John Cheever > Quotes

“I can’t write without a reader. It’s precisely like a kiss—you can’t do it alone.”
― John Cheever

“I've been homesick for countries I've never been, and longed to be where I couldn't be.”
― John Cheever

“For lovers, touch is metamorphosis. All the parts of their bodies seem to change, and they seem to become something different and better.”
― John Cheever

“The need to write comes from the need to make sense of one's life and discover one's usefulness.”
― John Cheever

“Fiction is art and art is the triumph over chaos… to celebrate a world that lies spread out around us like a bewildering and stupendous dream.”
― John Cheever

“All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life”
― John Cheever

“Our country is the best country in the world. We are swimming in prosperity and our President is the best president in the world. We have larger apples and better cotton and faster and more beautiful machines. This makes us the greatest country in the world. Unemployment is a myth. Dissatisfaction is a fable. In preparatory school America is beautiful. It is the gem of the ocean and it is too bad. It is bad because people believe it all. Because they become indifferent. Because they marry and reproduce and vote and they know nothing.”
― John Cheever

“Literature has been our salvation, literature has inspired and guided lovers, routed despair and can perhaps in this case save the world.”
― John Cheever

“I don't like to see all my energies, all of my youth, wasted in fur coats and radios and slipcovers.”
― John Cheever, The Stories of John Cheever

“There is a terrible sameness to the euphoria of alcohol and the euphoria of metaphor.”
― John Cheever

“Novels are about men and women and children and dogs, not politics.”
― John Cheever

“I was here on earth because I chose to be.”
― John Cheever, The Stories of John Cheever

“Long ago when they first invented the atomic bomb people used to worry about its going off and killing everybody, but they didn't know that mankind has enough dynamite right in his guts to tear the fucking plant to pieces.”
― John Cheever, Falconer

“Then it is dark; it is a night where kings in golden suits ride elephants over the mountains.”
― John Cheever, The Stories of John Cheever

“Agnes Shay had the true spirit of a maid. Moistened with dishwater and mild eau de cologne, reared in narrow and sunless bedrooms, in back passages, back stairs, laundries, linen closets, and in those servants' halls that remind one of a prison, her soul had grown docile and bleak...Agnes loved the ceremonies of a big house. She drew the curtains in the living room at dark, lighted the candles on the table, and struck the dinner chimes like an eager altar boy. On fine evenings, when she sat on the back porch between the garbage pails and the woodbins, she liked to recall the faces of all the cooks she had known. It made her life seem rich.”
― John Cheever, The Stories of John Cheever

“But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.”
― John Cheever

“These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.”
― John Cheever

“She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.”
― John Cheever, The Stories of John Cheever

“Fiction is art and art is the triumph over chaos (no less) and we can accomplish this only by the most vigilant exercise of choice, but in a world that changes more swiftly that we can perceive there is always the danger that our powers of selection will be mistaken and that the vision we serve will come to nothing.”
― John Cheever

“The landings were dirty and the walls were bare. This stairway brought me into the balcony, and I sat there in the dark, thinking that nothing now was going to save me, that no pretty girl with new shoes was going to cross my path in time.”
― John Cheever, The Stories of John Cheever

“The world that was not mine yesterday now lies spread out at my feet, a splendor. I seem, in the middle of the night, to have returned to the world of apples, the orchards of Heaven. Perhaps I should take my problems to a shrink, or perhaps I should enjoy the apples that I have, streaked with color like the evening sky.”
― John Cheever

“It was one of those midsummer Sundays when everyone sits around saying, "I drank too much last night." You might have heard it whispered by the parishioners leaving church, heard it from the lips of the priest himself, struggling with his cassock in the vestiarium, heard it from the golf links and the tennis courts, heard it from the wildlife preserve where the leader of the Audubon group was suffering from a terrible hangover. "I drank too much," said Donald Westerhazy. "We all drank too much," said Lucinda Merrill. "It must have been the wine," said Helen Westerhazy. "I drank too much of that claret.”
― John Cheever

