J.D. McClatchy





J.D. McClatchy

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born
January 01, 1945 in Bryn Mawr, Pennsylvania

gender
male

website

genre


About this author

McClatchy is an adjunct professor at Yale University and editor of the Yale Review. He also edits the "Voice of the Poet" series for Random House AudioBooks.

His book Hazmat (Alfred A. Knopf, 2002) was nominated for the 2003 Pulitzer Prize. He has written texts for musical settings, including eight opera libretti, for such composers as Elliot Goldenthal, Daron Hagen, Lowell Liebermann, Lorin Maazel, Tobias Picker, Ned Rorem, Bruce Saylor, and William Schuman. His honors include an Award in Literature from the American Academy of Arts and Letters (1991). He has also been one of the New York Public Literary Lions, and received the 2000 Connecticut Governor’s Arts Award.

In 1999, he was elected into the membership of The American Academy of Arts...more


Average rating: 4.07 · 1,271 ratings · 147 reviews · 58 distinct works
The Vintage Book of Contemp...
3.91 of 5 stars 3.91 avg rating — 251 ratings — published 1990 — 2 editions
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Henry Wadsworth Longfellow:...
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4.02 of 5 stars 4.02 avg rating — 150 ratings — published 2000
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The Vintage Book of Contemp...
4.19 of 5 stars 4.19 avg rating — 93 ratings — published 1996 — 2 editions
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Poems of the Sea
4.24 of 5 stars 4.24 avg rating — 34 ratings2 editions
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Love Speaks Its Name: Gay a...
4.35 of 5 stars 4.35 avg rating — 23 ratings — published 2001 — 3 editions
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Poets on Painters
4.09 of 5 stars 4.09 avg rating — 22 ratings — published 1989 — 2 editions
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Hazmat
3.5 of 5 stars 3.50 avg rating — 18 ratings — published 2002 — 3 editions
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On Wings of Song: Poems Abo...
4.0 of 5 stars 4.00 avg rating — 11 ratings — published 2000
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American Writers at Home
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4.0 of 5 stars 4.00 avg rating — 10 ratings — published 2004
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Seven Mozart Librettos: A V...
4.22 of 5 stars 4.22 avg rating — 9 ratings — published 2010
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“A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.”
J.D. McClatchy

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