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Pat Conroy quotes (showing 1-50 of 138)

“You get a little moody sometimes but I think that's because you like to read. People that like to read are always a little fucked up.”
Pat Conroy, The Prince of Tides
“Music could ache and hurt, that beautiful music was a place a suffering man could hide.”
Pat Conroy, Beach Music
“Without music and dance, life is a journey through a desert.”
Pat Conroy
“I wanted to become the seeker, the aroused and passionate explorer, and it was better to go at it knowing nothing at all, always choosing the unmarked bottle, always choosing your own unproven method, armed with nothing but faith and a belief in astonishment.”
Pat Conroy, The Lords of Discipline
“American men are allotted just as many tears as American women. But because we are forbidden to shed them, we die long before women do, with our hearts exploding or our blood pressure rising or our livers eaten away by alcohol because that lake of grief inside us has no outlet. We, men, die because our faces were not watered enough.”
Pat Conroy, Beach Music
“I don’t know why it is that I have always been happier thinking of somewhere I have been or wanted to go, than where I am at the time. I find it difficult to be happy in the present.”
Pat Conroy, Beach Music
“A story untold could be the one that kills you.”
Pat Conroy
“Fantasy is one of the soul's brighter porcelains.”
Pat Conroy, Beach Music
“Once you have traveled, the voyage never ends, but is played out over and over again in the quietest chambers. The mind can never break off from the journey.”
Pat Conroy
“I’ve never had anyone’s approval, so I’ve learned to live without it.”
Pat Conroy, The Great Santini
“No story is a straight line. The geometry of a human life is too imperfect and complex, too distorted by the laughter of time and the bewildering intricacies of fate to admit the straight line into it's system of laws.”
Pat Conroy, Beach Music
“We set down feasts for each other and treated our love with tongues of fire. Our bodies were fields of wonder to us.”
Pat Conroy, Beach Music
“I could bear the memory, but I could not bear the music that made the memory such a killing thing.”
Pat Conroy, Beach Music
“I do not have any other way of saying it. I think it happens but once and only to the very young when it feels like your skin could ignite at the mere touch of another person. You get to love like that but once.”
Pat Conroy, Beach Music
“The world of literature has everything in it, and it refuses to leave
anything out. I have read like a man on fire my whole life because the
genius of English teachers touched me with the dazzling beauty of language.
Because of them I rode with Don Quixote and danced with Anna Karenina at a
ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had
nightmares about slavery in "Beloved" and walked the streets of Dublin in
"Ulysses" and made up a hundred stories in the Arabian nights and saw my
mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten
thousand cities and have introduced myself to a hundred thousand strangers
in my exuberant reading career, all because I listened to my fabulous
English teachers and soaked up every single thing those magnificent men and
women had to give. I cherish and praise them and thank them for finding me
when I was a boy and presenting me with the precious gift of the English
language. ”
Pat Conroy
“There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal.”
Pat Conroy, The Prince of Tides
“My wound is geography. It is also my anchorage, my port of call.”
Pat Conroy, The Prince of Tides
“Anyone who knows me well must understand and be sympathetic to my genuine need to be my own greatest hero. It is not a flaw of character; it is a catastrophe.”
Pat Conroy, The Lords of Discipline
“Happiness is an accident of nature, a beautiful and flawless aberration.”
Pat Conroy, The Lords of Discipline
“Her laughter was a shiny thing, like pewter flung high in the air.”
Pat Conroy, Beach Music
“Books are living things and their task lies in their vows of silence. You touch them as they quiver with a divine pleasure. You read them and they fall asleep to happy dreams for the next 10 years. If you do them the favor of understanding them, of taking in their portions of grief and wisdom, then they settle down in contented residence in your heart.”
Pat Conroy, My Reading Life
“But no one walks out of his family without reprisals: a family is too disciplined an army to offer compassion to its deserters.”
Pat Conroy, Beach Music
“Men are prisoners of their genitalia and women are the keepers of the keys to paradise.”
Pat Conroy, Beach Music
“Carolina beach music," Dupree said, coming up on the porch. "The holiest sound on earth.”
Pat Conroy, Beach Music
