Guy Davenport
Author profile
born
November 23, 1927
in Anderson, South Carolina, The United States
died
January 04, 2005
gender
male
website
genre
About this author
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The Geography of the Imagination: Forty Essays
— published 1981 — 5 editions |
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7 Greeks
— published 1995 — 2 editions |
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Every Force Evolves a Form: Twenty Essays
— published 1987 — 3 editions |
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Da Vinci's Bicycle
— published 1979 — 3 editions |
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The Hunter Gracchus: And Other Papers on Literature and Art
— published 1996 — 2 editions |
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The Death of Picasso: New and Selected Writing
— published 2003 — 2 editions |
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Eclogues: Eight Stories
— 3 editions |
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Tatlin!
— published 1974 — 2 editions |
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Twelve Stories
— published 1997 |
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The Jules Verne Steam Balloon: Nine Stories
— 3 editions |
“Something of the previous state, however, survives every change. This is called in the language of cybernetics (which took it form the language of machines) feedback, the advantages of learning from experience and of having developed reflexes.”
― Guy Davenport
― Guy Davenport
“The meaning of the world, said Wittgenstein, is outside the world. Events and values are distinguishable only in relation to others. A totality of events and values, the world itself, requires another.”
― Guy Davenport
― Guy Davenport
“Man was first a hunter, and an artist: his early vestiges tell us that alone. But he must always have dreamed, and recognized and guessed and supposed, all the skills of the imagination. Language itself is a continuously imaginative act. Rational discourse outside our familiar territory of Greek logic sounds to our ears like the wildest imagination. The Dogon, a people of West Africa, will tell you that a white fox named Ogo frequently weaves himself a hat of string bean hulls, puts it on his impudent head, and dances in the okra to insult and infuriate God Almighty, and that there's nothing we can do about it except abide him in faith and patience.
This is not folklore, or quaint custom, but as serious a matter to the Dogon as a filling station to us Americans. The imagination; that is, the way we shape and use the world, indeed the way we see the world, has geographical boundaries like islands, continents, and countries. These boundaries can be crossed. That Dogon fox and his impudent dance came to live with us, but in a different body, and to serve a different mode of the imagination. We call him Brer Rabbit.”
― Guy Davenport, The Geography of the Imagination: Forty Essays
This is not folklore, or quaint custom, but as serious a matter to the Dogon as a filling station to us Americans. The imagination; that is, the way we shape and use the world, indeed the way we see the world, has geographical boundaries like islands, continents, and countries. These boundaries can be crossed. That Dogon fox and his impudent dance came to live with us, but in a different body, and to serve a different mode of the imagination. We call him Brer Rabbit.”
― Guy Davenport, The Geography of the Imagination: Forty Essays






