“For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.”
― John Cheever

“It was still mild when they walked home from the party, and Irene looked up at the spring stars. "How far that little candle throws its beams," she exclaimed. "So shines a good dead in a naughty world.”
― John Cheever, The Stories of John Cheever

“I write to make sense of my life."
-John Cheever, quoted in _Cheever - A Life_ (2009) by Blake Bailey”
― John Cheever

“Will you let me lift you?" he said. "Just let me lift you. Just let me see how light you are."
"All right," she said. "Do you want me to take off my coat?"
"Yes, yes, yes," he said. "Take off your coat."
She stood. She let her coat fall to the sofa.
"Can I do it now?" he said.
"Yes."
He put his hands under her arms. He raised her off the floor and then put her down gently. "Oh you're so light!" he shouted. "Your'e so light, you're so fragile, you don't weigh any more than a suitcase. Why, I could carry you, I could carry you anywhere, I could carry you from one end of New York to the other." He got his hat and coat and ran out of the house.”
― John Cheever, The Stories of John Cheever

“She came right up to me and put her snow-white hand on my arm. "You poor boy," she murmured, "you poor boy."
I'm not a boy, and I'm not poor, and I wished the hell she would get away. She has a clever face, but I felt in it, that night, the force of a great sadness and great malice. "I see a rope around your neck," she said sadly.”
― John Cheever, The Stories of John Cheever

“Weeding the peony hedge I hear the windfalls in the orchard; hear them strike the ground, hear them strike against branches as they fall to the ground. The immemorial smell of apples, old as the sea. Mary makes jelly. Up from the kitchen, up the stairs and into all the rooms comes the smell of apples.”
― John Cheever

“These napkins are more holy than righteous,” Mrs. Wapshot said, and most of her conversation at table was made up of just such chestnuts, saws and hoary puns.”
― John Cheever, The Wapshot Chronicle

“I have spent considerable of my leisure time in this past year in the improvement of my mind but I find that much of it has been spent extremely foolish and that walking in the pasture at dusk with virtuous, amiable and genteel young ladies I experience none but swineish passions. I commenced to read Russell’s Modern Europe sometime last summer.”
― John Cheever, The Wapshot Chronicle

“There was some faint coughing, a moan, and then a man spoke. "Are you all right, darling?" he asked. "Yes," a woman said wearily. "Yes, I'm all right, I guess," and then she added with great feeling, "But you know, Charlie, I don't feel like myself anymore. Sometimes there are about fifteen or twenty minutes in the week when I feel like myself. I don't like to go to another doctor, because the doctor's bills are so awful already, but I just don't feel like myself, Charlie. I just never feel like myself.”
― John Cheever, The Stories of John Cheever

“Everything outside was elegant and savage and fleshy. Everything inside was slow and cool and vacant. It seemed a shame to stay inside.”
― John Cheever

“Chicken began to cry then or seemed to cry, to weep or seemed to weep, until they heard the sound of a grown man weeping, an old man who slept on a charred mattress, whose life savings in tattoos had faded to a tracery of ash, whose crotch hair was sparse and gray, whose flesh hung slack on his bones, whose only trespass on life was a flat guitar and a remembered and pitiful air of "I don't know where it is, sir, but I'll find it, sir," and whose name was known nowhere, nowhere in the far reaches of the earth or in the far reaches of his memory, where, when he talked to himself, he talked to himself as Chicken Number Two.”
― John Cheever, Falconer

“Then it is dark. It is a night when kings in golden suits ride elephants over the mountains.”
― John Cheever

“She perceived vaguely the pitiful corruption of the adult world; how cruel and frail it was, like a worn piece of burlap, patched with stupidities and mistakes, useless and ugly, and yet they never saw its worthlessness.”
― John Cheever, The Stories of John Cheever

“Ben and I walked by the Forum, which, with the green grass still growing among the stones, seems to be a double ruin: a ruin of antiquity and a monument to the tender sentiments of eighteenth- and nineteenth-century travelers, for we see not only the ghosts of Romans here but the shades of ladies with parasols and men with beards and little children rolling hoops.”
― John Cheever