Susan Vreeland






Susan Vreeland

author profile


gender
female

place of birth
The United States

website

genre
Literature & Fiction


about this author

Susan Vreeland is an internationally renowned best-selling author and three-time winner of the Theodor Geisel Award for Fiction, the San Diego Book Award’s highest honor. She is known for writing historical fiction on art-related themes, including Girl in Hyacinth Blue, The Passion of Artemisia, and Luncheon of the Boating Party (Penguin, 2007). Her books have been translated into 25 languages. She lives in San Diego, California.




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avg rating: 3.59 | 6,075 ratings | 1,053 reviews | 14 distinct works | 25 fans
Girl in Hyacinth Blue Girl in Hyacinth Blue
by Susan Vreeland
avg rating 3.57 — 3,156 ratings — published 1998
23 editions
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The Passion of Artemisia The Passion of Artemisia
by Susan Vreeland
avg rating 3.76 — 1,238 ratings — published 2002
17 editions
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Luncheon of the Boating Party Luncheon of the Boating Party
by Susan Vreeland
avg rating 3.50 — 753 ratings — published 2007
8 editions
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The Forest Lover The Forest Lover
by Susan Vreeland
avg rating 3.48 — 371 ratings — published 2001
10 editions
my rating:
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Life Studies: Stories Life Studies: Stories
by Susan Vreeland
avg rating 3.59 — 132 ratings — published 2004
7 editions
my rating:
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What Love Sees What Love Sees
by Susan Vreeland
avg rating 3.43 — 7 ratings — published 1988
3 editions
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The Passion of Artemisia The Passion of Artemisia
by Susan Vreeland
avg rating 3.40 — 5 ratings — published 2007
my rating:
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Passion of Artemisia: CD Passion of Artemisia: CD
by Susan Vreeland
avg rating 3.00 — 3 ratings — published 2002
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Forest Lover, The Forest Lover, The
by Susan Vreeland
avg rating 4.00 — 2 ratings — published 2007
my rating:
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What English Teachers Want What English Teachers Want
by Susan Vreeland
avg rating 5.00 — 1 rating — published 1996
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"That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains."
Susan Vreeland
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"It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments."
Susan Vreeland
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topics mentioning this author

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