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  <id>149371</id>
  <name><![CDATA[Alberto Pérez-Gómez]]></name>
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  <id type="integer">255602</id>
  <isbn>0262162385</isbn>
  <isbn13>9780262162388</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Built upon Love: Architectural Longing after Ethics and Aesthetics]]>
  </title>
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  <link>http://www.goodreads.com/book/show/255602.Built_upon_Love_Architectural_Longing_after_Ethics_and_Aesthetics</link>
  <average_rating>4.50</average_rating>
  <ratings_count>6</ratings_count>
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    <![CDATA[The forced polarity between form and function in considerations of architecture--opposing art to social interests, ethics to poetic expression--obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past architectural excesses, but, Pérez-Gómez argues, the materialistic and technological alternatives it proposes do not answer satisfactorily the complex desire that defines humanity. True architecture is concerned with far more than fashionable form, affordable homes, and sustainable development; it responds to a desire for an eloquent place to dwell--one that lovingly provides a sense of order resonant with our dreams. In <em>Built upon Love</em> Pérez-Gómez uncovers the relationship between love and architecture in order to find the points of contact between poetics and ethics--between the architect's wish to design a beautiful world and architecture's imperative to provide a better place for society. 	<br/> <br/> <em>Eros</em>, as first imagined by the early lyric poets of classical Greece, is the invisible force at the root of our capacity to create and comprehend the poetic image. Pérez-Gómez examines the nature of architectural form in the light of <em>eros</em>, seduction, and the tradition of the poetic image in Western architecture. He charts the ethical dimension of architecture, tracing the connections between <em>philia</em>--the love of friends that entails mutual responsibility among equals--and architectural program. He explores the position of architecture at the limits of language and discusses the analogical language of <em>philia</em> in modernist architectural theory. Finally, he uncovers connections between ethics and poetics, describing a contemporary practice of architecture under the sign of love, incorporating both <em>eros</em> and <em>philia</em>.]]>
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    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">724302</id>
  <isbn>0262661136</isbn>
  <isbn13>9780262661133</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Architectural Representation and the Perspective Hinge]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1177651136s/724302.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/724302.Architectural_Representation_and_the_Perspective_Hinge</link>
  <average_rating>4.00</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Writing from inside the discipline of architecture, rather than from the more common extrapolations from the history of painting and philosophy, Alberto Pérez-Gómez and Louise Pelletier focus on the implications of the tool of perspective (and the hegemony of vision) for architectural representation. Their primary thesis is that tools of representation have a direct influence on the conceptual development of projects and generation of forms, and that there are alternatives to the reductive working methods of most contemporary practice.<br/> <br/> The book examines textual evidence across a broad historical period, concentrating on the relationship between drawing and architectural space in the period from the seventh century to the twentieth century. The book discusses such issues as optical correction and the nature of architectural drawing in selected treatises, revealing the complexity and potential contradiction inherent in any linear history of representation. The authors' ultimate aim is to probe the possibilities of the constructed world--that is, architecture--as a poetic translation, rather than prosaic transcription, of its representations.]]>
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    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>30310</id>
        <name><![CDATA[Louise Pelletier]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/30310.Louise_Pelletier]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>6</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">1464862</id>
  <isbn>0262660555</isbn>
  <isbn13>9780262660556</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Architecture and the Crisis of Modern Science]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183879615m/1464862.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1183879615s/1464862.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1464862.Architecture_and_the_Crisis_of_Modern_Science</link>
  <average_rating>3.80</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Between the late Renaissance and the early nineteenth century, the ancient arts of architecture were being profoundly transformed by the scientific revolution. This important book, which won the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today. Throughout, it relates the major architectural treatises of successive generations to the larger culture and the writings of philosophers, mathematicians, scientists, and engineers.<br/> <br/> Alberto Pérez-Gómez is Director of the School of Architecture at Carleton University in Ottowa.]]>
  </description>
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    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">2275052</id>
  <isbn>0262660903</isbn>
  <isbn13>9780262660907</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Polyphilo or The Dark Forest Revisited: An Erotic Epiphany of Architecture]]>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2275052.Polyphilo_or_The_Dark_Forest_Revisited_An_Erotic_Epiphany_of_Architecture</link>
  <average_rating>2.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Departing from the conventional genres of architectural writing, this book is a completely original reflection on the erotics of architecture. Pérez-Gómez retells the love story of the famous Renaissance novel/treatise Hypnerotomachia Poliphili in late twentieth-century terms. The original work, long a cult book among architects, takes place in a forest. In the retelling, the forest has been replaced by the high- tech environment of appliances and airports. Both versions exist somewhere in the borderland between fiction, theory, and pornography.]]>
  </description>
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    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1992</published>
</book>

        <book>
  <id type="integer">6591767</id>
  <isbn>0773512764</isbn>
  <isbn13>9780773512764</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Chora: Intervals in the Philosophy of Architecture]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6591767-chora</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[]]>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6591768</id>
  <isbn>0773517111</isbn>
  <isbn13>9780773517110</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Chora 3: Intervals in the Philosophy of Architecture]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6591768-chora-3</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[]]>
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        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6591766</id>
  <isbn>0773514066</isbn>
  <isbn13>9780773514065</isbn13>
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  <title>
    <![CDATA[Chora 2]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6591766-chora-2</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6591765</id>
  <isbn>0773514074</isbn>
  <isbn13>9780773514072</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Chora 2]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6591765-chora-2</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions.]]>
  </description>
<authors>
    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6591763</id>
  <isbn>0773511938</isbn>
  <isbn13>9780773511934</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Chora 1]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6591763-chora-1</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[]]>
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<authors>
    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">2275053</id>
  <isbn>0773511482</isbn>
  <isbn13>9780773511484</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Architecture, Ethics and Technology]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/2275053.Architecture_Ethics_and_Technology</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[The essays in this collection focus on crucial ethical concerns largely absent from the practice of architecture during the last two centuries. The contributors are aware of a crisis in our culture's concepts of architecture and hope to ensure a greater future relevance for the discipline.<br/><br/>An enlightened discussion of all relevant aspects of architecture shows the necessity for revision of commonly held assumptions about the nature of architectural history, theory, representation, and ideation; the production of buildings in the postindustrial city; and professional ethics. These topics provide the basis for the fourteen interdisciplinary papers presented here.<br/><br/>The introductory section includes an examination of the epistemological origins of technology in the early modern European context and two alternative visions of ethics and its potential relevance for architecture. The second part presents four perspectives on important questions about how we represent buildings and the ethical values involved in that representation. &quot;Ethics and Poetics in the Context of Technological Production&quot; considers the role of philosophical ethics (i.e., a rational structure of categories in architectural practice) and the possibility, and desirability, of incorporating ethical reflections into the generation of architectural form. &quot;The Architectural Uses of History and Narrative in a Technocratic World&quot; explores alternatives for articulating an ethical attitude in forms of discourse other than philosophy and science.<br/><br/>These papers were originally presented at the bilingual symposium &quot;Architecture, Ethics, and Technology&quot; held at the Canadian Centre for Architecture in Montreal in 1991.]]>
  </description>
<authors>
    <author>
    <id>30310</id>
        <name><![CDATA[Louise Pelletier]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/30310.Louise_Pelletier]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>6</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
    <author>
    <id>149371</id>
        <name><![CDATA[Alberto Pérez-Gómez]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/149371.Alberto_P_rez_G_mez]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>21</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

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