quotes by Milorad Pavić
(showing 1-6 of 6)
"When we read, it is not ours to absorb all that is written. Our thoughts are jealous and they constantly blank out the thoughts of others, for there is not room enough in us for two scents at one time."
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel)
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel)
"A bird foraging for food in the swamps and marshes sinks rapidly if it doesn't move. It has to keep pulling its feet out of the mire to move on, regardless of whether it has caught something or not. And the same applies to us and to our love. We have to move on, we can't stay where we are, because we'll sink."
— Milorad Pavić (Dictionary of the Khazars)
— Milorad Pavić (Dictionary of the Khazars)
"And he gave me a few of the Xeroxed sheets of paper lying on the table in front of him. As he passed them to me, his thumb brushed mine and I trembled from the touch. I had the sensation that our past and our future were in our fingers and that they had touched. And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. I gained and learned more by not reading than by reading those pages..."
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)
"'It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
"He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
" 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?'
"
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)
"He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
" 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?'
"
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)
"" 'It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
"He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
" 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?' ""
— Milorad Pavić
"He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
" 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?' ""
— Milorad Pavić
"And he gave me a few of the Xeroxed sheets of paper lying on the table in front of him. As he passed them to me, his thumb brushed mine and I trembled from the touch. I had the sensation that our past and our future were in our fingers and that they had touched. And so, when I began to read the proffered pages, I at one moment lost the train of thought in the text and drowned it in my own feelings. In these seconds of absence and self-oblivion, centuries passed with every read but uncomprehended and unabsorbed line, and when, after a few moments, I came to and re-established contact with the text, I knew that the reader who returns from the open seas of his feelings is no longer the same reader who embarked on that sea only a short while ago. I gained and learned more by not reading thatn by reading those pages..."
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)
— Milorad Pavić (Dictionary of the Khazars: A Lexicon Novel - Female Edition)

