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  <id>157204</id>
  <name><![CDATA[Greg Bottoms]]></name>
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        <book>
  <id type="integer">269430</id>
  <isbn>0226067645</isbn>
  <isbn13>9780226067643</isbn13>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>
    <![CDATA[Angelhead: My Brother's Descent into Madness]]>
  </title>
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  <link>http://www.goodreads.com/book/show/269430.Angelhead_My_Brother_s_Descent_into_Madness</link>
  <average_rating>3.84</average_rating>
  <ratings_count>98</ratings_count>
  <description>
    <![CDATA[When he was 10 years old, the author watched as his brother Michael lost  his mind. High on LSD and screaming uncontrollably because God was torturing  him, the 14-year-old smashed everything in his bedroom, his feet red with blood  from broken glass. Michael collected snakes and let them slither around his  naked body; he beat Greg nearly senseless, then smashed his own forehead into a  sharp branch in repentance; he stayed up all night, watching Christian  television or &quot;puzzling over his strange and cruel distance from God.&quot; Their  parents, preoccupied by the ceaseless work that had taken them from a dirt-poor  Virginia town to an affluent suburb that they really couldn't afford, thought  drugs the problem and throwing Michael out the answer. Not until 1977, when he  was 21, did they learn that he was an acute paranoid schizophrenic, so severely  mentally ill that he probably would never be healed, although medication might  control his behavior. Michael became increasingly dangerous, but could not be  institutionalized against his will; when he set their house on fire in 1993, the  father's reaction was relief: &quot;This was the best thing that could have  happened.... He'll be put away.&quot; He was, and, Bottoms acknowledges, &quot;We've all  found a peace without Michael that we're not willing to give up.&quot; There's no  false sentiment in this unflinching memoir of a family that's alienated, instead  of united, by tragedy: &quot;We all hid from each other,&quot; Bottoms writes with  characteristic candor. &quot;We shared a space, a roof, nothing else.&quot; There is,  however, tremendous sorrow for a blighted life and the havoc that it wrought.  Bottoms's finely crafted prose offers no consolation or easy answers--simply  emotional precision and the satisfaction of hard truth. <em>--Wendy Smith</em>]]>
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    <author>
    <id>157204</id>
        <name><![CDATA[Greg Bottoms]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/157204.Greg_Bottoms]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>180</ratings_count>
    <text_reviews_count>45</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">353662</id>
  <isbn>1593761309</isbn>
  <isbn13>9781593761301</isbn13>
  <text_reviews_count type="integer">7</text_reviews_count>
  <title>
    <![CDATA[Sentimental, Heartbroken Rednecks: Stories from the New South]]>
  </title>
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  <link>http://www.goodreads.com/book/show/353662.Sentimental_Heartbroken_Rednecks_Stories_from_the_New_South</link>
  <average_rating>3.70</average_rating>
  <ratings_count>23</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Provocatively blurring the lines between autobiography, short fiction, and essay, Greg Bottoms presents a series of fifteen honest and beautifully spare tales of class, poverty, violence, and racism set in the margins of the urban and suburban New South.<br/><br/>An ode to Pulitzer-nominee Breece D'J Pancake's life and untimely death, the title story deftly interweaves Bottoms's personal history to insightful result. In the transformative &#8220;The Metaphor,&#8221; the narrator proclaims, &#8220;when the world looks like every little promise has been lanced and bled out, you need a story to tell yourself.&#8221; So we move seamlessly between the lives of people both real and imagined and the life of the author, and what emerges is not only a composite of sharply drawn and revealing moments, but also a book-length meditation on the nature of, and necessity for, storytelling itself. Including three new stories &#8212; &#8220;Sam at the Gun Show,&#8221; &#8220;Strangers and Dreams,&#8221; and &#8220;Heroism #2&#8221; &#8212; this revised edition announces an understated, arresting new voice in literature.&lt;/div&gt;]]>
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<authors>
    <author>
    <id>157204</id>
        <name><![CDATA[Greg Bottoms]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1245099994p5/157204.jpg]]></image_url>
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    <average_rating>3.81</average_rating>
    <ratings_count>180</ratings_count>
    <text_reviews_count>45</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">457583</id>
  <isbn>0226066851</isbn>
  <isbn13>9780226066851</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[The Colorful Apocalypse: Journeys in Outsider Art]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174933218m/457583.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174933218s/457583.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/457583.The_Colorful_Apocalypse_Journeys_in_Outsider_Art</link>
  <average_rating>3.68</average_rating>
