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  <id>130533</id>
  <name><![CDATA[Tara Brabazon]]></name>
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  <id type="integer">2406180</id>
  <isbn>075467097X</isbn>
  <isbn13>9780754670971</isbn13>
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  <title>
    <![CDATA[The University of Google: Education in the Post Information Age]]>
  </title>
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  <link>http://www.goodreads.com/book/show/2406180.The_University_of_Google_Education_in_the_Post_Information_Age</link>
  <average_rating>2.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Looking at schools and universities, it is difficult to pinpoint when education, teaching and learning started to haemorrhage purpose, aspiration and function. Libraries and librarians have been starved of funding. Teachers cram their curriculum with 'skill development' and 'generic competencies' because knowledge, creativity and originality are too expensive to provide to unmotivated students and parents obsessed with league tables, not learning.Meanwhile, the internet offers a glut of information on everything-under-the-sun, a mere mouse-click away. Bored surfers fill their cursors and minds with irrelevancies. We lose the capacity to sift, discard and judge. Information is no longer for social good, but for sale.Tara Brabazon argues that this information fetish has been profoundly damaging to our learning institutions and to the ambitions of our students and educators. In &quot;The University of Google&quot;, she projects a defiant and passionate vision of education as a pathway to renewal, where research is based on searching and students are on a journey through knowledge, rather than consumers in the shopping centre of cheap ideas.Angry, humorous and practical in equal measure, &quot;The University of Google&quot; is based on real teaching experience and on years of engaged and sometimes exasperated reflection on it.  It is far from a luddite critique of the information age. Tara Brabazon celebrates the possibilities of digital platforms in education, but deplores the consequences of placing funding on technology and not teachers. In doing so, she opens a new debate on how to make our educational system both productive and provocative in the (post-) information age.]]>
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    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">223038</id>
  <isbn>0754643964</isbn>
  <isbn13>9780754643968</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[From Revolution To Revelation: Generation X, Popular Memory And Cultural Studies]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1172851738s/223038.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/223038.From_Revolution_To_Revelation_Generation_X_Popular_Memory_And_Cultural_Studies</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">1581157</id>
  <isbn>086840781X</isbn>
  <isbn13>9780868407814</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Digital Hemlock: Internet Education and the Poisoning of Teaching]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1185460965m/1581157.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1185460965s/1581157.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1581157.Digital_Hemlock_Internet_Education_and_the_Poisoning_of_Teaching</link>
  <average_rating>1.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[University education is in crisis. Increasingly its funding is reduced and its relevancy questioned. The use of the Internet in university education and the delivery of online courses is seen as a cure-all, allowing tailored courses to be delivered to a wide student base with unprecedented immediacy and with a minimum of cost to the institution.  <p>Tara Brabazon questions these assumptions. She shows that the delivery of quality online education requires as much input and thought as conventional course delivery, and, although offered at minimal cost to the institution, it is the teachers who pay, in their own time and effort to maintain standards. She also shows that there is more to teaching and learning than can be delivered online. She argues that knowledge is not the only thing a university should teach; rather, students should leave university with a love of acquiring knowledge and the ability to do so.  <p>This wide-ranging book examines the state of higher education in Australia and exposes the myths and assumptions on which current education policy is based.</p></p>]]>
  </description>
<authors>
    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">4382839</id>
  <isbn>0415375614</isbn>
  <isbn13>9780415375610</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Playing on the Periphery: Sport, Identity and Memory]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4382839.Playing_on_the_Periphery_Sport_Identity_and_Memory</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[<em>Playing on the Periphery</em> is an innovative exploration along the edges of the modern sports experience. Using unusual case studies and covering a range of issues, it examines how the cultural content of sports that were once the epitome of Englishness - football, cricket and rugby - has moved away from the traditional mainstream, reinterpreted by the distant cultures of a former Empire, and fragmented by the new media and economics of the modern world. <br/>From a unique perspective and with a distinctive voice, Tara Brabazon considers sport as it relates to tourism, colonialism and popular culture. She shows how, through the media's filter - through photographs and film, stadiums, shops and exhibition spaces - sport can acquire multiple and diverse meanings. Though it may appear peripheral, as a focus for collective emotion sport is at the center of society. <br/>For all those interested in sport, media and popular culture, this is a stimulating new text. <br/>]]>
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<authors>
    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">5716983</id>
  <isbn>1920694307</isbn>
