Anne Fadiman > Quotes

“My daughter is seven, and some of the other second-grade parents complain that their children don't read for pleasure. When I visit their homes, the children's rooms are crammed with expensive books, but the parent's rooms are empty. Those children do not see their parents reading, as I did every day of my childhood. By contrast, when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says 'PRIVATE--GROWNUPS KEEP OUT': a child sprawled on the bed, reading.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.”
― Anne Fadiman

“I have never been able to resist a book about books.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“I can think of few better ways to introduce a child to books than to let her stack them, upend them, rearrange them, and get her fingerprints all over them.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“It has long been my belief that everyone's library contains an Odd Shelf. On this shelf rests a small, mysterious completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“Books wrote our life story, and as they accumulated on our shelves (and on our windowsills, and underneath our sofa, and on top of our refrigerator), they became chapters in it themselves.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“In my view, nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“One reason we have children I think is to learn that parts of ourselves we had given up for dead are merely dormant and that the old joys can re emerge fresh and new and in a completely different form.”
― Anne Fadiman

“One of the convenient things about literature is that, despite copyrights [...] a book belongs to the reader as well as to the writer.”
― Anne Fadiman, At Large and at Small: Familiar Essays

“Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“Reading aloud means no skipping, no skimming, no cutting to the chase.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“Anyone who doubts that caffeine is a drug should read some of the prose composed under its influence.”
― Anne Fadiman

“I can imagine few worse fates than walking around for the rest of one's life wearing a typo.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“My brother and I were able to fantasize far more extravagantly about our parents' tastes and desires, their aspirations and their vices, by scanning their bookcases than by snooping in their closest. Their selves were on their shelves.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“Some friends of theirs had rented their house for several months to an interior decorator. When they returned, they discovered that their entire library had been reorganized by color and size. Shortly thereafter, the decorator met with a fatal automobile accident. I confess that when this story was told, everyone around the dinner table concurred that justice had been served.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“The action most worth watching is not at the center of things, but where edges meet.”
― Anne Fadiman, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures

“If the soul cannot find its jacket. it is condemned to an eternity of wandering--naked and alone”
― Anne Fadiman, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures

“It's not that I think that computers don't have their place, but surely their place is not in bed, which is my favorite place to read, and surely their place is not snuggled up with a cat in your lap in an old armchair. You can't have your laptop computer and your cat in your lap simultaneously, while trying to manage a cup of tea, which you might spill on your computer. On the other hand, if you spilled your cup of tea on your book -- well, Charles Lamb would probably just like it better. He once said that he particularly liked books that had old muffin crumbs in them. Muffin crumbs in your computer would not be a good idea.”
― Anne Fadiman

“Pen-bereavement is a serious matter.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“I'd rather have a book, but in a pinch I'll settle for a set of Water Pik instructions.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.”
― Anne Fadiman

“...the reader who plucks a book from her shelf only once is as deprived as the listener who, after attending a single performance of a Beethoven symphony, never hears it again.”
― Anne Fadiman, Rereadings: Seventeen Writers Revisit Books They Love

“Americans admire success. Englishmen admire heroic failure”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“His books commingled democratically, united under the all-inclusive flag of Literature. Some were vertical, some horizontal, and some actually placed behind others. Mine were balkanized by nationality and subject matter.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“A dark imagination is, perhaps, more appealing before you know anything about darkness.”
― Anne Fadiman, Rereadings: Seventeen Writers Revisit Books They Love

“When the Irish novelist John McGahern was a child, his sisters unlaced and removed one of his shoes while he was reading. He did not stir. They placed a straw hat on his head. No response. Only when they took away the wooden chair on which he was sitting did he, as he puts it, 'wake out of the book'.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“A sonnet might look dinky, but it was somehow big enough to accommodate love, war, death, and O.J. Simpson. You could fit the whole world in there if you shoved hard enough.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“A philosophy professor at my college, whose baby became enamored of the portrait of David Hume on a Penguin paperback, had the cover laminated in plastic so her daughter could cut her teeth on the great thinker.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“I come from the sort of family in which, at the age of ten, I was told I must always say hoi polloi, never "the hoi polloi," because hoi meant "the," and two "the's" were redundant -- indeed something only hoi polloi would say.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“You can miss a lot by sticking to the point.”
― Anne Fadiman, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures

“I hasten to mention that I have never actually solicited a catalogue. Although it is tempting to conclude that our mailbox hatches them by spontaneous generation, I know they are really the offspring of promiscuous mailing lists, which copulate in secret and for money.”
― Anne Fadiman, Ex Libris: Confessions of a Common Reader

“We spread our sleeping bags on the snow and crawled inside. The vantage point was dizzying. It was impossible to tell whether the comet was above us or we were above the comet; we were all falling through space, missing the stars by inches.”
― Anne Fadiman, At Large and at Small: Familiar Essays

“Something amazing happens when the rest of the world is sleeping. I am glued to my chair. I forget that I ever wanted to do anything but write. The crowded city, the crowded apartment, and the crowded calendar suddenly seem spacious. Three or four hours pass in a moment; I have no idea what time it is, because I never check the clock. If I chose to listen, I could hear the swish of taxis bound for downtown bars or the soft saxophone riffs that drift from a neighbor's window, but nothing gets through. I am suspended in a sensory deprivation tank, and the very lack of sensation is delicious.”
― Anne Fadiman, At Large and at Small: Familiar Essays

“The Procrustean bed. . .suggests itself with dispiriting aptness as a metaphor for the Culture Wars, right down to the blandishments with which Procrustes must have lured his guests over the threshold. (I picture him as a handsome fellow with a large vocabulary and an oleaginous tongue, not unlike the chairmen of many English departments.) There's just one crucial difference. Sometimes Procrustes lopped off his victims, and sometimes he stretched them, but the Culture Wars always lop. I have never seen cultural politics enlarge a work of literature, only diminish it.”
― Anne Fadiman, At Large and at Small: Familiar Essays

“Timothy Dunnigan: The kinds of metaphorical language that we use to describe the Hmong say far more about us, and our attachment to our own frame of reference, than they do about the Hmong.”
― Anne Fadiman, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures

“On her ideal dinner party: 'Virginia Woolf, Coleridge and Charles Lamb would have to be there. I would be scurrying around in the kitchen with Mary Lamb - she and I would do the cooking. Of course my brother would be there. I think that's about enough. That number would sustain a single conversation. Virginia and I would be the centre of attention.”
― Anne Fadiman

“Wenn wir die Sprache ändern, um Gleichheit zwischen Männern und Frauen zu stiften, hat das seinen Preis. Damit will ich nicht sagen, dass es nicht geschehen sollte. Viele Dinge, die es letztlich wert sind, dass man sie unternimmt, haben einen hohen Preis. Aber trauern sollten wir um die unbeschwerte Armut unserer Sprache, die uns damit verloren geht, und ihrem Verlust sollten wir so formvollendet und höflich begegnen, wie es jedem Schriftsteller und jeder Schriftstellerin obliegt, die etwas taugen.”
― Anne Fadiman

“You go from the north of Laos and then you go across the Mekong, and when the Pathet Lao soldiers fire, you do not think about your family, just yourself only. When you are on the other side, you will not be like what you were before ou get through the Mekong. On the other side you cannot say to your wife, I love you more than my life. She saw! You cannot say that anymore! And when you try to restick this thing together is is like putting glue on a broken glass.”
― Anne Fadiman, The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures