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Women, Art, And Power And Other Essays
— published 1988 — 2 editions |
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Realism
— published 1972 — 2 editions |
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Global Feminisms: New Directions in Contemporary Art
by Linda Nochlin, Maura Reilly — published 2007 |
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The Politics Of Vision: Essays On Nineteenth-century Art And Society
— 3 editions |
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The Body in Pieces: The Fragment as a Metaphor of Modernity
— published 1995 — 2 editions |
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Courbet
— published 2007 |
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Representing Women
— published 1999 — 2 editions |
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Cecily Brown
by Linda Nochlin, Linda Norden |
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Bathers, Bodies, Beauty: The Visceral Eye
— published 2006 |
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Mathis at Colmar: A Visual Confrontation
— published 1963 |
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“The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is.”
― Linda Nochlin
― Linda Nochlin
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