  <isbn13>9781920694302</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Liverpool Of The South Seas: Perth And Its Popular Music]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/5716983.Liverpool_Of_The_South_Seas_Perth_And_Its_Popular_Music</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Perth is labelled - either whimsically or derisively - the most isolated capital city in the world. What happens to popular music in such a city during a time of globalization and sanitised sameness? The authors of this lively collection provide a snapshot of this cultural moment. Answers to the question fly off the pages of this book. Perth, a small and dynamic city, generates incredibly vibrant and diverse music - from the energy of hip hop and b-boys, electronica and post-rock, to committed performers and rivetted fans in gritty pubs and darkened clubs. Disentangled from vested interests and corporate sponsorship, this is an independent book capturing the rhythms of an independent city. Liverpool of the South Seas celebrates the critical freedom to discover difference, diversity and dancing.]]>
  </description>
<authors>
    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">3756702</id>
  <isbn>0868404217</isbn>
  <isbn13>9780868404219</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Ladies Who Lunge: Celebrating Difficult Women]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3756702.Ladies_Who_Lunge_Celebrating_Difficult_Women</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Shrew. Banshee. Witch. Slag. Broad. Tramp. Bitch. Ho. These labels, through time, have described women who transcend description. Women with over-painted faces, shrill laughter, and short skirts -- dropping shocking one-liners -- have a zeal and passion for life that shakes with energy and enthusiasm, as well as honesty and humor.  <p>Ladies Who Lunge dances through history with the unconventional woman. Witty and refreshing, the tone, texture, and feeling of the words on the page are as unconventional as the plucky women who punctuate the prose. It is a tough, determined, moving, frank, and funny review of difficult women: how they got there, how we can understand their actions, and how we can learn from them.</p>]]>
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    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">3756701</id>
  <isbn>0868406996</isbn>
  <isbn13>9780868406992</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Tracking the Jack: A Retracing of the Antipodes]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3756701.Tracking_the_Jack_A_Retracing_of_the_Antipodes</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">3756700</id>
  <isbn>1843344599</isbn>
  <isbn13>9781843344599</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Revolution Will Not Be Downloaded]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3756700.The_Revolution_Will_Not_Be_Downloaded</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[Summary  This book attacks the often implicit and damaging assumption that 'everyone' is online and that 'everyone' is using online resources within the specified parameters of employers, government and national laws.  Put another way, this book summons a critical Web Studies, asking not only who is using particular applications, but also how and why. This remedial work is required.      The concept and label of 'Web 2.0' is part of a wide-ranging suite of assumptions that offer simple answers to difficult questions.  The term captures a desire for online collaboration and the sharing of information, performed most visibly through blogs, podcasts and wikis.  Other 'products' that capture the Web 2.0 ideology include Google Maps, Facebook, MySpace and Flickr.  Within this framework, websites no long hold information but become a platform to connect applications with users.  The business applications have gained the most attention - particularly content syndication - but there are also 'political' initiatives overlaying this project including open communication, the sharing of data and the deeplinking of web architecture.      Web 2.0 is not only buzzword, but - pivotally for The Revolution Will Not Be Downloaded - increases the online opportunities and applications for those already online while ignoring those still excluded from Web 1.0.  This book reveals not only who is using particular online platforms, but the costs to citizenship and democracy through that social profile.      Key Features  Development of innovative concepts and models to manage the digital divide  Evocative studies of the digitally excluded and downloading communities.    Attention to digital literacy and online education  Demonstration of how commerce, news, music and inter-personal relationships are transformed through digitization    Readership  The combination of tracking the digital divide and activating digital dissent makes the book unique in Web 2.0 research.  Instead of celebrating Facebook, YouTube and MySpace, there is careful attention to those groups still excluded by Web 1.0. For practitioners, policy makers, teachers, librarians and information professionals, there are methods offered that align theories of teaching and information management with the practice of changing policy.  Through such an aim, the book stands alone, and is international in scope and inflection.    Contents  Introduction  Passing the digital door bitch								  Part One:  Scanning the silences  Access denied; Restless redundancy; Wiring God's waiting room:  the greying of web literacy; Cash for corporeality:  international students and the wealth of transgression; Cultware									  Part Two:  Downloading harmony  He who pays the piper must call the tune?; The ultimate mix: try before you buy; Record companies vs. technology	  Part Three:  Uploading identity  Putting their life on(the)line: youth and blogging identity; Is it all bad?  Japanese suicide culture; Traveller's weblogs: why blog?; eBay: marketing the real body in the virtual world; Cyber sluts: the new Victorians; The I in community: it's all about ME in gaydar's global gay diaspora  Part Four:  Packet switching resistance and terrorism  Information at the speed of thought; Keeping an eye on Big Brother; Speed kills: terrorism on the internet  Conclusion - what do you do with the other one in a duo?]]>
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    <author>
    <id>130533</id>
        <name><![CDATA[Tara Brabazon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/130533.Tara_Brabazon]]></link>
    <average_rating>2.60</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

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