Albert Speer





Albert Speer

Author profile


born
March 19, 1905 in Mannheim, Germany

died
September 01, 1981

gender
male

genre


About this author

Albert Speer, born Berthold Konrad Hermann Albert Speer, was a German architect who was, for a part of World War II, Minister of Armaments and War Production for the Third Reich. Speer was Adolf Hitler's chief architect before assuming ministerial office. As "the Nazi who said sorry", he accepted responsibility at the Nuremberg trials and in his memoirs for crimes of the Nazi regime. His level of involvement in the persecution of the Jews and his level of knowledge of the Holocaust remain matters of dispute.


Average rating: 4.00 · 2,076 ratings · 119 reviews · 12 distinct works
Inside the Third Reich
4.0 of 5 stars 4.00 avg rating — 1,893 ratings — published 1969 — 29 editions
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Phoenix: Spandau: The Secre...
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4.03 of 5 stars 4.03 avg rating — 178 ratings12 editions
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Inside the Third Reich, 1 of 2
4.33 of 5 stars 4.33 avg rating — 3 ratings2 editions
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Inside the Third Reich, 2 of 2
4.0 of 5 stars 4.00 avg rating — 2 ratings2 editions
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Infiltration
3.0 of 5 stars 3.00 avg rating — 2 ratings — published 2010 — 6 editions
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Ein Manifest fuer Nachhaelt...
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第三帝国の神殿にて : ナチス軍需相の証言 下 [Da...
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0.0 of 5 stars 0.00 avg rating — 0 ratings — published 1969
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第三帝国の神殿にて : ナチス軍需相の証言. 上 [D...
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0.0 of 5 stars 0.00 avg rating — 0 ratings — published 1969
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Albert Speer. Die Kransberg...
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Architektur. Arbeiten 1933-...
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More books by Albert Speer…
“One seldom recognizes the devil when he is putting his hand on your shoulder.”
Albert Speer

“...being in a position to know and nevertheless shunning knowledge creates direct responsibility for the consequences...”
Albert Speer, Inside the Third Reich

“As I see it today, Hitler and Goebbels were in fact molded by the mob itself, guided by its yearnings and its daydreams. Of course, Goebbels and Hitler knew how to penetrate through to the instincts of their audiences; but in the deeper sense they derived their whole existence from these audiences. Certainly the masses roared to the beat set by Hitler's and Goebbels' baton; yet they were not the true conductors. The mob determined the theme. To compensate for misery, insecurity, unemployment, and hopelessness, this anonymous assemblage wallowed for hours at a time in obsessions, savagery and license. The personal unhappiness caused by the breakdown of the economy was replaced by a frenzy that demanded victims. By lashing out at their opponents and vilifying the Jews, they gave expression and direction to fierce primal passions.”
Albert Speer, Inside the Third Reich

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