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  <name><![CDATA[Elisabeth von Samsonow]]></name>
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    <![CDATA[Fenster im Papier.]]>
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        <name><![CDATA[Elisabeth von Samsonow]]></name>
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  </authors>  <published>2001</published>
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    <![CDATA[Die Erzeugung des Sichtbaren: Die philosophische Begrundung naturwissenschaftlicher Wahrheit bei Johannes Kepler]]>
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  </authors>  <published>1986</published>
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    <![CDATA[Anti-Elektra. Totemismus und Schizogamie]]>
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        <name><![CDATA[Elisabeth von Samsonow]]></name>
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  <isbn>3787313303</isbn>
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    <![CDATA[Über die Monas, die Zahl und die Figur als Elemente einer sehr geheimen Physik, Mathematik und Metaphysik.]]>
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        <name><![CDATA[Giordano Bruno]]></name>
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        <name><![CDATA[Elisabeth von Samsonow]]></name>
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  </authors>  <published>1997</published>
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        <book>
  <id type="integer">655863</id>
  <isbn>388375384X</isbn>
  <isbn13>9783883753843</isbn13>
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    <![CDATA[Wolfgang Laib]]>
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    <![CDATA[Wolfgang Laib's extraordinarily concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in them and play. Visitors to the installations are opened up, become aware of the energetic presence of the natural materials shown, and are prepared for a spiritual and intellectual encounter with the work's symbolic content. This retrospective monograph establishes the unique position and great power of Laib's work.]]>
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    <id>155164</id>
        <name><![CDATA[Edelbert Kob]]></name>
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  </authors>  <published>2000</published>
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