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  <id>13228</id>
  <name><![CDATA[Anna Deavere Smith]]></name>
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  <about><![CDATA[]]></about>
  <influences><![CDATA[]]></influences>
  <gender>female</gender>
  <hometown></hometown>
  <born_at></born_at>
  <died_at></died_at>
  
  <books>
        <book>
  <id type="integer">844628</id>
  <isbn>0385473761</isbn>
  <isbn13>9780385473767</isbn13>
  <text_reviews_count type="integer">19</text_reviews_count>
  <title>
    <![CDATA[Twilight: Los Angeles, 1992]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178843465m/844628.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178843465s/844628.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/844628.Twilight_Los_Angeles_1992</link>
  <average_rating>3.87</average_rating>
  <ratings_count>179</ratings_count>
  <description>
    <![CDATA[Anna Deavere Smith's stunning new work of &quot;documentary theater&quot; in which she uses verbatim the words of people who experienced the Los Angeles riots to expose and explore the devastating human impact of that event.]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">895293</id>
  <isbn>0385470142</isbn>
  <isbn13>9780385470148</isbn13>
  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Fires in the Mirror]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179264712m/895293.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179264712s/895293.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/895293.Fires_in_the_Mirror</link>
  <average_rating>3.89</average_rating>
  <ratings_count>130</ratings_count>
  <description>
    <![CDATA[Derived from interviews with a wide range of  people who experienced or observed New York's 1991  Crown Heights racial riots, <em>Fires In The  Mirror</em> is as distinguished a work of  commentary on current Black-White tensions as it is a  work of drama.]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">23468</id>
  <isbn>1400032385</isbn>
  <isbn13>9781400032389</isbn13>
  <text_reviews_count type="integer">19</text_reviews_count>
  <title>
    <![CDATA[Letters to a Young Artist: Straight-up Advice on Making a Life in the Arts-For Actors, Performers, Writers, and Artists of Every Kind]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1167412426m/23468.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1167412426s/23468.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/23468.Letters_to_a_Young_Artist_Straight_up_Advice_on_Making_a_Life_in_the_Arts_For_Actors_Performers_Writers_and_Artists_of_Every_Kind</link>
  <average_rating>3.75</average_rating>
  <ratings_count>75</ratings_count>
  <description>
    <![CDATA[From the most exciting individual in American theater&#8221; (<em>Newsweek</em>), here is Anna Deavere Smith&#8217;s brass tacks advice to aspiring artists of all stripes. In vividly anecdotal letters to the young BZ, she addresses the full spectrum of issues that people starting out will face: from questions of confidence, discipline, and self-esteem, to fame, failure, and fear, to staying healthy, presenting yourself effectively, building a diverse social and professional network, and using your art to promote social change. At once inspiring and no-nonsense, <em>Letters to a Young Artist</em> will challenge you, motivate you, and set you on a course to pursue your art without compromise.]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">252949</id>
  <isbn>0375501509</isbn>
  <isbn13>9780375501500</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Talk to Me: Listening Between the Lines]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173157735m/252949.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173157735s/252949.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/252949.Talk_to_Me_Listening_Between_the_Lines</link>
  <average_rating>3.74</average_rating>
  <ratings_count>19</ratings_count>
  <description>
    <![CDATA[Anna Deavere Smith, an actress and playwright in a category all her own, travels America in pursuit of authentic language, the kind that reveals the truth of a person, not just information. Once she finds that &quot;personal music,&quot; she becomes the person through their verbal tics and idiosyncrasies, showcasing them in her critically acclaimed one-women plays. In 1995, Smith took her tape recorder to Washington, D.C., to capture the American presidency. But, she writes, &quot;I knew that I knew nothing about the president, or any public figure for that matter, that the press didn't tell me. I would have to look at the press too.&quot; Over the course of five years, she interviewed Washington insiders (George Stephanopoulos, Marlin Fitzwater, David Kendall), members of the press (Ben Bradlee, Mike Wallace, Mike Isikoff), cultural critics (Ken Burns, Studs Terkel), and finally President Clinton himself. The book is a hybrid of transcripts of these interviews, vignettes of capitol politics, and ruminations on language, race relations, and inclusion; the parallel between the theatre and politics; and the potential for genuine human communication between politicians and the people. <p>  &quot;The language of Washington is in disrepair,&quot; Smith writes, &quot;a verbal flat line,&quot; and though politicians have tried to learn from actors, they have failed so fully they can no longer connect with their audiences. The press comes in for an even stronger critique as a group that honors truth, but is busy looking for lies and creating a highly wired cocoon. The book's best and most startling moments are when her subjects &quot;bust out&quot; and surprise us, as when Clinton's former press secretary Mike McCurry says:   <blockquote>And we, we came very close in the last week to a point for, where I thought I was going to get asked about what kind of erections the president has. I mean quite seriously.... So it's a, it's weird. It's kind of this merging of our popular culture and tabloid mentality and the evening shows ... and it's kind of this morphing of what we consider, you know, civil discourse and ah so it's it's it's a troubling time.