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  <id>146538</id>
  <name><![CDATA[Siegfried Sassoon]]></name>
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  <about><![CDATA[Siegfried Loraine Sassoon was born into a wealthy banking family, the middle of 3 brothers. His Anglican mother and Jewish father separated when he was five. He had little subsequent contact with ‘pappy’, who died of TB 4 years later. He presented his mother with his first ‘volume’ at 11. Sassoon spent his youth hunting, cricketing, reading and writing. He was home-schooled until the age of 14 because of ill health. At school he was academically mediocre and teased for being un-athletic, unusually old and Jewish. He attended Clare College, Cambridge, but left without taking his degree. In 1911, Sassoon read ‘The Intermediate Sex’ by Edward Carpenter, a book about homosexuality which was a revelation for Sassoon. In 1913 he wrote ‘The Daffodil Murderer’, a parody of a John Masefield poem and his only pre-war success. A patriotic man, he enlisted on 3rd August, the day before Britain entered the war, as a trooper in the Sussex Yeomanry. After a riding accident which put him out of action, in May 1915 he joined the Royal Welch Fusiliers as a second lieutenant. At the training depot he met David Thomas, whom he fell in love with. <br/>In November Sassoon received word that his brother Hamo had died at Gallipoli. On 17th Nov he was shipped to France with David Thomas. He was put into C Company, First Battalion. It was here that he met Robert Graves, described in his diary as ‘a young poet in Third Battalion and very much disliked’. He took part in working parties, but no combat. He later became transport officer and so managed to stay out of the front lines. After time on leave, on the 18th of May, 1916 he received word that David Thomas had died of a bullet to the throat. Both Graves and Sassoon were distraught, and in Siegfried’s case it inspired ‘the lust to kill’. He abandoned transport duties and went out on patrols whenever possible, desperate to kill as many Germans as he could, earning him the nickname ‘Mad Jack’. In April he was recommended for the Military Cross for his action in bringing in the dead and wounded after a raid. He received his medal on the day before the Somme. For the first days of the Somme, he was in reserve opposite Fricourt, watching the slaughter from a ridge. Fricourt was successfully taken, and on the 4th July the First Battalion moved up to the front line to attack Mametz Wood. It was here that he famously took a trench single handed. Unfortunately, Siegfried did nothing to consolidate the trench; he simply sat down and read a book, later returning to a berating from Greaves. It was in 1917, convalescing in 'Blighty' from a wound, that he decided to make a stand against the war. Encouraged by pacifist friends, he ignored his orders to return to duty and issued a declaration against the war. The army refused to court martial him, sending him instead to Craiglockhart, an institution for soldiers driven mad by the war. Here he met and influenced <a href="http://www.goodreads.com/search/search?q= Wilfred Owen" title=" Wilfred Owen"> Wilfred Owen</a>. In 1918 he briefly returned to active service, in Palestine and then France again, but after being wounded by friendly fire he ended the war convalescing. After the war he made a predictably unhappy marriage and had a son, George. He continued to write, but will be remembered as a war poet.]]></about>
  <influences><![CDATA[]]></influences>
  <gender>male</gender>
  <hometown>Matfield, Kent</hometown>
  <born_at>1901/12/13</born_at>
  <died_at>1967/09/01</died_at>
  
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        <book>
  <id type="integer">250839</id>
  <isbn>1931313814</isbn>
  <isbn13>9781931313810</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Memoirs of an Infantry Officer]]>
  </title>
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  <link>http://www.goodreads.com/book/show/250839.Memoirs_of_an_Infantry_Officer</link>
  <average_rating>4.30</average_rating>
  <ratings_count>64</ratings_count>
  <description>
    <![CDATA[An irreverent look at British military leaders during WW1, written by the Hawthornden-Prize winning author.  ]]>
  </description>
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    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1974</published>
</book>

        <book>
  <id type="integer">1391333</id>
  <isbn>0571202659</isbn>
  <isbn13>9780571202652</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[The War Poems]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1391333.The_War_Poems</link>
  <average_rating>4.28</average_rating>
  <ratings_count>58</ratings_count>
  <description>
    <![CDATA[Sassoon, who lived through Word War One and who died in 1967, was, as the introduction to this book tells us, irritated in his later years at always being thought of as a &quot;war poet&quot;. Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (&quot; ... fighting for our freedom, we are free&quot;) to the anguish and anger of the later work (where &quot;hope, with furtive eyes and grappling fists / Flounders in mud ... &quot;), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. <p> Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those &quot; ... old men who died / Slow, natural deaths--old men with ugly souls&quot;) were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not &quot;the war to end all wars&quot;: the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: &quot;Grant us the power to prove, by poison gases, / The needlessness of shedding human blood.&quot; Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --<em>Burhan Tufail</em></p>]]>
  </description>
<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">334776</id>
  <isbn>1846641136</isbn>
  <isbn13>9781846641138</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Memoirs Of  A Fox-Hunting Man]]>
  </title>
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  <link>http://www.goodreads.com/book/show/334776.Memoirs_Of_A_Fox_Hunting_Man</link>
  <average_rating>3.82</average_rating>
  <ratings_count>57</ratings_count>
  <description>
    <![CDATA[Memoirs Of A Fox-Hunting Man Siegfried Sassoon Early Days - The Flower Show Match - A Fresh Start - A Day With the Potford - At the Rectory - The Colonel's Cup - Denis Milden as Master -Migration of the Midlands - In the Army - At the front Originally published in 1928. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.]]>
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    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1929</published>
</book>

