Linda Nochlin





Linda Nochlin

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gender
female

genre

About this author


Average rating: 4.08 · 314 ratings · 19 reviews · 34 distinct works
Women, Art, And Power And O...
4.15 of 5 stars 4.15 avg rating — 47 ratings — published 1988 — 2 editions
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Realism
3.76 of 5 stars 3.76 avg rating — 37 ratings — published 1972 — 2 editions
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Global Feminisms: New Direc...
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3.96 of 5 stars 3.96 avg rating — 23 ratings — published 2007
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The Politics Of Vision: Ess...
3.63 of 5 stars 3.63 avg rating — 19 ratings3 editions
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The Body in Pieces: The Fra...
3.8 of 5 stars 3.80 avg rating — 15 ratings — published 1995 — 2 editions
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Courbet
4.07 of 5 stars 4.07 avg rating — 14 ratings — published 2007
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Representing Women
4.18 of 5 stars 4.18 avg rating — 11 ratings — published 1999 — 2 editions
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Cecily Brown
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3.57 of 5 stars 3.57 avg rating — 7 ratings
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Bathers, Bodies, Beauty: Th...
4.4 of 5 stars 4.40 avg rating — 5 ratings — published 2006
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Mathis at Colmar: A Visual ...
5.0 of 5 stars 5.00 avg rating — 1 rating — published 1963
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“The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is.”
Linda Nochlin



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