J.D. McClatchy





J.D. McClatchy

Author profile


born
in Bryn Mawr, Pennsylvania
January 01, 1945

gender
male

website

genre


About this author

McClatchy is an adjunct professor at Yale University and editor of the Yale Review. He also edits the "Voice of the Poet" series for Random House AudioBooks.

His book Hazmat (Alfred A. Knopf, 2002) was nominated for the 2003 Pulitzer Prize. He has written texts for musical settings, including eight opera libretti, for such composers as Elliot Goldenthal, Daron Hagen, Lowell Liebermann, Lorin Maazel, Tobias Picker, Ned Rorem, Bruce Saylor, and William Schuman. His honors include an Award in Literature from the American Academy of Arts and Letters (1991). He has also been one of the New York Public Literary Lions, and received the 2000 Connecticut Governor’s Arts Award.

In 1999, he was elected into the membership of The American Academy of Arts...more


Average rating: 4.09 · 1,433 ratings · 171 reviews · 54 distinct works · Similar authors
The Vintage Book of Contemp...
3.91 of 5 stars 3.91 avg rating — 316 ratings — published 1990 — 3 editions
The Vintage Book of Contemp...
4.2 of 5 stars 4.20 avg rating — 122 ratings — published 1996 — 2 editions
Poems of the Sea
4.12 of 5 stars 4.12 avg rating — 43 ratings — published 2001 — 2 editions
Love Speaks Its Name: Gay a...
4.36 of 5 stars 4.36 avg rating — 28 ratings — published 2001 — 3 editions
Poets on Painters: Essays o...
4.14 of 5 stars 4.14 avg rating — 22 ratings — published 1988 — 2 editions
Christmas Poems
3.59 of 5 stars 3.59 avg rating — 17 ratings — published 1999
Hazmat
3.6 of 5 stars 3.60 avg rating — 20 ratings — published 2002
On Wings of Song: Poems Abo...
3.87 of 5 stars 3.87 avg rating — 15 ratings — published 2000
American Writers at Home
by
4.07 of 5 stars 4.07 avg rating — 14 ratings — published 2004
The Four Seasons: Poems
3.92 of 5 stars 3.92 avg rating — 12 ratings — published 2008
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“A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.”
J.D. McClatchy

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