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  <id>140403</id>
  <name><![CDATA[Richard Dellamora]]></name>
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  <id type="integer">609043</id>
  <isbn>0807842672</isbn>
  <isbn13>9780807842676</isbn13>
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  <title>
    <![CDATA[Masculine Desire: The Sexual Politics of Victorian Aestheticism]]>
  </title>
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  <description>
    <![CDATA[Beginning with Tennyson's <em>In Memoriam</em> and continuing by way of Hopkins and Swinburne to the novels of Oscar Wilde and Thomas Hardy, Richard Dellamora draws on journals, letters, censored texts, and pornography to examine the cultural construction of masculinity in Victorian literature.<p>Central to the struggle over the meaning of masculine desire was the institutional politics of Oxford University, where Benjamin Jowett, Matthew Arnold, John Ruskin, and Walter Pater were principal players.  As a young man in the 1860s, Pater, the art historian, essayist, and novelist, theorized a place for desire between men in cultural formation and critique.  Later, in a climate of growing intolerance, he continued to affirm male-male desire but with increasing attention to the social functions of homophobia.  Dellamora shows that discontent with conventional gender roles animated efforts to reimagine the possibilities of masculine existence.</p>]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">7156790</id>
  <isbn>0674053397</isbn>
  <isbn13>9780674053397</isbn13>
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  <title>
    <![CDATA[Imagination and &lt;i&gt;Logos&lt;/i&gt;: Essays on C. P. Cavafy]]>
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  <average_rating>5.00</average_rating>
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    <![CDATA[<p>  This book explores diverse but complementary interdisciplinary approaches to the poetics, intertexts, and influence of the work of C. P. Cavafy (Konstantinos Kavafis), one of the most important twentieth-century European poets. Written by leading international scholars in a number of disciplines (critical theory, gender studies, comparative literature, English studies, Greek studies, anthropology, classics), the essays of this volume situate Cavafy’s poetry within the broader contexts of modernism and aestheticism and investigate its complex and innovative responses to European literary traditions (from Greek antiquity to modernity) as well as its multifaceted impact on major figures of world literature—from North America to South Africa.  </p><p>  Contributors include Eve Sedgwick, Helen Vendler, Dimitrios Yatromanolakis, Richard Dellamora, Mark Doty, James Faubion, Diana Haas, John Chioles, Edmund Keeley, Albert Henrichs, Kathleen Coleman, Gregory Nagy, Michael Paschalis, Peter Jeffreys, Diskin Clay, and Panagiotis Roilos.  </p>]]>
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        <name><![CDATA[Panagiotis Roilos]]></name>
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        <name><![CDATA[Eve Sedgwick]]></name>
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        <name><![CDATA[Helen Vendler]]></name>
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        <name><![CDATA[Dimitrios Yatromanolakis]]></name>
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        <name><![CDATA[Richard Dellamora]]></name>
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        <name><![CDATA[Mark Doty]]></name>
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        <name><![CDATA[James Faubion]]></name>
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        <name><![CDATA[Diana Haas]]></name>
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        <name><![CDATA[John Chioles]]></name>
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        <name><![CDATA[Albert Henrichs]]></name>
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        <name><![CDATA[Edmund Keeley]]></name>
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    <average_rating>4.34</average_rating>
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        <name><![CDATA[Kathleen M. Coleman]]></name>
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    <average_rating>4.50</average_rating>
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    <id>1185</id>
        <name><![CDATA[Gregory Nagy]]></name>
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    <average_rating>4.21</average_rating>
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    <id>1093703</id>
        <name><![CDATA[Michael Paschalis]]></name>
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    <average_rating>5.00</average_rating>
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    <id>148150</id>
        <name><![CDATA[Peter Jeffreys]]></name>
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    <ratings_count>1</ratings_count>
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    <author>
    <id>164278</id>
        <name><![CDATA[Diskin Clay]]></name>
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    <average_rating>4.17</average_rating>
    <ratings_count>1778</ratings_count>
    <text_reviews_count>190</text_reviews_count>
  </author>
  </authors>  <published>2010</published>
</book>

        <book>
  <id type="integer">239944</id>
  <isbn>0226142272</isbn>
  <isbn13>9780226142272</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Victorian Sexual Dissidence]]>
  </title>
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  <link>http://www.goodreads.com/book/show/239944.Victorian_Sexual_Dissidence</link>
  <average_rating>3.00</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Recent critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework&#8212;while refining and resisting it in places&#8212;to show how certain Victorians imagined difference in ways that continue to challenge us today. <br/><br/>One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as Classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects. <br/><br/>This volume will be essential reading for students of British literary and cultural history as well as for those interested in feminist, gay, and lesbian studies. <br/><br/>Contributors are: Oliver Buckton, Richard Dellamora, Dennis Denisoff, Regenia Gagnier, Eric Haralson, Andrew Hewitt, Christopher Lane, Thaïs Morgan, Yopie Prins, Kathy Alexis Psomiades, Julia Saville, Robert Sulcer, Jr., Martha Vicinus.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">1488460</id>