        <book>
  <id type="integer">1812959</id>
  <isbn>0571132626</isbn>
  <isbn13>9780571132621</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Collected Poems, 1908-1956]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1812959.Collected_Poems_1908_1956</link>
  <average_rating>4.24</average_rating>
  <ratings_count>17</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Sassoon's fame as a novelist and autobiographer, and the success of his posthumously published <em>Diaries</em>, have somewhat obscured his achievement as a poet. Apart from the famous <em>War Poems</em> of 1919, which firmly established his reputation, he published eight volumes of verse during his lifetime. This collected edition represents his own choice of the poems he wished to preserve. It was first published in 1947 and subsequently enlarged to include the late poems in <em>Sequences</em>.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
</book>

        <book>
  <id type="integer">421056</id>
  <isbn>0571099130</isbn>
  <isbn13>9780571099139</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Complete Memoirs of George Sherston]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174590407m/421056.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174590407s/421056.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/421056.The_Complete_Memoirs_of_George_Sherston</link>
  <average_rating>3.89</average_rating>
  <ratings_count>9</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;<em>The Complete Memoirs of George Sherston</em> includes <em>Sherston's Progress</em> and both <em>Memoirs</em>.<br/>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1960</published>
</book>

        <book>
  <id type="integer">1542063</id>
  <isbn>1932512144</isbn>
  <isbn13>9781932512144</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Sherston's Progress]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184949194m/1542063.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184949194s/1542063.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1542063.Sherston_s_Progress</link>
  <average_rating>4.14</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1210181586p5/146538.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1210181586p2/146538.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">2314273</id>
  <isbn>1406538698</isbn>
  <isbn13>9781406538694</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Counter-Attack and Other Poems]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2314273.Counter_Attack_and_Other_Poems</link>
  <average_rating>4.50</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Siegfried Loraine Sassoon (1886-1967) who wrote under the pseudonyms Pinchbeck Lyre, Sigma Sashun and George Sherston was an English poet and author. He became known as a writer of satirical anti-war verse during World War I, but later won acclaim for his prose work. Sassoon was born in the village of Matfield, Kent, to a Jewish father and a Protestant English mother. He studied both law and history from 1905 to 1907 however, he dropped out of university without a degree and spent the next few years hunting, playing cricket, and privately publishing a few volumes of not very highly acclaimed poetry. Sassoon joined the military just as the threat of World War I was realised. He soon became horrified by the realities of war, and the tone of his writing changed completely. Sassoon's periods of duty on the Western Front were marked by exceptionally brave actions. The war had brought Sassoon into contact with men from less advantaged backgrounds, and he had developed Socialist sympathies. Amongst his famous works are The Daffodil Murderer (1913), The Old Huntsman (1917), Counter-Attack and Other Poems (1918), Picture-Show (1919) and The War Poems (1919).]]>
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    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">1620914</id>
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  <title>
    <![CDATA[Siegfried Sassoon Diaries 1923-1925]]>
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  <link>http://www.goodreads.com/book/show/1620914.Siegfried_Sassoon_Diaries_1923_1925</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Diaries of British poet Siegfried Sassoon from 1923-1925.]]>
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<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
    <author>
    <id>750484</id>
        <name><![CDATA[Rupert Hart-Davis, editor]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/750484.Rupert_Hart_Davis_editor]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1985</published>
</book>

        <book>
  <id type="integer">1206123</id>
  <isbn>0195033094</isbn>
  <isbn13>9780195033090</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Siegried Sassoon's Long Journey: Selections from the Sherston Memoirs]]>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1206123.Siegried_Sassoon_s_Long_Journey_Selections_from_the_Sherston_Memoirs</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1210181586p5/146538.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1210181586p2/146538.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">675210</id>
  <isbn>057111685X</isbn>
  <isbn13>9780571116850</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Siegfried Sassoon Diaries, 1920-1922]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1187303557m/675210.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1187303557s/675210.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/675210.Siegfried_Sassoon_Diaries_1920_1922</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
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<authors>
    <author>
    <id>146538</id>
        <name><![CDATA[Siegfried Sassoon]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1210181586p5/146538.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/146538.Siegfried_Sassoon]]></link>
    <average_rating>4.11</average_rating>
    <ratings_count>263</ratings_count>
    <text_reviews_count>26</text_reviews_count>
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  </authors>  <published>1983</published>
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