“Here is all I ask of a book- give me everything. Everything, and don't leave out a single word.”
Pat Conroy, My Reading Life
“Man wonders but God decides
who kills the Prince of Tides.”
Pat Conroy, The Prince of Tides
“She was one of those Southerners who knew from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.”
Pat Conroy, The Prince of Tides
“The only word for goodness is goodness, and it is not enough.”
Pat Conroy, The Prince of Tides
“Rape is a crime against sleep and memory; it's afterimage imprints itself like an irreversible negative from the camera obscura of dreams.”
Pat Conroy, The Prince of Tides
“Walking the streets of Charleston in the late afternoons of August was like walking through gauze or inhaling damaged silk.”
Pat Conroy
“But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.”
Pat Conroy, The Prince of Tides
“Charleston has a landscape that encourages intimacy and partisanship. I have heard it said that an inoculation to the sights and smells of the Carolina lowcountry is an almost irreversible antidote to the charms of other landscapes, other alien geographies. You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.”
Pat Conroy, The Lords of Discipline
“In family matters you can get over anything. That's one thing you'll learn as an adult. There's a lot you have to learn which is a lot worse than that. You'd never think of forgiving a friend for some of the things your parents did to you. But with friends it's different. Friends aren't the roll of the dice.”
Pat Conroy
“Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary”
Pat Conroy, My Losing Season
“My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.”
Pat Conroy
“Writing poetry and reading books causes brain damage.”
Pat Conroy, Beach Music
“Some things don’t mix. Some things don’t mix at all, but sometimes in life you have to take the risk.”
Pat Conroy, The Lords of Discipline
“What's important is that a story changes every time you say it out loud. When you put it on paper, it can never change. But the more times you tell it, the more changes will occur. A story is a living thing; it moves and shifts”
Pat Conroy, South of Broad
“The great teachers fill you up with hope and shower you with a thousand reasons to embrace all aspects of life. I wanted to follow Mr. Monte around for the rest of my life, learning everything he wished to share of impart, but I didn't know how to ask.”
Pat Conroy, My Losing Season
“I stood face to face with the moon and the ocean and the future that spread out with all its bewildering immensity before me.”
Pat Conroy
“He was one of those rare men who are capable of being fully in love only once in their lives.”
Pat Conroy, The Prince of Tides
“A family is one of nature's solubles; it dissolves in time like salt in rainwater.”
Pat Conroy, The Prince of Tides
“Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature's profligate generosity.”
Pat Conroy, My Reading Life
“I prayed hard and only gradually became aware that this fierce praying was a way of finding prologue and entrance into my own writing. This came as both astonishment and relief. When I thought God had abandoned me, I discovered that He had simply given me a different voice to praise the inexhaustible beauty of the made world.”
Pat Conroy
“I'd be a conservative if I'd never met any. They're selfish, mean-spirited, egocentric, reactionary, and boring.”
Pat Conroy, Beach Music
“I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation.

I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself.

But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down.

Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth.

I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder.
"Begin," I command.
"It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.”
Pat Conroy, The Lords of Discipline
“Know this. I think you could be special if you only thought there was anything special about yourself.”
Pat Conroy, My Losing Season
“I can't pass a bookstore without slipping inside, looking for the next book that will burn my hand when I touch its jacket, or hand me over a promissory note of such immense power that it contains the formula that will change everything about me.”
Pat Conroy, My Reading Life
“Even today, I hunt for the fabulous books that will change me utterly. I find myself happiest in the middle of a book which I forget that I am reading, but am instead immersed in a made-up life lived at the highest pitch.”
Pat Conroy, My Reading Life
“A story is a living thing, it moves and shifts...”
Pat Conroy

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Beach Music Beach Music
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South of Broad South of Broad
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