  <isbn>0813520576</isbn>
  <isbn13>9780813520575</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Apocalyptic Overtures: Sexual Politics and the Sense of an Ending]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1488460.Apocalyptic_Overtures_Sexual_Politics_and_the_Sense_of_an_Ending</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
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    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">2381786</id>
  <isbn>0226142264</isbn>
  <isbn13>9780226142265</isbn13>
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  <title>
    <![CDATA[Victorian Sexual Dissidence]]>
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  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Recent critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework&#8212;while refining and resisting it in places&#8212;to show how certain Victorians imagined difference in ways that continue to challenge us today. <br/><br/>One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as Classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects. <br/><br/>This volume will be essential reading for students of British literary and cultural history as well as for those interested in feminist, gay, and lesbian studies. <br/><br/>Contributors are: Oliver Buckton, Richard Dellamora, Dennis Denisoff, Regenia Gagnier, Eric Haralson, Andrew Hewitt, Christopher Lane, Thaïs Morgan, Yopie Prins, Kathy Alexis Psomiades, Julia Saville, Robert Sulcer, Jr., Martha Vicinus.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">3611005</id>
  <isbn>0812233204</isbn>
  <isbn13>9780812233209</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Postmodern Apocalypse: Theory and Cultural Practice at the End (New Cultural Studies Series)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3611005.Postmodern_Apocalypse_Theory_and_Cultural_Practice_at_the_End</link>
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  <description>
    <![CDATA[]]>
  </description>
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    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">3571490</id>
  <isbn>0807818828</isbn>
  <isbn13>9780807818824</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Masculine Desire: The Sexual Politics of Victorian Aestheticism]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
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  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">1619303</id>
  <isbn>0813520568</isbn>
  <isbn13>9780813520568</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Apocalyptic Overtures: Sexual Politics and the Sense of an Ending]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1619303.Apocalyptic_Overtures_Sexual_Politics_and_the_Sense_of_an_Ending</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">626769</id>
  <isbn>0812238133</isbn>
  <isbn13>9780812238136</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Friendship's Bonds: Democracy and the Novel in Victorian England]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1176442837s/626769.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/626769.Friendship_s_Bonds_Democracy_and_the_Novel_in_Victorian_England</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[<p>What is the connection between citizenship and friendship in Victorian fiction? Why do Victorian writers use the portrayal of relations between mentor and protégé as a way of meditating on the possibilities of democratic governance? In <em>Friendship's Bonds</em>, Richard Dellamora revisits the classical and Victorian dream that a just society would be one governed by friends. In the actual struggle over who should or should not be eligible for the rights of citizenship, however, the ideal of fraternity was troubled by anxieties about the commingling of populations and the possible conversion of male intimacy into sexual anarchy.<br/><br/>Focusing on the writings of Benjamin Disraeli as well as those of his leading political rival, William Gladstone, Dellamora considers how sodomitic intimations inflect debates on the enfranchisement of Jews as well as artisans, women, and the Irish during the period. Examining works as various as Karl Marx's essay on the Jewish Question, Victorian Bible commentaries, and novels by Dickens, George Eliot, Trollope, and Henry James, Dellamora further argues that the novel and other creative arts, such as portraiture and the theater, offered important sites for evoking and shaping the Victorians' imagination and experience of democratic possibilities.<br/><br/>Systematically bringing together discourses on queer identities in Victorian England, Jewish identities in nineteenth-century literary and political culture, and the ways these powerful forms of otherness intersect, <em>Friendship's Bonds</em> offers an intriguing analysis of how the dream of a perfect sympathy between friends continually challenged Victorians' capacity to imagine into existence a world not of strangers or enemies but of fellow citizens.</p>]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">3325805</id>
  <isbn>0812215583</isbn>
  <isbn13>9780812215588</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Postmodern Apocalypse: Theory and Cultural Practice at the End (New Cultural Studies Series)]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3325805.Postmodern_Apocalypse_Theory_and_Cultural_Practice_at_the_End</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>140403</id>
        <name><![CDATA[Richard Dellamora]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/140403.Richard_Dellamora]]></link>
    <average_rating>4.20</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

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