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  <name><![CDATA[Sarah Ruden]]></name>
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    <![CDATA[The Aeneid]]>
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    <![CDATA[This extraordinary new translation of the <em>Aeneid</em> stands alone among modern Vergil translations for its accuracy and poetic appeal. Sarah Ruden, a lyric poet in her own right, is the first woman to translate Vergil’s great epic, and she renders the poem in the same number of lines as the original work—a very rare feat that maintains technical fidelity to the original without diminishing its emotional power. &lt;/P&gt;<br/><br/>Ruden’s translation follows Vergil’s content faithfully, and the economy and fast pace she achieves are true to his own unflagging narrative force. With its central theme of national destiny versus. the destiny of individuals, the poem has great resonance in our own times, and Ruden adheres closely to the poet’s message. Her rendering of Vergil’s words gives immediacy to his struggling faith that history has beauty and purpose in spite of its pain. With this distinguished translation, modern readers can experience for themselves the timeless power of Vergil's masterpiece.&lt;/P&gt;]]>
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        <name><![CDATA[Virgil]]></name>
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    <![CDATA[Lysistrata]]>
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    <![CDATA[This rollicking new translation of Aristophanes' comic masterpiece is rendered in blank verse for dialogue and in lyric meters and free verse for the songs. Appended commentary essays--on ancient warfare, classical Greek rationalism, Athenian women, Athenian democracy and the Athenian festivals--offer lively and informative discussions not only of Aristophanes, but of the broader fifth-century social, political, and cultural context as well.]]>
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    <![CDATA[Other places]]>
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