</blockquote>   While Smith tends to meander, interested perhaps in following her own authentic speech, she raises necessary questions and offers even more intriguing conclusions: there will never be real conversation between Washington and the rest of the nation until there's desegregation of the most insular community around--the capitol clique. <em>--Lesley Reed</em> </p>]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">252952</id>
  <isbn>1400033578</isbn>
  <isbn13>9781400033577</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[House Arrest and Piano: Two Plays]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173157737m/252952.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173157737s/252952.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/252952.House_Arrest_and_Piano_Two_Plays</link>
  <average_rating>3.20</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[From the award-winning actor and playwright Anna Deavere Smith, two teeming, pungent cross-sections of the American experience.<br/><br/>In the provocative and at times bitterly funny play <strong>House Arrest</strong><em>, </em>Smith examines the relationships between a succession of American presidents and their observers in and out of the press. Arcing from Clinton and Monica Lewinsky to Jefferson and Sally Hemings and alive with the voices of such real-life figures as Ed Bradley, George Stephanopoulos, Anita Hill, and Abraham Lincoln, the result is a priceless examination of the intersection of public power and private life.<br/><br/>In <strong>Piano</strong><em>,</em> Smith casts her gaze back a century as she follows the tangled lines of race, sex, and exploitation in a prosperous Cuban household on the eve of the Spanish-American War. Deftly and suspensefully, Smith tells a story of ruptured allegiances and ramifying deceptions in which no one&#8212;master or servant, friend or enemy&#8212;is what he or she pretends to be. Together these two plays are further proof that Anna Deavere Smith is one of the most searing and revelatory voices in the American theater.]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">252950</id>
  <isbn>0974364800</isbn>
  <isbn13>9780974364803</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Lyle Ashton Harris]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173157736m/252950.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173157736s/252950.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/252950.Lyle_Ashton_Harris</link>
  <average_rating>3.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Known for self-portraits which explore issues of performance, identity, family, gender, masculinity, and race, Lyle Ashton Harris here presents a new series featuring himself in a variety of loaded guises: Billie Holiday, Josephine Baker, and the &quot;Boxer.&quot; Anna Deavere Smith's essay powerfully explores her relationship to the photographs and the artist.]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">252956</id>
  <isbn>0822218429</isbn>
  <isbn13>9780822218425</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[House Arrest: A Search for American Character in and Around the White House, Past and Present]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/252956.House_Arrest_A_Search_for_American_Character_in_and_Around_the_White_House_Past_and_Present</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">6648700</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Letters to a Young Artist: Straight-up Advice on Making a Life in the Arts-For Actors, Performers, Writers, and Artists of Every Kind]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6648700-letters-to-a-young-artist</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[From the most exciting individual in American theater” (<em>Newsweek</em>), here is Anna Deavere Smith’s brass tacks advice to aspiring artists of all stripes. In vividly anecdotal letters to the young BZ, she addresses the full spectrum of issues that people starting out will face: from questions of confidence, discipline, and self-esteem, to fame, failure, and fear, to staying healthy, presenting yourself effectively, building a diverse social and professional network, and using your art to promote social change. At once inspiring and no-nonsense, <em>Letters to a Young Artist</em> will challenge you, motivate you, and set you on a course to pursue your art without compromise.<br/><br/><br/><em>From the Trade Paperback edition.</em>]]>
  </description>
<authors>
    <author>
    <id>13228</id>
        <name><![CDATA[Anna Deavere Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-F-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/13228.Anna_Deavere_Smith]]></link>
    <average_rating>3.81</average_rating>
    <ratings_count>473</ratings_count>
    <text_reviews_count>63</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

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