  <ratings_count>25</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster&#8217;s famous Paradise Gardens, his journey&#8212;of which <em>The Colorful Apocalypse</em> is a masterly chronicle&#8212;is an unparalleled look into the lives and visionary works of some of Finster&#8217;s contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy.<br/><br/>With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists&#8217; works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms&#8212;one of today&#8217;s finest young writers&#8212;gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories.<br/><br/>In doing so, he weaves a true narrative as powerful as the art of its subjects, a work that is at once an enthralling travelogue, a series of revealing biographical portraits, and a profound meditation on the chaos of despair and the ways in which creativity can help order our lives. <br/>&lt;/div&gt;&lt;/div&gt;]]>
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<authors>
    <author>
    <id>157204</id>
        <name><![CDATA[Greg Bottoms]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/157204.Greg_Bottoms]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>180</ratings_count>
    <text_reviews_count>45</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">4894780</id>
  <isbn>1593761295</isbn>
  <isbn13>9781593761295</isbn13>
  <text_reviews_count type="integer">7</text_reviews_count>
  <title>
    <![CDATA[Fight Scenes]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4894780.Fight_Scenes</link>
  <average_rating>3.89</average_rating>
  <ratings_count>19</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;In an intricately linked series of poetic, short tales set in a 1983 suburb, Greg Bottoms portrays his life as one of two “at-risk” boys as they attempt to learn how to be—and what it means to be—men. By turns funny, disquieting, and moving, <em>Fight Scenes</em> takes an unsparing look at juvenile disaffection and the dark side of white, working-class masculinity. By narrating his experiences with childhood buddy Mark, Bottoms shows how many of America’s young men learn to think about work, sex, weakness, violence, and themselves. <br/>In a pared-down, highly readable style that brings to mind the work of Raymond Carver, Sherman Alexie, and Denis Johnson, Bottoms has created a work of literature that shows how even the most accepted forms of “toughness” can have a damaging, disorienting, and finally dehumanizing effect on everyone, especially kids.<br/>&lt;/DIV&gt;]]>
  </description>
<authors>
    <author>
    <id>157204</id>
        <name><![CDATA[Greg Bottoms]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1245099994p5/157204.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/157204.Greg_Bottoms]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>180</ratings_count>
    <text_reviews_count>45</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">6626921</id>
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  <title>
    <![CDATA[Angelhead: A Memoir]]>
  </title>
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  <link>http://www.goodreads.com/book/show/6626921-angelhead</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[&quot;My brother saw the face of God. You never recover from a trauma like that.&quot;<br/><br/>So begins <strong>Angelhead</strong>, a taut, powerful memoir of the madness and crime that rips a family apart. <br/><br/>&quot;I didn't see God, of course, but I saw my brother seeing God; I saw how petrified he was, how convinced.&quot;<br/><br/>Set in Tidewater, Virginia, in the 1980s and early 1990s, <strong>Angelhead</strong> documents the violent, drug-addled, schizophrenic descent of the author's brother, Michael. Commencing with Michael's first psychotic break at age 14 -- high on acid, seeing God in his suburban bedroom window -- through a series of petty crimes, bizarre disappearances, and suicide attempts to the shocking crime that landed him in the psychiatric wing of a maximum security prison, <strong>Angelhead</strong> enables us to witness firsthand, as never before, the fragmenting of a mind and a family.<br/><br/>&quot;I knew, still know, that he saw, in some form, His or Her or Its face.&quot;<br/><br/>Bottoms shows, in pitch-perfect prose and with great empathy and dramatic tension, the psychological decline of his brother as he becomes obsessed first with heavy metal music, martial arts, and the occult, and then with the more bizarre aspects of Christianity. We not only see the effects Michael's odd and increasingly violent behavior has on the people around him, but also come to understand how the author, now a successful writer and journalist, used the power of language and storytelling both to save himself and to forgive his brother. With the fast pace and seamless structure of the best crime writing and the moral sophistication and depth of our finest literature, <strong>Angelhead</strong> will challenge what we know about mental illness and its impact on us all. It is a brilliant work of unusual intensity.<br/><br/>&quot;In his room he was having his first of many psychotic breaks. It came in the form of crippling guilt, ruthless introspection. He was Jesus being scolded by an angry Father. He wore sin, all sin, heavy as lead shackles. God made him look at himself and he was a stone with a minuscule heart.&quot;]]>
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<authors>
    <author>
    <id>157204</id>
        <name><![CDATA[Greg Bottoms]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1245099994p5/157204.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/157204.Greg_Bottoms]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>180</ratings_count>
    <text_reviews_count>45</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

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