima with the ease of an Augustan slipping into his bath. That he wants to play with the bubbles (and sometimes himself) instead of telling others how to bathe just means that he’s 21st-century...more | |
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| Brolaski’s distressed and gilded englyssche can go “Hellespontine onna Trojan sibyl” but knows too how “to be a common man in a dent truck.” It also knows that form’s for feigning, feigning fucking, and “to feign—not to fuck a form, Arnault/Is making...more | |
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| The picture here is worth a thousand words. Poet CAConrad devised a somatic ritual—“#46 Your Mina Loy Portal”—in which you expand your green heart chakra by carrying quartz; type a passage from Mina Loy’s poetry and blow it up to the size of a page;...more | |
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I thought at first Peck’s title was ironic, a Pyrrhic victory blown up to epic proportions, with maybe the suggestion that all victories are Pyrrhic, all epics about the futility of war, even (especially) for its winners. But my gender was all wrong,...more |
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| WTTN yokes together a decades’ worth of Spahr’s shorter works, linked by the locales (complete with street address and ZIP codes) in which they were written. The structure implies a thesis about place, and about the concomitant experiences of displac...more | |
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| “Brittle as cinders”: That’s a phrase I just found in Stephen Rodefer’s VILLON and instantly applied to Ward’s This Can’t Be Life, which I’m tangled in the glittery hoops of right now. Three sections of the book—“Roseland,” The Squeakquel, and 2010’s...more | |
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| We owe a debt to Paul Hoover for whatever punishing politics he went through to get this past Norton, then survive in the Balkans of small press poetry. I remember the jolt I first felt to see poets here that I’d never have imagined Nortonized: Joe C...more | |
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| LONG FORM: I admire Rodefer’s writing as much as the next poet of my age, place, and proximity to Language, plus I knew him a little at Cambridge the year he arrived. Some of Rodefer’s earlier work in One or Two Poems from the White World and his ext...more | |
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| Brown’s Catullus is an experiment in translation, really an intervention to save translation from the academic taxidermists who empty, re-stuff, and try to fix the classics into their original positions. His method “resists the binary of fidelity and...more | |
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